Archives Scrapbooks

The image shows a document titled "LOANS TO THE MUSEUM." The text explains that over the past twelve months, 781 objects were lent to the museum, most of which were temporary loans for exhibitions lasting about four weeks. A list of lenders is provided, including institutions and individuals from various locations such as New York City, Cleveland, Chicago, and Cambridge, among others. Some lenders are marked with an asterisk, indicating they generously lent objects for an indefinite period.

The second section of the document is titled "LOANS MADE BY THE MUSEUM," indicating that works of art were lent by the museum to various institutions. The list includes schools, universities, and museums from different states such as Massachusetts, Ohio, Kentucky, and New York, among others. The document appears to be a record of the museum's lending activities, detailing both the loans received and given.

The image depicts a page from a document listing loans to a museum over a period of twelve months. The page is titled "LOANS TO THE MUSEUM" and it details two categories: loans from individuals and loans made by the museum to various institutions.

1. Loans to the Museum:

   • The majority of the 781 objects lent were temporary loans for exhibitions with durations typically around four weeks.

   • The list includes names of lenders, some of whom are well-known institutions and individuals:

     • Notable lenders include institutions such as the Associated American Artists, New York City; the Museum of Modern Art, New York City; and individuals like Joseph Albers, Paul Cleveland, and others from various cities and states, including New York, Cambridge (Massachusetts), Cincinnati, and others.

   • The section also lists individuals with works generously lent for an indefinite period, such as:

     • Kenneth J. Conant, Cambridge, Mass.
     • Fogg Art Museum, Cambridge, Mass.
     • A. C. de Frey, New York City

2. Loans Made by the Museum:

   • The museum also lent works of art to other institutions, including:
     • Cambridge Public Schools, Art Department
     • Bowling Green State University
     • Pogg Art Museum, Cambridge
     • Art Institute of Boston
     • Fogg Art Museum, Cambridge
     • New Orleans Museum of Art
     • And several others like the Museum of Modern Art, New York, Portland Art Museum, and others from cities like Louisville, Syracuse, Boulder, and Wellesley.

This document essentially serves as a record of the collaborative efforts and exchanges of artworks between the museum and various lenders and recipients over the past year.

The image displays a page from a document listing loans to and from a museum over a twelve-month period. The page is titled "LOANS TO THE MUSEUM" and details the temporary loans of approximately 781 objects, primarily for exhibitions lasting about four weeks.

The list of lenders includes:

• Joseff Albers, New York City
• Associated American Artists, New York City
• Marilyn Baner, Cleveland, Ohio
• Paul Citron, New York City
• Kenneth J. Conant, Cambridge, Mass.
• Fogg Art Museum, Cambridge, Mass.
• A. C. de Frey, New York City
• Paul Hirsch, New York City
• Institute of Contemporary Art, Boston, Mass.
• William Joseph, Cincinnati, Ohio
• Kleemann Galleries, New York City
• F. E. Lees, New York City
• Sibyl Moholy-Nagy, San Francisco, Calif.
• Museum of Modern Art, New York City
• New Art Circle, New York City
• Princeton University Library, Princeton, N.J.
• Anna Reifenberg, New York City
• Rhode Island School of Design, Providence, R.I.
• Paul J. Sachs, Cambridge, Mass.
• Eric Schroeder, Cambridge, Mass.
• A. J. Schouler, New York City
• A. Victor, Cambridge, Mass.
• Wayne University Library, Detroit, Mich.
• Yale University Library, New Haven, Conn.

Additionally, the document lists "LOANS MADE BY THE MUSEUM" to various institutions, including:

• Art Department of Cambridge Public Schools
• Bowling Green State University
• Fogg Art Museum, Cambridge, Mass.
• Institute of Contemporary Art, Boston, Mass.
• Louisiana Museum of Art, Humlebaek, Denmark
• J. B. Speed Art Museum, Louisville, Ky.
• Museum of Modern Art, New York City
• Portland Art Museum, Portland, Ore.
• Syracuse University, Syracuse, N.Y.
• University of Colorado, Boulder, Colo.
• Wells College, Aurora, N.Y.
• Wellesley College, Wellesley, Mass.

The page appears to be from an old document, possibly from a museum's archive or record-keeping system.

The image depicts a page from a document detailing loans to and from a museum over a period of twelve months. The document is divided into two main sections:

1. Loans to the Museum:

   • The museum received 781 objects, most of which were temporary loans for exhibitions lasting about four weeks.
   • The lenders are listed, with some loans marked for an indefinite period. The lenders include:
     • Individuals and organizations from various locations such as New York City, Cleveland, Chicago, Cambridge (Mass.), San Francisco, and Detroit.
     • Specific lenders include Joseph Albers, Associated American Artists, Marilyn Banner, Paul and Ruth Tishman, Kenneth J. Conant, Fogg Art Museum, A.C. de Frey, and many others.

2. Loans Made by the Museum:

   • The museum also lent works of art to various institutions, including:
     • Art Department of Cambridge Public Schools
     • Bowling Green State University, Bowling Green, Ohio
     • Fogg Art Museum, Cambridge, Mass.
     • Institute of Contemporary Art, Boston, Mass.
     • Museum of Modern Art, New York City
     • Speed Art Museum, Louisville, Ky.
     • Portland Art Museum, Portland, Oregon
     • Syracuse University, Syracuse, New York
     • University of Colorado, Boulder, Colorado
     • Wellesley College, Wellesley, Massachusetts
     • And others.

The page appears to be part of a larger record-keeping system, likely for an art museum, documenting the exchange of artworks for exhibition purposes.

The image shows a document listing details about loans related to a museum. The document is divided into two sections:

1. Loans to the Museum:
   This section details the individuals who have lent objects to the museum during the past twelve months. The majority of these loans were temporary, lasting only a few months, although four lenders generously provided objects for an indefinite period. The list of lenders includes:

   • Josef Albers, New York City, New York
   • Associated American Artists, New York City, New York
   • Marilyn Bauer, New York City, New York
   • Mrs. William Benton, New Canaan, Connecticut
   • Erich Cohn, New York City
   • Kenneth J. Conant, Cambridge, Massachusetts
   • Josef Albers (listed again), Cambridge, Massachusetts
   • A. C. de Frey, New York City
   • Emil J. Hirsch, New York City
   • Joseph Hirshhorn, New York City
   • William H. Lane, Chicago, Illinois
   • Philip Hofer, Cambridge, Massachusetts
   • William Joseph, Cincinnati, Ohio
   • Kleemann Galleries, New York City
   • F. E. Loos, New York City
   • Sibyl Moholy-Nagy, San Francisco, California
   • Museum of Modern Art, New York City
   • David Pago, Denver, Colorado
   • Princeton University Library, Princeton, New Jersey
   • Emma Richterberg, New York City
   • Rhode Island School of Design, Providence, Rhode Island
   • Paul J. Sachs, Cambridge, Massachusetts
   • Eric Schroeder, Cambridge, Massachusetts
   • Carl Schniewind, Chicago, Illinois
   • Arthur Victor, Cambridge, Massachusetts
   • Wayne University Library, Detroit, Michigan
   • Yale University Library, New Haven, Connecticut

2. Loans Made by the Museum:
   This section lists the institutions to which the museum lent works of art. These institutions include:

   • Art Department of Cambridge Public Schools, Cambridge, Massachusetts
   • Bowling Green State University, Bowling Green, Ohio
   • York Art Association, York, Pennsylvania
   • Institute of Contemporary Art, Boston, Massachusetts
   • Delgado Museum of Art, New Orleans, Louisiana
   • J. B. Speed Art Museum, Louisville, Kentucky
   • Museum of Modern Art, New York City
   • Portland Art Museum, Portland, Oregon
   • Syracuse University, Syracuse, New York
   • University of Colorado, Boulder, Colorado
   • University of Nebraska, Aurora, New York
   • Wellesley College, Wellesley, Massachusetts

The image shows an open page from a book or report, detailing loans of art objects to and from a museum over the past twelve months. The text is divided into two main sections: "Loans to the Museum" and "Loans Made by the Museum."

Loans to the Museum:
This section lists the lenders who loaned objects to the museum for temporary exhibitions, typically for about four weeks. The list includes:

• Joel Mirsky, New York City
• Associated American Artists, New York City
• Marilyn Bauer, Cleveland, Ohio
• Paul Citroen, Amsterdam, Holland
• Sidney Janis, New York City
• Kenneth J. Conant, Cambridge, Mass.
• Fogg Art Museum, Cambridge, Mass.
• Museum of Modern Art, New York City
• Carl Hirsch, New York City
• Institute of Design, Chicago, Ill.
• William Lieberman, New York City
• William Joseph, Cincinnati, Ohio
• Eloise Spaeth, New York City
• Siggi Monoly-Hirsch, San Francisco, Calif.
• Museum of Modern Art, New York City
• Jean Hélion, Paris, France
• Donald Fagen, Denver, Colorado
• Princeton University Library, Princeton, N.J.
• Rhode Island School of Design, Providence, R.I.
• Paul J. Sachs, Cambridge, Mass.
• Eric Saul, New York City
• Artists Equity Association, New York City
• Karl Victor, Cambridge, Mass.
• Wayne University Library, Detroit, Mich.
• Yale University Library, New Haven, Conn.

Loans Made by the Museum:
This section lists the institutions to which the museum lent works of art:

• Art Department of Cambridge Public Schools
• Bowling Green State University, Bowling Green, Ohio
• Fogg Art Museum, Cambridge, Mass.
• Museum of Contemporary Art, Boston, Mass.
• Isaac Delgado Museum of Art, New Orleans, La.
• J. B. Speed Art Museum, Louisville, Ky.
• Museum of Modern Art, New York City
• Portland Art Museum, Portland, Ore.
• Syracuse University, Syracuse, N.Y.
• University of Colorado, Boulder, Colorado
• Wells College, Aurora, New York
• Williams College, Williamstown, Mass.

The page is slightly discolored, indicating it might be an older document. The text is typed and neatly organized.

The image shows a page from a book or catalogue with a section titled "LOANS TO THE MUSEUM." The text describes a list of objects lent to the museum during the past twelve months, noting that most were temporary loans for exhibitions, and objects marked with an asterisk (*) were loans generously made for an indefinite period. The list contains names of individuals and institutions, which appear to be lenders or donors, including Josef Albers, various galleries, schools, and universities such as Princeton University Library and Yale University Library.

The lower section of the page is titled "LOANS MADE BY THE MUSEUM" and lists works of art that were lent by the museum to various educational institutions, such as The Art Department of Cambridge Public Schools and Bowling Green State University.

The right edge of the page has an aged look with some discoloration that may come from the adhesive used in the binding, common in older books. There is no visible image or photograph on the page—it contains only text. The pages are open and the book's curved, open spine can be seen on the left of the image. The background includes a surface on which the book is resting.

This image depicts an open book showing a list titled "Loans to the Museum." The text describes how 781 objects were lent to the museum during the past twelve months, with most being temporary loans for exhibitions lasting about four weeks. The list provides the names of lenders, some marked with an asterisk (*) indicating those who lent objects for an indefinite period.

The lenders listed include individuals, institutions, and libraries from various locations such as New York City, Cambridge, Massachusetts, Cleveland, Ohio, San Francisco, California, and others. Additionally, the page includes a section titled "Loans Made by the Museum," which shows the institutions to which the museum lent works of art. These institutions include schools, universities, and libraries across the United States.

The page shows signs of age, with some discoloration and stains, and it appears to be bound in a book with green cover edges visible in the image.

The image shows an open book with two pages visible, titled "Loans to the Museum". The text is typed and appears to be a formal record or catalog listing loans of art objects to and from the museum.

Left Page: "Loans to the Museum"

• Header: "LOANS TO THE MUSEUM"
• Content:
  • The page lists 781 objects lent to the museum over the past twelve months, with the majority being temporary loans for exhibitions lasting about four weeks.
  • A small subset of loans (marked with an asterisk (*)) are for an indefinite period.
  • The list includes the names of lenders, their affiliations, and locations. Examples of lenders include:
    • Josep Albers, New York City
    • Associated American Artists, New York City
    • Paul Braun, Cleveland, Ohio
    • Erich Cohn, New York City
    • Fogg Art Museum, Cambridge, Mass.
    • Karl Van Bustern, Cambridge, Mass.
    • Wayne University Library, Detroit, Mich.
    • Yale University Library, New Haven, Conn.

Right Page: "Loans Made by the Museum"

• Header: "LOANS MADE BY THE MUSEUM"
• Content:
  • This section lists institutions that received works of art on loan from the museum.
  • Examples of institutions include:
    • Art Department of Cambridge Public Schools
    • Bowling Green State University, Bowling Green, Ohio
    • Fogg Art Museum, Cambridge, Mass.
    • Institute of Contemporary Art, Boston, Mass.
    • New Orleans Museum of Art, New Orleans, La.
    • Portland Art Museum, Portland, Ore.
    • Syracuse University, Syracuse, N.Y.
    • Wellesley College, Wellesley, Mass.

General Observations:

• The book appears to be a formal record or archive, likely from an art museum or similar institution.
• The text is neatly typed, suggesting it may have been produced using a typewriter or similar method.
• The layout is structured, with clear headings and organized lists, indicating a systematic approach to documenting loans.
• The book’s spine and edges suggest it is part of a larger collection or archive, possibly bound in a formal or archival style.

This document serves as a historical record of the museum's lending and borrowing activities, providing insight into its relationships with lenders and borrowers during the specified period.

The image shows a page from a book or report, titled "Loans to the Museum." The page is filled with text, which appears to be a list of objects that were lent to the museum during the past twelve months. The list is divided into two sections: "Loans Made by the Museum" and "Loans to the Museum." The first section lists institutions that lent objects to the museum, while the second section lists individuals who lent objects. The page also includes a note that most of the objects were temporary loans for exhibitions of about four weeks duration.