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The image shows a printed page titled "CORRIGENDA," which lists corrections for a document, likely a catalog or book. The corrections are categorized under different sections: Chronology, Catalog (Sculpture, Drawings, Prints), Bibliography, and Addendum. Here is a detailed summary of the corrections listed:

CHRONOLOGY:

• 1906: "Die Vertrieben" should read "Die Vertriebenen."
• Add 1917: Exhibition of sculpture and prints.
• 1918-1919: "Leipzig" should read "Leipzig."
• Add 1929: First performance of "THE GOOD TIME."
• 1936: "bicentennial" should read "tricentennial."

CATALOG: SCULPTURE:

• No. 10: Correct date to read 1914.

CATALOG: DRAWINGS:

• No. 30: Correct medium to read "pastel and wash."
• No. 37: Delete "probably an unread."
• No. 49: Correct dimensions to read 9" x 11 7/8".
• No. 52: Correct date to read 1922.
• No. 53: Correct signature to read "E Barlach 20.3.22."
• No. 63: Correct dimensions to read 19 1/2" x 14 1/2".

CATALOG: PRINTS:

• No. 95: Correct measurements to read 6 1/2" x 5".

BIBLIOGRAPHY: WORKS BY BARLACH:

• 1951: "Der Graf von Ratzeburg" Berlin should read "Homburg."

ADDENDUM:

• No. 141-149: Add "lent by Miss Magdalene Schindelin, Wellesley, Massachusetts."

This page is likely part of an errata sheet provided to correct mistakes found in the original publication.

The image displays a sheet of corrections (corrigenda) for a publication or catalog, specifically related to a chronological and catalog listing of works by an artist, likely Ernst Barlach.

Here's a detailed summary of the corrections:

Corrigenda:

CHRONOLOGY:

1. For 1906, the entry "Die Vertrieben" should be corrected to "Die Vertriebenen".
2. Add 1917: An exhibition of sculpture and prints.
3. For the period 1918-1919, "Leipzig" should be changed to "THE GOOD TIME".
4. Add 1929: The first performance of "THE GOOD TIME".
5. For 1936, "bicentennial" should be corrected to "tricentennial".

CATALOG: SCULPTURE:

1. Entry No. 10 should have the correct date as 1914.

CATALOG: DRAWINGS:

1. Entry No. 30 should change the medium to "pen and wash".
2. Delete the note "probably an unused" from entry No. 37.
3. Correct dimensions for entry No. 49 to read "9 11/16" x 117/8".
4. Correct the date for entry No. 52 to 1922.
5. Correct the signature for entry No. 52 to read "E Barlach 20.3.22".
6. Correct dimensions for entry No. 63 to read "19 1/2" x 14 1/4".

CATALOG: PRINTS:

1. Correct measurements for entry No. 95 to read "6 3/4" x 5".

BIBLIOGRAPHY: WORKS BY BARLACH:

1. For the year 1951, the entry “Der Graf von Ratzeburg” Berlin should read “Hamburg”.

ADDENDUM:

1. Add entries No. 141-149 indicating they were lent by Miss Magdalene Schindelin from Wellesley, Massachusetts.

These corrections aim to ensure the accuracy of dates, titles, mediums, dimensions, and other specific details in the original publication or catalog.

The image shows a page titled "CORRIGENDA," which lists corrections for a publication. The corrections are categorized under different sections: "CHRONOLOGY," "CATALOG: SCULPTURE," "CATALOG: DRAWINGS," "CATALOG: PRINTS," "BIBLIOGRAPHY: WORKS BY BARLACH," and "ADDENDUM."

Here is a detailed summary of the contents:

CHRONOLOGY:

• 1906: "Die Vertrieben" should read "Die Vertriebenen"
• Add 1917: Exhibition of sculpture and prints
• 1918-1919: "Leipzig" should read "Leipzig"
• Add 1929: First performance of "THE GOOD TIME"
• 1936: "bicentennial" should read "tricentennial"

CATALOG: SCULPTURE:

• No. 10: correct date to read 1914

CATALOG: DRAWINGS:

• No. 30: correct medium to read pen and wash
• No. 37: delete "probably an unused"
• No. 49: correct dimensions to read 9" x 11 7/8"
• No. 52: correct date to read 1922
• No. 63: correct dimensions to read 19 1/2" x 14 1/4"

CATALOG: PRINTS:

• No. 95: correct measurements to read 6 3/4" x 5"

BIBLIOGRAPHY: WORKS BY BARLACH:

• 1951: "Der Graf von Ratzeburg" Berlin should read Hamburg

ADDENDUM:

• No. 141-149: add lent by Miss Magdalene Schindelin, Wellesley, Massachusetts

The image displays a list of corrections and additions (corrigenda and addendum) for a document, likely a catalog or publication about an artist's work. Here is a detailed summary of the corrections:

Chronology:

1. 1906: Change "Die Vertrieben" to "Die Vertriebenen."
2. Add 1917: Include "Exhibition of sculpture and prints."
3. 1918-1919: Change "Leipsig" to "Leipzig."
4. Add 1929: Include "First performance of THE GOOD TIME."
5. 1936: Change "bicentennial" to "tricentennial."

Catalog: Sculpture:

1. No. 10: Correct the date to read 1914.

Catalog: Drawings:

1. No. 30: Correct the medium to read "pen and wash."
2. No. 37: Delete "[probably an unused]."
3. No. 49: Correct dimensions to read "9" x 11 7/8"."
4. No. 52: Correct the date to read 1922.
   • Correct signature to read "F. Barlach 20.3.22."
5. No. 63: Correct dimensions to read "19 1/2" x 14 1/2"."

Catalog: Prints:

1. No. 95: Correct measurements to read "6 3/4" x 5"."

Bibliography: Works by Barlach:

1. 1951: Change "Der Graf von Ratzeburg" Berlin to read Hamburg.

Addendum:

1. Nos. 141-149: Add a new entry lent by Miss Magdalene Schindelin, Wellesley, Massachusetts.

The image is a document titled "Corrigenda," which lists corrections and additions for a publication, likely a catalog or bibliography related to the works of Ernst Barlach. Here's a detailed summary of the corrections and additions:

Chronology:

1. 1906: The entry "Die Vertrieben" should read "Die Vertriebenen."
2. An addition for 1917: Exhibition of sculpture and prints.
3. 1918-1919: "Leipsig" should read "Leipzig."
4. An addition for 1929: First performance of "THE GOOD TIME."
5. 1936: "bicentennial" should read "tricentennial."

Catalog: Sculpture:

• No. 10: Correct the date to read 1914.

Catalog: Drawings:

• No. 30: Correct the medium to read "pen and wash."
• No. 37: Delete "probably an unused."
• No. 49: Correct dimensions to read "9" x 11 7/8."
• No. 52: Correct the date to read 1922.
• No. 63: Correct dimensions to read "19 1/2" x 14 1/4."

Catalog: Prints:

• No. 95: Correct measurements to read "6 3/4" x 5."

Bibliography: Works by Barlach:

• 1951: The entry "Der Graf von Ratzeburg" Berlin should read "Hamburg."

Addendum:

• No. 141-149: Add that these items were lent by Miss Magdalene Schindelin, Wellesley, Massachusetts.

These corrections and additions aim to improve the accuracy of the publication by fixing errors in spelling, dates, dimensions, and other details.

The image is a page titled "CORRIGENDA," which lists corrections and additions to a document, likely a catalog or bibliography related to an artist named Barlach.

Chronology:

• 1906: The phrase "Die Vertrieben" should be corrected to "Die Vertriebenen."
• 1917: An addition noting an exhibition of sculpture and prints.
• 1918-1919: The word "Leipzig" should be corrected to "Leipzig" (already correctly listed).
• 1929: An addition noting the first performance of "THE GOOD TIME."
• 1936: The term "bicentennial" should be corrected to "tricentennial."

Catalog: Sculpture:

• No. 10: The date should be corrected to 1914.

Catalog: Drawings:

• No. 30: The medium should be corrected to "pen and wash."
• No. 37: The phrase "probably an unused" should be deleted.
• No. 49: The dimensions should be corrected to 9" x 117/8".
• No. 52: The date should be corrected to 1922.
• No. 63: The dimensions should be corrected to 19 1/2" x 14 1/4".

Catalog: Prints:

• No. 95: The measurements should be corrected to 6 3/4" x 5".

Bibliography: Works by Barlach:

• 1951: The phrase "Der Graf von Ratzeburg" Berlin should be corrected to "Der Graf von Ratzeburg" Hamburg.

Addendum:

• Numbers 141-149: An addition noting that these items were lent by Miss Magdalene Schindelin, Wellesley, Massachusetts.

The image shows a typed corrigenda sheet with corrections and additions related to chronology, catalog entries, bibliography, and an addendum.

Details include:

• Chronology corrections and additions for years 1906, 1917, 1918-1919, 1929, and 1936.
• Catalog corrections for sculpture (No. 10), drawings (Nos. 30, 37, 49, 52, 63), and prints (No. 95).
• Bibliography correction for a 1951 work by Barlach.
• An addendum noting lent items by Miss Magdalene Schindelin from Wellesley, Massachusetts for Nos. 141-149.

The sheet is typed in black text on white paper, with some spelling corrections and clarifications about dimensions, dates, and locations.

The image displays a document titled "CORRIGENDA," which lists corrections to be made to what appears to be a previously published work or documentation. It is divided into several sections, including "CHRONOLOGY," "CATALOG: SCULPTURE," "CATALOG: DRAWINGS," "CATALOG: PRINTS," and "BIBLIOGRAPHY: WORKS BY BARLACH."

• Under "CHRONOLOGY," corrections are made to years and terms, such as changing "1906 Die Vertrieben" to "1906 Die Vertriebenen" and changing "1936 bicentennial" to "1936 tricentennial."
• The "CATALOG" sections list specific numbers (such as No. 10, No. 30, etc.) that correspond to entries probably in a catalog or an exhibition list for sculptures, drawings, and prints. Corrections include altering dates, medium descriptions, dimensions, and annotations.
• In "BIBLIOGRAPHY: WORKS BY BARLACH," a correction is suggested to replace "Berlin" with "Hamburg" for a 1951 work titled "Der Graf von Ratzeburg".
• Finally, the "ADDENDUM" section notes the addition of an entry (No. 141-149) by "Miss Magdalene Schindelin, Wellesley, Massachusetts."

Overall, this document serves to amend factual details in a publication catalog or similar reference document concerning works of art or historical records.

The image shows a page titled "CORRIGENDA", which appears to be a correction or amendment sheet for a catalog or publication. The page is formatted in a clean, professional style with clear headings and bullet points. Here is a detailed description:

Header:

• The page is titled "CORRIGENDA" in bold, uppercase letters at the top.

Content:

The page is divided into several sections, each addressing corrections or additions to specific parts of the catalog or publication. The sections are as follows:

1. CHRONOLOGY

• 1906: Correction for "Die Vertrieben" should read "Die Vertriebenen."
• Add 1917: Addition of an "Exhibition of sculpture and prints."
• 1918-1919: Correction for "Leipsige" should read "Leipzig."
• Add 1929: Addition of the "First performance of THE GOOD TIME."
• 1936: Correction for "bicentennial" should read "tricentennial."

2. CATALOG: SCULPTURE

• No. 10: Correction of the date to read 1914.

3. CATALOG: DRAWINGS

• No. 30: Correction of the medium to read "pen and wash."
• No. 37: Deletion of the phrase "probably an unused."
• No. 49: Correction of dimensions to read 9" x 11 ¾".
• No. 52: Correction of the date to read 1922.
• No. 63: Correction of the signature to read "E. Barlach 20.3.22."
• No. 63: Correction of dimensions to read 19 ½" x 14 ¼".

4. CATALOG: PRINTS

• No. 95: Correction of measurements to read 6 ¼" x 5".

5. BIBLIOGRAPHY: WORKS BY BARLACH

• 1951: Correction for "Der Graf von Ratzburg," Berlin should read "Hamburg."

6. ADDENDUM:

• No. 141-149: Addition of a lent item by Miss Magdalene Schindelín, Wellesley, Massachusetts.

Design and Layout:

• The page has a clean, minimalist design with ample white space.
• Text is typed in a standard serif font, likely for formal or academic purposes.
• Each section is clearly labeled with bold headings (CHRONOLOGY, CATALOG: SCULPTURE, etc.), making it easy to navigate.
• Corrections and additions are listed in a concise, bullet-point format.

Purpose:

The document serves as an official correction sheet, likely intended for updating or amending a catalog, bibliography, or exhibition record. It ensures accuracy in dates, titles, dimensions, signatures, and other details, as well as adding new information (e.g., the lent items in the ADDENDUM section).

Overall Impression:

The page conveys a sense of precision and attention to detail, typical of academic or archival materials. It is structured to facilitate easy reference and correction of errors in the original document.

The image is a document containing a list of corrections and additions for a catalog or publication. The document is titled "Corrigenda" and includes a chronology of events and a catalog of sculptures, drawings, and prints. The text is written in a formal and precise manner, with each correction or addition numbered and clearly labeled. The document also includes an addendum section, which provides additional information or corrections. The image appears to be a scanned copy of the document, with a gray background and a slightly blurred effect.