Archives Scrapbooks

The image displays two pages from a document or report related to the Busch-Reisinger Museum of Germanic Culture. The pages are numbered 4 and 5.

Page 4:

• The text discusses various acquisitions made by the museum, including paintings and engravings.
• Notable acquisitions mentioned include:
  • A painting by Ludwig Kirchner purchased from Otto Seligmann.
  • A painting by Oskar Schlemmer purchased from the artist's widow.
  • A painting by Franz Marc titled "Playing Dogs" purchased through a private dealer.
  • A watercolor on silk by Paul Klee acquired from the Pagg Art Museum.
  • A small, unfinished painting by an unknown artist, likely a Nuremberg production from the late 15th century.
  • A Madonna originally from a Crucifixion scene by an unknown German artist.
• The page also lists gifts and loans to the museum from various donors and institutions, including individuals and museums.

Page 5:

• The text continues to describe the museum's activities, including the lending of framed reproductions to students.
• It mentions the establishment of the Elsaie Busch-Greenough Endowment Fund, which supports the museum's policy for acquiring and lending artworks.
• The museum's policy is outlined, emphasizing the acquisition of Germanic artworks of high quality and the lending of these works to educational institutions.
• The page concludes with a note about the museum's staffing and the ongoing project of rounding out the collection, particularly focusing on decorative arts and completing the collection of 20th-century paintings and sculpture.
• The document is signed by Charles L. Kuhn, Curator.

Overall, the pages provide a detailed account of the museum's acquisitions, donations, loans, and policies for the year 1949-1950.

The image shows a page from a document related to the Busch-Reisinger Museum of Germanic Culture. The text on the page appears to be discussing acquisitions, loans, and the general activities of the museum for a specific year.

Key points include:

1. Acquisitions:

   • Two notable acquisitions are mentioned: a self-portrait by Ernst Ludwig Kirchner from 1913, and a pastel by the same artist titled "Potsdam Platz."
   • Another significant acquisition is a small soapstone relief by Paul Klee, which was purchased jointly with the Fogg Art Museum.

2. Loans:

   • A list of individuals and organizations that lent objects to the museum is provided. These include prominent names and institutions such as:
     • Mrs. Ann Albers
     • Joseph Albers
     • The American Scandinavian Foundation
     • Various galleries and museums including the Blumenthal Gallery, Buchholz Gallery, Mary Gallery, and more.

3. Activities and Financial Situation:

   • The document notes that a large number of activities were conducted during the year 1950-51, primarily due to funds from the Edwin and Marian Busch-Graefe Fund.
   • The goal of the program was to serve the general artistic needs of the University community and provide specific assistance to the Departments of Fine Arts and German Languages.

4. Conclusion:

   • The document concludes by discussing the museum's operations and the significant completion of decorative art projects. It mentions the ongoing work on completing the collection of twentieth-century painting and sculpture and the necessity for continued funding to sustain the museum's activities.

The document was authored by Charles L. Kuhn, who is identified as the Curator.

The image shows an open book, likely a report or annual statement, from the Busch-Reisinger Museum of Germanic Culture. The text on the left page, labeled page 4, discusses several significant acquisitions and loans. Notable acquisitions include works by Ernst Ludwig Kirchner, Marc Chagall, and Paul Klee, as well as two sculptures. The text also lists numerous gifts and bequests from various donors. The page further mentions that a total of 373 objects were lent to the Museum by various institutions and individuals.

The right page, labeled page 5, continues the discussion, highlighting that the activities of the year 1950-51 were made possible by new financial resources, including a grant from the Carnegie Corporation. The Museum's policy was to serve the general artistic needs of the University community and assist the Department of Fine Arts and the Department of Germanic Languages and Literatures. The page also notes the need for additional staff, including a secretary and a part-time guard. The year saw the beginning of the collection of twentieth-century painting and sculpture, though the long-term usefulness of the Museum still depended on the quality and extent of its collections. The page concludes with the name Charles L. Kuhn, Curator.

The image displays a page from the annual report of the Busch-Reisinger Museum of Germanic Culture. Here's a detailed summary of the content:

Page 4:

Acquisitions:
The museum made several notable acquisitions, particularly highlighting two significant artworks by Ernst Ludwig Kirchner:

1. A Self-Portrait.
2. A postcard study for the painting "Posadaun Platz," which is now part of the collection at the Museum of Modern Art, New York.

Additionally, the museum acquired an important painting by Otto Mueller through purchase. Mueller, a key member of the first generation of German Expressionists, died in 1930, making his works extremely rare.

Another important acquisition is a painting by Paul Klee, purchased jointly with the Fogg Art Museum. This piece is an early example of German High Renaissance work and is considered a small masterpiece.

The museum also received gifts, including a Madonna from a Crucifixion scene, originally from Germany and dating back to around 1700.

Loans:
The museum received a total of 373 objects on loan from various individuals and institutions, including:

• Josef Albers, American Scandinavian Foundation, Anonymous, Art Institute of Chicago.
• Mrs. Alfred J. Butler, Mrs. W. L. Byron, D. Feld, Mr. and Mrs. Lyonel Feininger.
• Ludwig Grote, Mrs. S. S. Holy, Mrs. Robert A. Hornby, Mrs. John G. McCullough.
• Museum of Non-Objective Painting, J. B. Neumann, Mrs. Jane K. Ransohoff, Lessing Rosenwald, Lewis W. Rubenstein.
• Curt Valentin, David H. Wright.

Lenders:
A list of individuals who lent objects to the museum during the year is provided, including:

• Mrs. Alfred J. Butler, Rosalind Allen, American Federation of Arts, Anonymous, Argosy Bookshop.
• Mrs. W. L. Byron, Rudolf Burckhardt, Buchholz Gallery, Cambridge Art Association, Mrs. Mary Gallery.
• Mr. and Mrs. Ralph Colin, Mr. and Mrs. Richard S. Davis, Fogg Art Museum, Ray Johnson, Edgar Kaufmann.
• Mr. and Mrs. Frederick R. Koch, Richard Lippold, Massachusetts Institute of Technology, Pierre Matisse Gallery.
• The Museum of Fine Arts, Boston, Museum of Modern Art, New York.
• Mr. and Mrs. Nelson A. Rockefeller, Mr. and Mrs. Justin K. Thannhauser.
• D. Rockefeller III, Ferdinand Roten, Jane Sabersky, Hervin Schaefer.

Page 5:

Framed Reproductions:
The museum lent 65 framed reproductions to students for decorating their rooms throughout the year.

Conclusion:
The report concludes by summarizing the museum's activities during the 1959-60 fiscal year:

• Significant financial resources were directed towards enhancing the museum's collection.
• The museum implemented a new policy to hire staff for full-time positions, aiming to meet the artistic needs of the University community and the Departments of Germanic Languages and Literatures more effectively.
• The museum is moving towards operating with full efficiency, employing one full-time attendant and a part-time curator.
• The museum's goal is to become a project for acquiring high-quality decorative art, starting with twentieth-century painting and sculpture.
• The collection of twentieth-century painting and sculpture is intended to complement the existing holdings and fill in gaps to provide a comprehensive historical context.

The report is signed by Charles L. Kuhn, Curator.

The image shows a page from an annual report of the Busch-Reisinger Museum of Germanic Culture. The content of the page includes details about acquisitions, loans, and a conclusion summarizing the year's activities.

Acquisitions

• Significant Purchases:

  • Two works by Ernst Ludwig Kirchner, a Self-Portrait from 1913 and a pastel study for the painting "Postdamer Platz" from 1914, were acquired.
  • These works were purchased through the generosity of the Fogg Art Museum and other benefactors.

• Watercolor by Paul Klee:

  • A significant watercolor by Paul Klee, titled "Egyptian Sculpture," was purchased with funds from the Fogg Art Museum.
  • This work is part of a series of watercolors that Kirchner and Klee produced together.

• Relief by Hans Arp:

  • A small relief by Hans Arp, dating from around 1910, was acquired.
  • This piece is an example of Arp's early work and is modeled after Nuremburg engravings.

Loans

• The museum received loans of various objects from several individuals and institutions, including:
  • Mrs. Anne Alberts, Mr. and Mrs. Joseph Allen, American Federation of Arts, Anonymous, Architect’s Guild, and many others.
  • Institutions like the Boston Museum of Fine Arts, the Museum of Modern Art, and the Pierpont Morgan Library.
  • Notable collectors and individuals such as Mr. and Mrs. Ralph Colin, Mr. and Mrs. Richard S. Davis, and Mr. John D. Rockefeller III.

Conclusion

• Activities and Financial Support:

  • The year 1959-60 was marked by extensive activities made possible through the financial support of the Edna Busch-Reisinger Fund.
  • The museum implemented a new policy to serve the artistic needs of the university community and assist the Department of Germanic Languages and Literatures.

• Operational Efficiency:

  • The museum operated efficiently with a staff of one full-time attendant and a part-time curator with many other university duties.
  • Additional part-time guards were hired to ensure security.

• Focus on Collection and Decorative Art:

  • The year saw a significant focus on collecting decorative art of high quality and completing the collection of twentieth-century painting and sculpture.
  • The museum's long-term goal is to provide a permanent collection of art that reflects the quality and extent of its educational mission.

• Closing Remarks:

  • The report concludes with an acknowledgment of the museum's commitment to maintaining and enhancing its collections for the benefit of the university and its visitors.

The page is signed by Charles L. Kuhn, the Curator.

The image shows two pages from a document titled "BUSCH-REISINGER MUSEUM OF GERMANIC CULTURE." The text on these pages is a summary of the museum's activities and acquisitions for a particular year, likely 1950-1951.

Page 4:

Significant Acquisitions:

• Two notable works by Ernst Ludwig Kirchner were purchased: a Self-Portrait from 1913 and a pastel study for the painting "Potsdamer Platz," now in the Museum of Modern Art, New York. These works were acquired through a bequest from the estate of the artist.
• A significant watercolor on silk by Paul Klee, titled "Watercolor Study," was purchased jointly with the Fogg Art Museum. This work is notable for its rarity and significance in the early 20th-century art scene.

Gifts to the Collections:

• The museum received gifts from several donors, including:
  • Joseph Albers
  • American Scandinavian Foundation
  • Anonymous donors
  • Dr. G. F. Copewell
  • Dr. and Mrs. Herbert Bayer
  • Dr. and Mrs. Herbert Field
  • Mrs. L. L. Ford
  • Mrs. M. Moholy-Nagy
  • Museum of Non-Objective Painting
  • J. B. Neumann
  • Mrs. Jane K. Ransohoff
  • Lessing Rosenwald
  • Lewis W. Rubenstein
  • Curt Valentin
  • David H. Wright

Loans:

• The museum lent objects to various institutions and individuals, including:
  • Mrs. Ann Albers
  • Joseph Albers
  • Russell Allen
  • American Federation of Arts
  • Anonymous donors
  • George A. Averill
  • Herbert Bayer
  • Blumka Gallery
  • Buchholz Gallery
  • Mrs. Mary Calley
  • Mr. and Mrs. Ralph Colin
  • Mr. and Mrs. Richard S. Davis
  • Fogg Art Museum
  • Ray Johnson
  • Edgar Kaufmann
  • Gyorgy Kepes
  • Richard Lippold
  • Massachusetts Institute of Technology
  • Pierre Matisse
  • Metropolitan Museum of Art
  • Museum of Fine Arts
  • Boston
  • Museum of Modern Art
  • New York
  • Mr. and Mrs. John D. Rockefeller III
  • Ferdinand Roten
  • Jane Sabersky
  • Mrs. Herbert Schmalz

Page 5:

Conclusion:

• The year saw a significant number of activities and acquisitions, largely made possible by the financial resources from the Edith and Edwin Busch Fund.
• The museum was able to fulfill its policy of serving the general artistic needs of the university community, with assistance from the Department of Fine Arts and the Department of Germanic Languages and Literatures.
• The museum operated efficiently with one full-time attendant and part-time curators, with plans for additional part-time staff in the future.
• The museum completed the collection of decorative art and continued working on the collection of twentieth-century painting and sculpture.
• The museum’s reputation and collections were highly regarded, and it was recognized for its quality and extent of collections.

Signature:

• The document is signed by Charles L. Kuhn, Curator.

This image shows two open pages of a book or a document with text. It appears to be an informational document or a report belonging to a museum, specifically discussing acquisitions and loans. On the left page, which is numbered 4 at the top, there is text that mentions significant works by artists like Ernst Ludwig Kirchner and the loaning of these works to places like the Museum of Modern Art in New York. The right page, numbered 5, talks about coordination and a financial endowment for the year 1950-51, with mention of the Fine Arts Council. There are names listed under a "Loans" section, indicating individuals or entities that have loaned items to a museum.

The pages are slightly yellowed, suggesting that the document could be of some age. There is a ribbon bookmark placed between the pages, and the document itself is lying atop another book or stack of papers, further indicating that this is likely part of a file or collection of documents. It is possible that this image was taken as part of an archival process or simply to document the information contained within the pages.

The image shows a hardcover book opened to pages numbered 4 and 5. These pages contain text about the Busch-Reisinger Museum of Germanic Culture, covering topics such as acquisitions, contributions, and activities from various individuals and organizations. The sections include discussions on notable art acquisitions, gifts to the museum's collection, and the financial sources supporting the museum's operations. The text is primarily about the museum's efforts and progress in expanding its collection and activities, concluding with remarks from Charles L. Kuhn, the Curator. Additionally, there is a bookmark or strap holding the book open. The book's spine and some pages can be seen in the background.

The image shows an open book with two pages visible, numbered 4 and 5. The pages belong to a publication from the Busch-Reisinger Museum of Germanic Culture. The text on the left page discusses acquisitions and loans made by the museum, mentioning several artworks and donors, including works by Ernst Ludwig Kirchner, Franz Marc, and Paul Klee, among others. It also highlights two significant works of sculpture and lists various individuals and institutions that have loaned objects to the museum.

The right page contains a continuation of the text, focusing on the museum's activities during the year 1950-51. It discusses the financial support from the Edmée Busch-Greenough Endowment Fund, which enabled the museum to fulfill its policy for the first time since before the war and to meet the artistic needs of the university community. The text also mentions staffing challenges and ongoing concerns related to acquiring high-quality decorative art and completing the collection of twentieth-century painting and sculpture. The page ends with a signature from Charles L. Kuhn, the curator. There is a small stain or discoloration on the top right corner of the right page. The book itself has a green cover, and the pages underneath show signs of yellowing or aging.

The image shows a two-page spread from a formal report or publication titled "Busch-Reininger Museum of Germanic Culture." The pages are numbered 4 and 5, and the text is printed in a clean, professional font, suggesting an academic or institutional context. The content is structured into two main sections, each discussing different aspects of the museum's activities and acquisitions during a specific year (likely 1950–51, as indicated in the text).

Left Page (Page 4):

• Header: The page begins with the title "BUSCH-REININGER MUSEUM OF GERMANIC CULTURE."

• Content: This section discusses acquisitions of considerable artistic importance made by the museum. It highlights two significant works:

  1. "Self-Portrait" by Ernst Ludwig Kirchner, created in 1913, described as a pastel study for the painting "Posdamer Platz" now in the collection of the Museum of Modern Art, New York.
  2. "Playing Dog," a splendid example of German Expressionist art, acquired from the estate of Franz Marc. Marc, who died in 1916 at the age of 26, is noted for his important paintings executed jointly with the famous watercolorist Paul Klee, which were extremely rare. An important watercolor on silk by Paul Klee was also purchased.

• The page also mentions gifts to the museum collections, generously made by several individuals and organizations, including:

  • Josef Albers, the American Scandinavian Foundation, Anonymous, Robert D. Feild, Mr. and Mrs. Lyndel Feininger, Ludwig Gogswell, Robert Moby-Nagy, Hans Hofmann, Lessing Rosenthal, J. B. Neumann, Mrs. Jane K. Ranschoff, Non Objective Painting, Lewis W. Rubenstein, Curt Valentin, and David H. Wright.

• Additionally, the page lists loans to the museum from various individuals and institutions, including:

  • Mrs. Anni Albers, Josef Albers, Russell Allen, American Federation of Arts, Anonymous Architects’ Collaborative, George Avakian, Herbert Bayer, Blümke Gallery, Buchholz Gallery, Cambridge Art Association, Mrs. Mary Foley, Mr. and Mrs. Ray John, Mr. and Mrs. Richard S. Davis, Gugg Art Museum, Ralph Colin, Edgar Kaufmann, György Kepes, Richard Lippiold, Massachusetts Institute of Technology, Pierre Matisse Gallery, Metropolitan Museum of Art, Museum of Fine Arts, Boston, Museum of Modern Art, New York, Carol Myers, Mrs. John D. Rockefeller III, Ferdinand Roten, Jane Sabersky, Herwin Schaefer.

Right Page (Page 5):

• Header: The page continues with the same title, "BUSCH-REININGER MUSEUM OF GERMANIC CULTURE."

• Content: This section outlines the conclusions drawn from the museum's activities during the year 1950–51. Key points include:

  • The large number of activities during the year was made possible by the Edmée Busch Greenwich Endowment Fund, which provided the museum with new financial resources.
  • The museum implemented its policy for the first time since before the war, serving the general artistic needs of the over-all policy in view, namely, to serve the University community and to be of special assistance to the Department of Fine Arts and the Department of Germanic Languages and Literatures.
  • The staff consists of one full-time attendant and a part-time curator. With many other University duties, in order properly to staff the Museum, a secretary and an additional part-time guard are essential.
  • The collections of the Museum are still a project of major concern. A beginning was made during the year to acquire works of decorative art of high quality and the process of completing the collection of twentieth-century painting and sculpture was continued. Much still remains to be done, however, as pointed out in the report for the year 1949–50. The long-term usefulness of the Museum to the University rests upon the quality and extent of its collections.

• The section is signed off by Charles L. Kuhn, Curator.

Visual Details:

• The pages are part of a bound book or report, as indicated by the visible spine and the page numbers.
• The text is neatly aligned, with clear headings and subheadings.
• The layout is formal and structured, typical of academic or institutional reports.
• The content is dense and informative, focusing on acquisitions, loans, and operational conclusions for the museum.

Overall Impression:

The image depicts a formal, scholarly report detailing the activities, acquisitions, and operational conclusions of the Busch-Reininger Museum of Germanic Culture for a specific year. The content is rich in historical and artistic context, highlighting significant works, generous contributions, and the museum's evolving role within the university community.