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ARCH.2013.5.5, Rendition: 791368
The image is a page from a book, specifically page 19, which features a black-and-white photograph of a stoneware wine mug. The mug is identified as a "Siegburg Stoneware Wine Mug" dated 1573. The mug has a cylindrical shape with a handle and is decorated with intricate relief carvings.
The text on the page discusses art and sculpture, mentioning contrasts of light and dark, and the emotional depth conveyed through sculpture. It references the works of artists like Matthias Grünewald and his depiction of Christ on the Cross, as well as the St. Michael altarpiece. The text also touches on the influence of the Italian Renaissance on German art, noting that German sculptors created elaborate decorative pieces for patrons and the aristocracy. An example given is a Kelheim stone plaque depicting the goddess of water in the manner of ancient sea gods.
The page is dated December 1952 at the bottom left corner. The book appears to be well-preserved, with a clean and intact page.
The image is a page from a book, specifically from a publication dated December 1952. The page features a detailed discussion on the art of the German Renaissance, with a focus on a specific type of artwork, stoneware mugs.
The main image on the page is a photograph of a Siegburg stoneware wine mug from 1573. This mug is intricately decorated with detailed carvings.
The text below the image discusses the artistic style and context of the depicted mug and similar works. It mentions that the sculpture contrasts light and dark to create a sorrowful and dramatic mood, emphasizing themes of tragedy and loss. The text also highlights the German predilection for Northern Gothic emotionalism and contrasts this with the more balanced and intellectual style of the Italian Renaissance.
It notes that German sculptors of the Renaissance era created small, decorative pieces for wealthy patrons and aristocracy, illustrating a distinct approach to art compared to their Italian counterparts. The Busch-Reisinger Museum is mentioned as an example of where such pieces are preserved, including a Kelheim stone plaque in high relief that depicts playful scenes with sea gods, reflecting a different artistic approach from the dramatic and somber Northern style.
The page is from a publication that appears to be a scholarly or art historical journal, focusing on European Renaissance art.
The image displays an open book with a page featuring a photograph of an intricately designed stoneware wine mug. The mug, labeled as "Fig. 6. Siegburg Stone-ware Wine Mug. 1573.," is the central focus of the page. It has a cylindrical body with detailed carvings and a handle on the left side. The photograph is set against a black background to highlight the mug's features.
Below the photograph, there is a caption, and further text discusses the historical context and significance of the mug. The text mentions that the German sculptors of the early 16th century were at their best when creating small-scale pieces for wealthy patrons, and it notes that the Bode-Museum has acquired an important example of this type of sculpture, specifically a stone plaque depicting a playful putto.
The bottom of the page indicates the date "DECEMBER, 1952," and the page number "19." The text is presented in a clear, readable font, and the overall layout of the page is clean and focused on the artifact and its description.
The image shows an open book featuring a detailed description and an illustration of a historical artifact. Specifically, it displays an old stoneware wine mug from Siegburg, dated to 1573.
Left Page:
The text discusses the characteristics and artistic elements of Northern Renaissance sculpture, particularly focusing on the work of Tilman Riemenschneider, a renowned German sculptor. It describes how Riemenschneider used contrasts of light and dark, deep shadows, and the positioning of figures to create a dramatic and emotional effect. The text mentions the sorrowful depiction in his works, such as the upward-swinging drapery and the tragic faces, highlighting the Northern predilection for Gothic emotionalism.
Right Page:
The right page includes a photograph of the Siegburg stoneware wine mug. The mug is intricately decorated with various relief designs, including what appears to be figures and ornamental details. Below the photograph is the figure caption: "Fig. 6. Siegburg Stone-Ware Wine Mug, 1573."
Additionally, the text on the right page explains that the intellectual style of the Italian Renaissance was never fully adopted in Germany. It mentions the German sculptor known as Adam, who worked in the Renaissance style, creating decorative cabinet pieces. The Busch-Reisinger Museum is noted for its acquisition of a high-relief stone plaque by this sculptor, depicting the myth of Phyllis riding Aristotle, reflecting the Renaissance interest in classical themes. The page number is 19, and the text is dated December 1952.
The image shows an open page from a book published in December 1952. The page contains both text and an illustration.
The illustration is of a "Siegburg Stoneware Wine Mug" from the year 1573. The mug is intricately decorated with detailed engravings, depicting various scenes or patterns, and it has a handle that is also elaborately designed.
The accompanying text discusses the art style and the influence of Northern predilections on German Renaissance sculpture. It mentions that German sculptors, while influenced by the Italian Renaissance, created their own distinctive style, focusing on small-scale cabinet pieces for wealthy patrons and aristocracy. The Busch-Reissinger Museum has acquired an outstanding example of this type of sculpture, specifically a Kelheim stone plaque in high relief, which depicts playful putti sporting in a stream of water, reminiscent of ancient sea gods.
The page number at the bottom right corner is 19.
The image shows a page from a book published in December 1952, featuring an article or essay with text and an accompanying photograph.
The photograph is of a stoneware wine mug, labeled "Fig. 6. Siegburg Stone-ware Wine Mug, 1573." The mug is intricately designed with detailed relief carvings, likely depicting various scenes or patterns.
The text on the page discusses the influence of Italian Renaissance art on Northern European sculpture, particularly focusing on the emotional and dramatic aspects. It mentions that the German sculptors of the so-called "Renaissance" period were influenced by the Italian style but adapted it to create their own unique pieces. The text highlights the use of strong contrasts of light and dark to enhance the dramatic content of their works, which often emphasized themes of tragedy and loss.
The text also notes the predilection for emotionalism in Northern art and describes how the German sculptors created smaller, more intimate works for domestic settings, such as cabinet pieces for wealthy patrons and aristocracy. The Busch-Reisinger Museum is mentioned as having an outstanding example of this type of sculpture, specifically a Kelheim stone plaque in high relief depicting a scene of playful sea gods with a stream of water in the manner of ancient sea gods. The page number is 19.
The image shows an open book with a photograph on the left page and text on both pages. The photograph is of a Siegburg Stone-ware Wine Mug dated 1573. The mug is tall and cylindrical with an elaborate handle and detailed ornate designs covering its surface. The caption beneath the photograph reads "Fig. 6. Siegburg Stone-ware Wine Mug, 1573."
The text on the page discusses contrasts of light and dark and their dramatic effects, mentioning Gothic emotionalism and the intellectual style of the Italian Renaissance, which was never fully adopted in Germany. The text also references the artistic work of German sculptors and their creations of decorative cabinet pieces for wealthy patrons. Additionally, it mentions the acquisition of a stone plaque depicting playful putti, which is illustrated in another figure. The date at the bottom of the left page is "December, 1952," and the page number is 19. The book is bound in a green cover.
The image displays an open book with a page showing a photograph of an artifact. The photograph is predominantly black and white and features a cylindrical stone-ware wine mug adorned with detailed relief sculpting. The mug has a prominent handle on one side, and intricate designs carved into its surface, possibly depicting scenes or figures. There's a caption beneath the photograph that reads, "Fig. 6. Siegburg Stone-ware Wine Mug. 1575."
The text on the left side of the image is in English and partially visible. It discusses themes related to art and sculpture, such as the depiction of emotions and form. The specific context cannot be determined without more information.
The image of the book is well-preserved, and the pages appear aged but in good condition. There are no visible annotations or markings on the photograph or the surrounding text. There is a date "DECEMBER, 1952" towards the bottom left of the page, which could indicate the time of publication or reference a historical event related to the content.
The image shows an open book displaying a single page with a black and white photograph of a Siegburg stone-ware wine mug dated 1573. The mug has an elongated, cylindrical shape with a handle on one side. It is decorated with intricate relief designs depicting various scenes. Beneath the photograph, there is a caption that reads "Fig. 6. Siegburg Stone-ware Wine Mug, 1573." The rest of the page contains text discussing art and sculpture styles, with mention of the German Renaissance and the Buschi-Reisinger Museum. The page is dated December, 1952.
The image depicts an open book, showcasing a page from what appears to be an art or historical publication. The page features a black-and-white photograph of a Siegburg Stoneware Wine Mug dated 1573, as indicated by the caption below the image: "Fig. 6. Siegburg Stoneware Wine Mug. 1573."
The image and accompanying text suggest that this is a scholarly or academic work, likely focusing on art history, ceramic design, or the cultural exchange between Northern European and Italian Renaissance styles. The mug serves as a visual example to illustrate the discussion of artistic techniques and historical influences. The detailed description and the formal presentation of the mug indicate its significance as an artifact of historical and artistic value.