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The image shows a letter dated January 2, 1966, from the Busch-Reisinger Museum at Harvard University, located in Cambridge, Massachusetts. The letter is addressed to Mr. Paul E. Geier at Columbia Heights, Brooklyn 11, New York.

The letter reads:

Dear Paul:

Busch-Reisinger Museum needs your help. This is one of our most ambitious endeavors and that you will understand the importance of this project to our activities, to hold our lectures, and to offer, without charge, these to our members.

Your increasing attendance will greatly enhance the value of the Association are

The letter appears to be a request for assistance or participation in an upcoming project or event at the Busch-Reisinger Museum. The content suggests that the museum is planning something significant and is seeking support from Mr. Geier.

The bottom part of the image shows a section labeled "CORRIGENDA," which seems to be a list of corrections or updates related to a chronology, catalog, or bibliography, with specific references to various catalog numbers and titles. This section includes entries such as:

• Chronology: Corrections to dates and events.
• Catalog: Sculpture: Corrections to catalog entries.
• Catalog: Drawings: Corrections to catalog entries.
• Catalog: Paintings: Corrections to catalog entries.
• Bibliography: Works by Malevich: Corrections to bibliography entries.
• Addendum: Additional information or entries.

The overall layout suggests that this page is part of a larger document or publication related to the museum's collections and activities.

The image is a page from a letter dated January 2, 1956, from the Busch-Reisinger Museum at Harvard University, Cambridge, Massachusetts. The letter is addressed to Mr. Paul E. Geier, located at 210 Columbia Heights, Brooklyn 2, N.Y.

Here's a detailed summary of the contents visible in the image:

1. Header Information:

   • The top of the letter indicates the name of the institution, Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts.
   • The date is clearly marked as January 2, 1956.

2. Salutation:

   • The salutation begins with "Dear Paul."

3. Letter Content:

   • The body of the letter discusses the importance of the Busch-Reisinger Museum's activities, including exhibitions, lectures, and collections of art.
   • It emphasizes the need for ongoing support to keep these activities going and mentions that the museum is growing in significance.
   • The letter also asks Paul if he would be interested in contributing to or supporting the Association of the Busch-Reisinger Museum.

4. Corrigenda Section:

   • The bottom left corner lists various corrigenda, which are corrections to be made, including:
     • Specific dates and catalog entries related to various artworks and exhibitions (e.g., "De Vermeer should read De Vries").
     • Instructions for reading and correcting certain items like sculptures, drawings, prints, and bibliography works.

5. Addendum Section:

   • The bottom right corner lists an addendum:
     • An addendum to a specific catalog entry, mentioning that additional information is available in the Harvard collection.

The page seems to be part of a larger document, likely a newsletter or a formal communication from the museum, aimed at maintaining and enhancing its collections and activities.

The image shows a letter from the Busch-Reisinger Museum at Harvard University, dated January 2, 1956. The letter is addressed to Mr. Paul E. Geier at 210 Columbia Heights, Brooklyn 2, N.Y. The content of the letter expresses appreciation for a gift, noting the growing size of the museum and the importance of such contributions to its activities, including public lectures and exhibitions of modern art. The letter emphasizes the significance of the donor's support and encourages continued assistance. The letter is signed by Ann, though the last name is not fully visible. Additionally, there is a section at the bottom of the page with a list of corrigenda for various publications, indicating needed corrections for future printings.

The image shows a typewritten letter from the Busch-Reisinger Museum at Harvard University, dated January 7, 1956. Here are the key details:

1. Header:

   • Institution: Busch-Reisinger Museum
   • University: Harvard University
   • Location: Cambridge 38, Massachusetts

2. Recipient:

   • Name: Mr. Paul E. Geier
   • Address: 210 Columbia Heights, Brooklyn 2, N.Y.

3. Body of the Letter:

   • The letter expresses that the Busch-Reisinger Museum is in a critical situation due to its current size.
   • It emphasizes the need for an enlargement to continue its activities, including exhibitions, public lectures, and access to artworks.
   • The museum requests financial assistance to maintain and expand its operations, highlighting the importance of the Association's support.

4. Signature:

   • The letter is signed by "nn" (name not entirely clear) on behalf of the museum.

5. Corrigenda and Addendum:

   • The bottom part of the letter lists corrections and additions to a previous document, likely a schedule or catalog, with details about various events and dates:
     • Corrigenda:
       • Corrects dates and details for exhibitions, lectures, and performances from 1956 to 1957.
       • Includes specific corrections for items like "Dr. Vietores" lecture, "Exhibition of Sculpture and prints," and "Lecture: Should we Look at Landscape?"
     • Addendum:
       • Adds a "Bibliography Workshop" on April 1957, to be led by Miss Magdalene S. Gnade.

Overall, the letter seeks support for the museum's expansion and provides corrections to a prior schedule or program.

The image shows a letter from the Busch-Reisinger Museum at Harvard University, Cambridge, Massachusetts, dated January 2, 1956. The letter is addressed to Mr. Paul E. Geier at 210 Columbia Heights, Brooklyn 2, N.Y.

The letter begins with "Dear Paul:" and appears to discuss an enlargement of a work, possibly a drawing, by the Busch-Reisinger Museum. It mentions that this enlargement is part of an exhibition and that it is an "enlarged and somewhat enhanced reproduction of one of our most beautiful drawings." The letter also emphasizes the importance of the museum's activities, including exhibitions, lectures, and works of art, and expresses a hope for continued support.

The letter is written on official museum stationery and includes a list of corrigenda and addenda for a catalog. The corrigenda list corrections for various catalog entries, such as:

• Verrocchio's sculpture should read "De Verrocchio."
• Various dates and readings for different catalog items.
• Addendum includes a reference to a book titled "Der Graf von Kalckreuth" by Barbach and mentions a Miss Megdalena Schindler-Weldner.

The bottom of the page contains a handwritten note, possibly a reminder or additional instruction, that is partially visible. The letter is neatly typed and organized, reflecting a formal communication from the museum.

The image shows a page from a document from the Busch-Reisinger Museum at Harvard University, Cambridge, Massachusetts, dated January 2, 1956. The document is a letter addressed to Mr. Paul E. Geier at 210 Columbia Heights, Brooklyn, N.Y.

The letter begins with "Dear Paul," and expresses appreciation for a recent gift, noting that the gift is "of considerable value and importance to the Museum." The letter then elaborates on the significance of the Busch-Reisinger Museum and its activities, which include holding public lectures and exhibitions of art.

The letter mentions that the museum's importance is growing and requests that Mr. Geier consider contributing to the Association's funds. It also includes a list of catalogs and their respective numbers and titles, such as:

• Chronologica: 1006
• Catalogue Sculpture: 1018, 1019
• Catalogue Drawings: 80, 37, 57
• Catalogue Prints: 65

Additionally, there is a note indicating that the catalog dimensions for certain items should be read from a specific source, and a bibliography with works by various authors, including "Der Kreis von Hamburg" by Karl Schefold and "Die Kunst der Antike" by Adolf Furtwängler.

The bottom of the page includes a list of corrections for dimensions and titles of various catalog entries. There is also a handwritten note that says "ADDENDUM" with a reference number (No. 11149) and the names of Miss Myrtole Schmelzer and Mrs. Busch-Reisinger.

The image shows an open book or a document with a letter addressed to a Mr. Paul J. Sachs from Busch-Reisinger Museum at Harvard University. The letter is dated January 2, 1956, and includes a header with the museum's name and location. The text appears to be a typed correspondence, possibly regarding museum membership or activities, as there are references to the importance of certain activities for the vitality of the museum. The contents of the letter are partially visible, but the bottom of the page includes a section titled "CORRIGENDA" that seems to list corrections to previous information, though the specific details are not fully visible. There is also a mention of an "ADDENDUM." The letter and the book or document it is placed in appear to be somewhat aged, and the paper shows gentle signs of wear.

The image shows an open book with the title "BUSCH-REISINGGER MUSEUM" on the top left side of the page. The book is placed on a gray surface. The page has a white background with black text. The text reads "Harvard University, Cambridge 38, Massachusetts" in the middle. The date "January 2, 1956" is written in the bottom left corner. The book is bound with a green cover and has a red line running through the middle.

The image shows an open book with two pages visible. The left page is blank, and the right page has a letter printed on it. The letter is dated January 2, 1956, and is addressed to Mr. Paul E. Geier at 210 Columbia Heights, Brooklyn 2, N.Y. The letter is from the Busch-Reisinger Museum at Harvard University, Cambridge 38, Massachusetts. The letterhead includes the museum's name and address. The letter is written in black ink on white paper. The text of the letter is not visible in the image.

The image shows an open book or document that appears to be a letter or correspondence from the Busch-Reisinger Museum at Harvard University, located in Cambridge, Massachusetts. The document is dated January 2, 1956, and is addressed to Mr. Paul E. Geier at 210 Columbia Heights, Brooklyn 2, N.Y.

Key Elements in the Image:

1. Header Information:

   • The top of the page prominently displays the name "BUSCH-REISINGER MUSEUM" and the affiliation with HARVARD UNIVERSITY, CAMBRIDGE 38, MASSACHUSETTS.
   • The date January 2, 1956 is clearly visible.

2. Salutation:

   • The letter begins with "Dear Paul:", indicating it is a personal or professional correspondence.

3. Body of the Letter:

   • The content discusses the Busch-Reisinger Museum, noting its growth in size and its role as an enriching member of the Association.
   • The writer expresses the importance of the museum's activities, such as holding public lectures and talks of art, and emphasizes the need to maintain these efforts to keep the Association strong.
   • The writer also mentions an increasing reliance on the Association, suggesting a collaborative relationship.

4. Footer Section:

   • Below the main body of the letter, there is a section labeled "CORRESPONDA", which appears to be a structured list or index of related documents or items. This section includes:
     • CHRONOLOGY: A timeline of events or activities, including references to specific years (e.g., 1913, 1919, 1925, 1926, 1943).
     • CATALOG OF SCULPTURE: A list of sculptures with detailed descriptions, including titles, artists, and dimensions (e.g., "No. 1: correct drawing," "No. 2: correct drawing").
     • CATALOG OF PRINTS: A list of prints, with references to specific works and their details (e.g., "No. 3: correct drawing").
     • BIBLIOGRAPHY: A list of publications or references, including titles and authors (e.g., "Monograph by Hugo von Hofmannthal, Schaudin, Wolfsky").
     • ADDENDUM: Additional notes or supplementary information.

5. Layout and Design:

   • The document has a clean, formal layout typical of official correspondence or archival records.
   • The text is typed, suggesting it was produced using a typewriter, which aligns with the mid-20th century context.
   • The page includes a stamp or seal from the Busch-Reisinger Museum, reinforcing its official nature.

Overall Impression:

The image depicts a formal letter from the Busch-Reisinger Museum, likely used for record-keeping or communication purposes. It highlights the museum's activities, its relationship with an association, and includes a structured index or catalog of related items, indicating its role in documenting and organizing art and related materials. The document reflects the administrative and archival practices of the time.