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ARCH.2013.5.7, Rendition: 796060
The image is of an open book or catalog featuring a chronology and a self-portrait of the artist Ernst Barlach. Here is a detailed summary of the contents:
Self-Portrait:
Chronology:
The page provides a detailed chronology of Ernst Barlach's life, highlighting significant events and achievements, alongside a self-portrait lithograph from 1914.
The image depicts an open page from a catalog or exhibition booklet featuring a section on the artist Ernest Barlach. Here are the details:
Self-Portrait: On the right side, there is a black-and-white lithograph titled "Self Portrait" dated 1928, attributed to Frank M. Hall, from the University of Nebraska collection.
Chronology:
Exhibitions:
The page provides a detailed account of the artist's life and a timeline of significant events, along with the notable exhibitions featuring his works.
The image shows an open book or catalog with two pages visible. On the left page, there is text listing details of an exhibition, including venues and dates. Specifically, it mentions the following:
On the right page, there is an etched self-portrait of Ernst Barlach, dated 1928, from the Frank M. Hall collection at the University of Nebraska. Next to the portrait is a chronology of Ernst Barlach's life and work, including the following key points:
The page layout includes the portrait on the right and the chronology on the right-hand side, with the text in a clear, readable font. The overall design is clean and focused on presenting the information in an organized manner.
The image contains two main sections related to the artist Ernst Barlach:
This section lists several exhibitions and collections where Ernst Barlach's works have been displayed or are part of the permanent collection. Here are the details:
University of Nebraska, Art Gallery, Lincoln
Henry Gallery, University of Washington, Seattle
The Dayton Art Institute, Dayton, Ohio
Bard College, Annandale-on-Hudson, New York
This section features a portrait of Ernst Barlach and a detailed chronology of significant events in his life:
This image effectively summarizes the major exhibitions of Barlach's work in the mid-1990s and provides a concise biography of his life and career.
The image depicts an open book featuring an exhibition or catalog page dedicated to the artist Ernest Barlach. The page includes a self-portrait lithograph by Barlach from 1928, located on the right side of the left page.
On the right page, there is a detailed chronology of Barlach's life:
1870: Barlach was born in Wismar, the second son of Georg Barlach and Louise Vollmer. His father was a pastor, and his mother was born in 1842.
1879-1883: Family moved to Schopfhof near Wismar.
1883-1889: Studied at the Dresden Academy, where he focused on sculpture.
1889-1890: Studied in Paris and attended the Académie Julian, where he was influenced by Rodin.
1890-1895: Worked as a sculptor in Hamburg.
1895-1897: Returned to Paris and attended the Académie Colarossi.
1897-1899: Lived in Hamburg and Berlin, where he started working with woodcuts and produced his first published work, "Der Samtpfarrer" (The Velvet Pastor).
1899-1901: Lived in Hamburg and published "Der Totentanz" (The Dance of Death), a series of woodcuts.
1901-1904: Lived in Berlin and met with publisher Reinhard Piper, who published his works.
1904-1905: Lived in a cooperative settlement in Wismar.
1905-1906: Moved to Güstrow, where he began working on his famous sculptures.
1907-1910: Worked on several sculptures and drawings, including the "Der Schwebende" (The Floating One).
1910-1914: Continued his work in Güstrow, producing significant sculptures and drawings.
1914-1918: Served as a medical orderly during World War I.
1919-1923: Focused on sculpture and writing, including the play "Der arme Vetter" (The Poor Relation).
1923-1933: Continued producing major works, including "Der gute Hirte" (The Good Shepherd).
1933-1938: Increasingly isolated due to the political climate, his works were banned by the Nazi regime.
1940: Died in Rostock, Germany.
The left page also lists several exhibitions where Barlach’s work was displayed, including:
The image depicts an open book, specifically a catalog or an exhibition booklet. The book appears to be detailing the life and career of the artist Ernest Barlach, focusing on his self-portrait lithograph from 1928.
On the left page, there is a list of various institutions and their dates of exhibition for Barlach's works:
On the right page, there is a detailed chronology of Ernest Barlach's life along with a self-portrait lithograph from 1928:
The image of the self-portrait lithograph is labeled as "Self-portrait, Lithograph, 1928" and is from the Frank M. Hall collection, University of Nebraska.
The image shows an open book displaying two pages. The left page lists a series of exhibition venues and dates, including:
The right page features a lithograph of a self-portrait created in 1928, and credits the Frank M. Hall collection at the University of Nebraska. Next to the lithograph is a chronology titled "Chronology: Ernst Barlach," detailing key events in Barlach's life and career from 1870 to 1905. This includes his birth, education, publications, places of residence, and professional milestones such as exhibitions and teaching appointments.
This image displays an open book lying flat on a surface. The left page of the book is mostly blank, with text at the bottom listing a series of art gallery and museum names alongside dates, suggesting these might be venues for art exhibitions that took place between 1955 and 1956. Listed are the University of Nebraska Art Galleries in Lincoln, the Henry Gallery at the University of Washington in Seattle, The Dayton Art Institute in Ohio, and the Busch-Reisinger Museum at Harvard University in Massachusetts.
The right page contains printed text and a lithograph. The top right corner indicates a "CHRONOLOGY" followed by text about the timeline of certain events or milestones related to the subject of the book, which likely is an artist or an individual associated with the arts given the context. Below the text portion, there is a labeled "SELF PORTRAIT. Lithograph. 1928" from the Frank M. Hall collection, University of Nebraska. The image within the book is a detailed black and white drawing of a person dressed in garments that might be typical of an earlier historical period, but specific details about the portrait, such as facial features, are not discernible due to redaction.
The image shows an open book or catalog page featuring a detailed chronology of the life of Ernst Barlach, a prominent German sculptor and writer. The page is divided into two sections:
Chronology Section: The right side is titled "CHRONOLOGY: Ernst Barlach" and provides a timeline of key events in Barlach's life, spanning from 1870 to 1956. The chronology includes:
Image: Above the chronology, there is a black-and-white self-portrait lithograph of Ernst Barlach dated 1928. The portrait is signed and attributed to the Franz M. Ullmann Collection, University of Nebraska.
This page serves as both a historical reference and a visual tribute to Ernst Barlach, offering readers insight into his artistic journey and legacy.
The image shows an open book with a black-and-white portrait of a bearded man on the right page. The left page contains the title "Chronology" and a list of dates and events, likely related to the life of the man in the portrait. The book appears to be a biography or a historical account of the man's life. The text is written in a small font and is difficult to read, but it seems to provide information about the man's birth, education, and career.