Archives Scrapbooks

The image shows pages from a report of the Busch-Reisinger Museum of Germanic Culture. The left page, numbered 6, discusses membership and financial challenges faced by the museum. Key points include:

• 172 new members joined the Association.
• Members donated a total of $2,232.
• Student memberships have been increasing steadily.
• The report for the year 1951-1952 highlights financial difficulties, noting that the museum might have to discontinue activities due to inadequate financial resources.
• The museum staff is underfunded, with only one administrative officer and one building attendant.
• The museum is able to function due to the support of the Fogg Museum's director and staff.

The right page, numbered 7, is an appendix listing new accessions to the museum's collection. The items are categorized as follows:

1. Decorative Art:
   • Ceramics:
     • Swedish, 20th Century: Six pieces of Gustavsberg ceramics by Bengt Friberg and Stig Lindberg (purchases), twelve pieces of Rörstrand ceramics by various designers (gifts and purchases).
   • Furniture:
     • Swedish, 19th Century: Various pieces including a marriage chest, chairs, tables, and a corner cabinet (gifts of Miss Gerda Lindquist).
   • Glass:
     • Swedish, 19th Century: An engraved bottle (gift of Nabokov-Jekim).
     • Swedish, 20th Century: Pieces of Kosta glass by Vicke Lindstrand and Orrefors glass by Edvin Christensson and Sven Palmqvist (gifts and purchases).
     • Swedish, 19th Century: A walnut (gift of Miss Gerda Lindquist).
   • Metal Work:
     • Flemish, 16th Century: A brass bowl (purchase).
     • Swedish, 19th Century: Various brass and copper items (gifts of Miss Gerda Lindquist).
     • Swedish, 20th Century: An adjustable table lamp (anonymous gift).
   • Textiles:
     • Swedish, 19th Century: A lace border and embroidered wall hangings (gifts of Miss Gerda Lindquist).
     • Swedish, 20th Century: Six samples of printed fabric designed by Stig Lindberg (gifts of Knoll Associates, Inc.).

The report highlights the museum's reliance on external support and the generosity of donors in expanding its collection.

The image shows a document from the Busch-Reisinger Museum of Germanic Culture. The document appears to be a page from a report or a record book detailing financial and accession information.

Left Side:
The left side of the page contains a segment titled "CONCLUSION" by Charles L. Kuhn, the Curator. The text mentions concerns raised in a report for the year 1951-1952 regarding financial resources. It highlights a potential danger that the Museum might have to discontinue its activities due to inadequate funding, leading to the risk of becoming a static institution. The year 1952-1953 is noted as having no change in the situation, and the staff at the time consisted of just one administrative officer and one building attendant, with support from the director and staff of the Fogg Museum.

Right Side:
The right side of the page is labeled "Appendix" and lists new accession items categorized under "Decorative Art."

Appendix I: Accessions:

Ceramics:

• Swedish, XX Century: Six pieces of Gustavsberg ceramics by designers Bengt Friberg and Stig Lindberg, purchases; twelve pieces of Rörstrand ceramics by Maria Hackmann, Gunnar Nylund, and Carl Harry Stalhane, gifts of Bertil Axelsson and purchases.

Furniture:

• Swedish, XIX Century: Marriage chest (oak), four side chairs (painted pine), soft-bed dated 1812 (painted pine), gate-leg table (painted pine), sideboard (painted pine), Dala clock dated 1814 (painted pine), hanging corner cabinet (painted pine); gifts of Miss Gerda Lindquist.

Glass:

• Swedish, XIX Century: Engraved bottle of Oscar I, gift of Naboth Hedin.
• Swedish, XX Century: Six pieces of Kosta glass designed by Vicki Lindstrand; three pieces of Orrefors glass designed by Edvin Christman and Sven Palmqvist; three pieces of Strömshyttan glass designed by Gerda Stromberg; purchases.

Leather:

• Swedish, XIX Century: Wallet, gift of Miss Gerda Lindquist.

Metal Work:

• Flemish, XV Century: Brass bowl with double spouts; purchase.
• Swedish, XIX Century: Brass mangle of 1867, ten copper and iron cooking utensils, three brass candlesticks; gifts of Miss Gerda Lindquist.
• Swedish, XX Century: Adjustable table lamp; anonymous gift.

Textiles:

• Swedish, XIX Century: One lace border, three embroidered wall hangings; gifts of Miss Gerda Lindquist.
• Swedish, XX Century: Six samples of printed fabric designed by Stig Lindberg; gifts of Knoll Associates, Inc.

The page also includes a calendar header with months June, July, and August, indicating that this report or record book is likely for a specific time frame or year.

The image shows two pages from a report or publication by the Busch-Reisinger Museum of Germanic Culture. The left page (page 6) contains the conclusion of the report, while the right page (page 7) includes an appendix listing accessions of decorative art.

Page 6: Conclusion

• The report highlights concerns about the museum's financial situation, which were first noted in the 1951-1952 report. The fear was that without adequate resources, the museum might need to discontinue its activities and become a static institution.
• The situation remained unchanged in the 1952-1953 period. The museum was described as being in a woeful state, with a minimal staff of one administrative officer and one building attendant.
• The museum's functioning was attributed to the generous assistance from the overburdened director and staff of the Fogg Museum.
• The conclusion is signed by Charles L. Kuhn, the Curator.

Page 7: Appendix

I. Accessions

Decorative Art:

• Ceramics:

  • Swedish, 20th Century: Six pieces of Gustavsberg ceramics by Bengt Friberg and Stig Lindberg, purchased.
  • Twelve pieces of Rörstrand ceramics by Maria Hackman, Gunnar Nylund, and Carl Harry Stalhane, gifts from Bertil Axelsson.

• Furniture:

  • Swedish, 19th Century: Various items including a marriage chest, chairs, a gateleg table, sideboard, and corner cabinet, all gifts of Miss Gerda Lindquist.

• Glass:

  • Swedish, 19th Century: Engraved bottle by Oscar I, gift of Naboth Hedin.
  • Swedish, 20th Century: Six pieces of Kosta glass designed by Vicki Lindstrand, three pieces of Orrefors glass designed by Edvin Christenson and Sven Palmqist, and three pieces of Strömbergs glass designed by Gerda Strömberg, all purchased.

• Leather:

  • Swedish, 19th Century: Wallet, gift of Miss Gerda Lindquist.

• Metal Work:

  • Flemish, 15th Century: Brass bowl with double spouts, purchased.
  • Swedish, 19th Century: Brass mangle, brass cooking utensils, and brass candlesticks, gifts of Miss Gerda Lindquist.
  • Swedish, 20th Century: Adjustable table lamp, anonymous gift.

• Textiles:

  • Swedish, 19th Century: Lace border, embroidered wall hangings, gifts of Miss Gerda Lindquist.
  • Swedish, 20th Century: Six samples of printed fabric designed by Stig Lindberg, gifts of Knoll Associates, Inc.

The image displays a section of an annual report from the Busch-Reisinger Museum of Germanic Culture, covering activities and updates for the months of June, July, and August.

Page 6:

Conclusion

The conclusion section highlights the following points:

• The report from the year 1951-1952 warned about the risk of the museum having to discontinue its activities due to insufficient financial resources.
• The situation remained unchanged in the year 1952-1953.
• The museum continues to operate with minimal staff: one administrative officer and one building attendant, supplemented by the support of the overburdened director and staff of the Fogg Museum.
• The Busch-Reisinger Museum can function only because of the generous assistance it receives.
• The report notes that 172 new members joined the Association, contributing a total of $1,233. Additionally, student memberships have been increasing steadily over the past few years.

The conclusion is signed by Charles L. Kuhn, the Curator.

Page 7:

Appendix - I. Accessions

This section lists the new acquisitions for the museum under various categories:

Decorative Art:

1. Ceramics:

   • Swedish, XIX Century:
     • Six pieces of Gustavsberg ceramics by designers Bengt Friberg and Stig Lindberg (purchases).
     • Two pieces of Rörstrand ceramics by designer Marianne Håkansson (gifts of Bertil Axelsson and purchases).
     • One piece of Rörstrand ceramics by designer Carl Harry Stålhane (gift of Bertil Axelsson).

2. Furniture:

   • Swedish, XIX Century:
     • Marriage chest (oak), four side chairs (painted pine), sofa bed (dated 1825, painted pine), gate-leg table (pine), side board (painted pine), Dala clock (dated 1814, painted pine), hanging corner cabinet (painted pine) (gifts of Miss Gerda Lindquist).

3. Glass:

   • Swedish, XIX Century:
     • Engraved bottle of Oscar I, gift of NAPBOH Hedin.
     • Six pieces of Kosta glass designed by Vicke Lindstrand (three pieces of Orrefors glass designed by Edvin Öhrström and Sven Palmqvist, three pieces of Strömbergshyttan glass designed by Gerda Strömberg) (purchases).
   • Walllet, gift of Miss Gerda Lindquist.

4. Metal Works:

   • Flemish, XV Century: Brass bowl with double spouts (purchase).
   • Swedish, XIX Century:
     • Brass mangle of 1867, ten copper and iron cooking utensils, three brass candlesticks (gifts of Miss Gerda Lindquist).
     • Adjustable table lamp (anonymous gift).

5. Textiles:

   • Swedish, XIX Century:
     • One lace border, three embroidered wall hangings (gifts of Miss Gerda Lindquist).
     • Six samples of printed fabric designed by Stig Lindberg (gifts of Knoll Associates, Inc.).

The image shows two pages from a document related to the Busch-Reisinger Museum of Germanic Culture. Here is a detailed summary:

Page 6:

• Text Content:

  • The page discusses the financial and operational status of the Busch-Reisinger Museum of Germanic Culture.
  • It mentions that 172 new members joined the Association, with a total of $2,232 donated by members. Student memberships have been increasing steadily.
  • The document highlights a concern from the report for the year 1951-1952 regarding the lack of adequate financial resources, which posed a risk that the Museum might have to discontinue its activities and become static.
  • The situation remained unchanged in 1952-1953, with the Museum being understaffed, consisting of one administrative officer and one building attendant. The generous assistance of the Foggs Museum enabled the Busch-Reisinger Museum to continue functioning.

• Signature:

  • The text is signed by Charles L. Kuhn, the Curator.

Page 7:

• Title:

  • Appendix I: Accessions

• Categories and Details:

  • Decorative Art:
    • Ceramics:
      • Swedish, XX Century: Six pieces of Gustavsberg ceramics by designers Bengt Friberg and Stig Lindberg (purchases), twelve pieces of Rörstrand ceramics by designers Maria Hackmann, Gunnar Nylund, and Carl-Harry Stalhane (gifts of Bertil Axelsson and purchases).
    • Furniture:
      • Swedish, XIX Century: Marriage chest (oak), four side chairs (painted pine), soft-bed dated 1812 (painted pine), gateleg table (pine), sideboard (painted pine), Dala clock dated 1814 (painted pine), hanging corner cabinet (painted pine) (gifts of Miss Gerda Lindquist).
    • Glass:
      • Swedish, XIX Century: Engraved bottle of Oscar I (gift of Naboth Hedin).
      • Swedish, XX Century: Six pieces of Kosta glass designed by Vicki Lindstrand, three pieces of Orrefors glass designed by Edvin Christom and Sven Palmquist, three pieces of Strömbergshyttan glass designed by Gerda Strömberg (purchases).
    • Leather:
      • Swedish, XIX Century: Wallet (gift of Miss Gerda Lindquist).
    • Metal Work:
      • Flemish, XV Century: Brass bowl with double spouts (purchase).
      • Swedish, XIX Century: Brass mangle of 1867, ten copper and iron cooking utensils, three brass candlesticks (gifts of Miss Gerda Lindquist).
      • Swedish, XX Century: Adjustable table lamp (anonymous gift).
    • Textiles:
      • Swedish, XIX Century: One lace border, three embroidered wall hangings (gifts of Miss Gerda Lindquist).
      • Swedish, XX Century: Six samples of printed fabric designed by Stig Lindberg (gifts of Knoll Associates, Inc.).

The image contains two pages from a document of the Busch-Reisinger Museum of Germanic Culture, dated around the mid-20th century.

Page 6:

• The page is titled "BUSCH-REISINGER MUSEUM OF GERMANIC CULTURE."
• It includes a conclusion by Charles L. Kuhn, the Curator.
• Kuhn mentions that despite financial constraints, the Museum had 172 new members who donated a total of $2,232. Student memberships have been increasing.
• There was a concern in the 1951-1952 report that the Museum might have to discontinue activities due to financial difficulties. The situation remained unchanged in 1952-1953, with the museum being understaffed and relying on the Fog Museum for administrative assistance.
• The current staff consisted of one administrative officer and one building attendant.

Page 7:

• The page is also titled "BUSCH-REISINGER MUSEUM OF GERMANIC CULTURE" and is labeled "Appendix."
• It lists the "Accessions" (new items added to the museum's collection) for decorative art, categorized by type:
  • Ceramics:
    • Swedish, XX Century: Six pieces of Gustavsberg ceramics by designers Bengt Friberg and Stig Lindberg; twelve pieces of Rosstrand ceramics by designers Maria Hackmann, Gunnar Nylund, and Carl Harry Stålhane; gifts of Bertil Axelsson and purchases.
  • Furniture:
    • Swedish, XIX Century: Marriage chest (oak), four side chairs (painted pine), soft-bed dated 1812 (painted pine), gate-leg table (pine), sideboard (painted pine), Dala clock dated 1814 (painted pine), hanging corner cabinet (painted pine); gifts of Miss Gerda Lindquist.
  • Glass:
    • Swedish, XIX Century: Engraved bottle of Oscar I, gift of Naboth Hedin.
    • Swedish, XX Century: Six pieces of Kosta glass designed by Vicki Lindstrand; three pieces of Orrefors glass designed by Edvin Christom and Sven Palmquist; three pieces of Strömbergshyttan glass designed by Gerda Strömberg; purchases.
  • Leather:
    • Swedish, XIX Century: Wallet, gift of Miss Gerda Lindquist.
  • Metal Work:
    • Flemish, XV Century: Brass bowl with double spouts; purchase.
    • Swedish, XIX Century: Brass mangle of 1867, ten copper and iron cooking utensils, three brass candlesticks; gifts of Miss Gerda Lindquist.
    • Swedish, XX Century: Adjustable table lamp; anonymous gift.
  • Textiles:
    • Swedish, XIX Century: One lace border; three embroidered wall hangs; gifts of Miss Gerda Lindquist.
    • Swedish, XX Century: Six samples of printed fabric designed by Stig Lindberg; gifts of Knoll Associates, Inc.

The pages appear to be part of an annual report or catalog detailing the museum's activities and acquisitions.

The image shows two adjacent pages of a book or catalogue on a slightly off-white background. The left page is numbered 6 at the bottom and is titled "BUSCH-REISINGER MUSEUM OF GERMANIC CULTURE." It features a section under "CONCLUSION" with a brief text discussing the financial resources of the museum, changes within the staff, and a note about its functioning through the assistance of the Fogg Museum. The paragraph is signed by "CHARLES L. KUHN Curator."

The right page is numbered 7 and contains a section titled "Appendix" with the subtitle "1. Accessions" detailing a list of items categorized under "Decorative Art," "Furniture," "Glass," "Leather," "Metalwork," "Textiles," and "Swedish XIX Century." The items listed pertain to various types of arts and craft objects, such as ceramics, furniture, glass, leather goods, and textiles. The list includes descriptions of the pieces and occasionally their donors or origins.

Overall, the document seems to be part of an annual report or catalogue from the Busch-Reisinger Museum, detailing acquisitions and conclusions from a certain time period (perhaps around 1951-1952 as referenced in the text).

The image depicts an open book, specifically pages from a report or publication titled "BUSCH-REISINGER MUSEUM OF GERMANIC CULTURE". The visible pages are numbered 6 and 7, and the text is organized into sections. Here is a detailed description:

Left Page (Page 6):

• Header: The top of the page includes the museum's name and a section heading: "BUSCH-REISINGER MUSEUM OF GERMANIC CULTURE".
• Content:
  • New Members and Donations: The text mentions that new members joined the Association, with one hundred seventy-two members donating a total of $2,223. It also notes that student memberships have been increasing steadily.
  • Conclusion: A section titled "CONCLUSION" discusses the financial challenges faced by the museum during the year 1951–1952. It highlights the risk of the museum being forced to discontinue its activities due to inadequate financial resources. The museum is described as being understaffed, with only one administrative officer and one building attendant. The report emphasizes that the museum's continued operation is made possible by the generous assistance of the Fogg Museum of Art.
  • Author: The conclusion is signed by CHARLES L. KUHN, identified as the Curator.

Right Page (Page 7):

• Header: Similar to the left page, the header reads "BUSCH-REISINGER MUSEUM OF GERMANIC CULTURE".
• Content:
  • Appendix Section: The page begins with the heading "Appendix", followed by a subsection titled "I. ACCESSIONS".
  • Decorative Art: The page lists various accessions (new additions to the museum's collection) categorized under Decorative Art. The items are organized by material and origin, with detailed descriptions:
    • Ceramics:
      • Swedish, XX Century: Six pieces of Gustavsberg ceramics by designers Bengt Friberg and Stig Lindberg (purchases).
      • Twelve pieces of Rostrand ceramics by designers Maria Hackmann, Gunnar Nyland, and Carl Harry Ståhlane (gifts of Bertil Axelson and purchases).
    • Furniture:
      • Swedish, XIX Century: A marriage chest (oak), four side chairs (painted pine), a sofa board (painted pine) dated 1812, gates (leg table, pine), side dated (painted pine), Dala clock, dated 1834 (painted pine), a hanging corner cabinet (painted pine) (gifts of Miss Gerda Lindquist).
    • Glass:
      • Swedish, XIX Century: An engraved bottle of Oscar I (gift of Naomi Hedlin).
      • Swedish, XX Century: Six pieces of Kosta glass designed by Vicki Lindstrand, three pieces of Orrefors glass designed by Edvin Christman and Sven Palmquist, three pieces of Strombergs glass designed by Gerda Strombergs (purchases).
    • Leather:
      • Swedish, XIX Century: A wallet (gift of Miss Gerda Lindquist).
    • Metal Work:
      • Flemish, XV Century: A brass bowl with double spouts (purchase).
      • Swedish, XX Century: A brass mangle of 1867, ten copper and iron cooking utensils, three brass candlesticks (gifts of Miss Gerda Lindquist).
      • Swedish, XX Century: An adjustable table lamp (anonymous gift).
    • Textiles:
      • Swedish, XIX Century: One lace border, three embroidered wall hangings (gifts of Miss Gerda Lindquist).
      • Swedish, XX Century: Six samples of printed fabric designed by Stig Lindberg (gifts of Knoll Associates, Inc.).

Additional Details:

• Page Layout: The pages are clean and well-organized, with clear headings and structured lists.
• Typography: The text is printed in a formal, serif font, typical of academic or institutional publications.
• Context: The document appears to be an annual report or museum accession log, detailing financial updates, membership statistics, and new acquisitions for the Busch-Reisinger Museum of Germanic Culture.

This image provides a snapshot of the museum's operations, financial status, and collection growth during the early 1950s.

An open book with text on it is placed on a gray surface. The text on the left side of the book reads "Busch-Reisinger Museum of Germanic Culture." The text on the right side of the book reads "Appendix" and "I. Accessions." The book contains information about the museum's acquisitions, including ceramics, furniture, glass, leather, metalwork, and textiles. The book also mentions the generous assistance of the already overburdened director and staff of the Fogg Museum.

The image shows a book open to two pages. The left page has a title, "Busch-Reisinger Museum of Germanic Culture," and a subheading, "Conclusion." It is written in a serif font and is in black. The text on the page is about the museum's financial situation and the increase in student memberships. There is a signature at the bottom of the page. The right page has the same title and a subheading, "Appendix." It has a list of items under the headings "Ceramics," "Furniture," "Glass," "Leather," "Metal Work," and "Textiles." The items are described in detail, including their origin, century, and the name of the designer or artist.