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ARCH.2013.5.4, Rendition: 793074
The image shows an open page from a printed publication titled "The Summer Crimson," dated Thursday, July 22, 1948. The page includes a section titled "Collections and Critiques" with a review of an exhibition at the Germanic Museum.
The review discusses an exhibition of German sculpture, painting, and graphic art from the 15th to the 20th century. The reviewer praises the exhibition for its rigorous selection and comprehensive nature, highlighting works by artists such as Klee, Grass, Dix, Hofer, Nolde, Kolbe, Barlach, Kandinsky, Pechstein, Beckmann, Feininger, Schmidt-Rottluff, Kirchner, Heckel, Liebermann, and Slevogt. The reviewer notes that the early works of Kokoschka, the Viennese, and the Romanian Chagall are not included.
The reviewer compares this exhibition to a previous one titled "German Expressionism from the 1905 Der Brucke Group" and discusses the influence of German art on American art, particularly mentioning artists like Orozco and Gropius. The reviewer also comments on the nature of Expressionism, describing it as a reaction against the imitation of nature and a focus on private symbols and inner visions.
The review highlights specific works, such as the sculptures by Kolbe and Barlach, and the paintings by Dix, Beckmann, and Feininger. The reviewer praises the emotional intensity and technical skill of these works, noting their influence on modern art.
The page also includes a list of staff members and their roles, such as Richard A. Green (Managing Editor), Charles W. Eliot 2nd (Business Manager), and others involved in the production and editorial process of "The Summer Crimson."
The image shows a page from a newspaper or magazine titled "The Summer Crimson." The page is divided into two main sections:
Headline and Editorial Information:
Editorial Content:
Advertisements and Editorial Staff:
Overall, the page presents a detailed critique of an art exhibition focused on German Expressionism and lists the editorial staff of the publication.
The image displays page two of a publication titled "THE SUMMER CRIMSON," dated Thursday, July 22, 1948. The page is divided into two columns. On the left, it lists the publication details, including the address at Harvard, managing and assistant editors, and other editorial staff. It also mentions that the publication is printed by Crimson Printing Co.
On the right, there is an article titled "Collections and Critiques: At the Germanic Museum." The article discusses an exhibition at the Germanic Museum, highlighting German expressionist painting and drawing from 1905 to 1933. It mentions various artists, including Klee, Grosz, Dix, Hofer, Nolde, Kolbe, Macke, Kandinsky, Feininger, Beckmann, Belling, and others. The text provides insights into the artistic styles and notable works of these artists, emphasizing the emotional intensity and symbolism in their pieces. The article also includes a detailed description of specific artworks, such as Klee's "Appartions for Plant Cultivation" and "The Sick Garden," as well as works by Grosz, Dix, and Feininger. The critique is attributed to J.A.C. at the end.
The image displays a page from the exhibition catalog for "The Summer Crims," an art show held at the Germanic Museum. Here's a detailed summary:
Title: The Summer Crims
Published: Weekly during the Harvard Summer School session by the Harvard Currier, an undergraduate publication.
Dates: June 28 to August 2, spanning five weeks.
Showings:
Location: Germanic Museum, Cambridge, Massachusetts
The exhibition at the Germanic Museum showcases German sculpture, painting, and drawing from the years 1920-1963. The collection, though not comprehensive, includes works by several prominent artists of the German Expressionist movement, such as:
German Expressionism emerged around the early 20th century, influenced by earlier movements like the Norwegian Munch and the Flemish Van Gogh. It became prominent in Dresden and Munich around 1905-1911, with groups such as Die Brücke and Der Blaue Reiter. Expressionism aimed to depict subjective emotions and responses rather than objective reality, focusing on bold colors, stark lines, and planes.
The exhibition presents a variety of styles and themes from the Expressionist movement, illustrating the breadth and depth of the artists' contributions. The show aims to provide insight into the emotional and symbolic richness of German Expressionism through its diverse artworks.
The exhibition is open on the evening of Thursday, July 22, 1948.
The image is a page from "The Summer Crimson," a publication from the Harvard Summer School session at Harvard University in 1948. The page is labeled "PAGE TWO" and features an article titled "Collections and Critiques."
The article discusses an exhibition of German sculpture, painting, and drawing from 1920-1933 at the German Museum in Cambridge, Massachusetts. The exhibition was curated by the German Museum and included works by artists such as Klee, Grosz, Dix, Hofer, Kollwitz, Macke, Kandinsky, Pechstein, Beckmann, Feininger, DeFlori, and Sentenis. The article mentions that the exhibition was comprehensive but selective, excluding certain artists like Kokoschka and the Russian Chagall.
The article notes that German Expressionism flourished in the early 20th century, influenced by artists like Der Blaue Reiter and Die Brücke, and that the exhibition was a significant display of this movement.
The critique focuses on the quality and variety of the works, highlighting the emotional and symbolic depth of the pieces. It specifically mentions Paul Klee's works, such as "Enlarged Garden" and "Ships Departing," as examples of his unique style and mastery of symbols. The article also mentions the works of other artists like Otto Dix, Max Beckmann, and Karl Zerbe, praising their vividness, boldness, and the intensity of their colors.
The text concludes with a reflection on the exhibition's representation of German Expressionism, emphasizing the artists' ability to convey inner life and emotional depth through their art.
The image displays a page from a publication titled "The Summer Crimson," which was published during the Harvard Summer School session. The page is dated Thursday, July 22, 1948.
The left side of the page is titled "Collections and Critiques" and features an article titled "At the Germanic Museum." The article discusses an exhibition of German sculpture, painting, and drawing from 1920-1933 displayed at the Germanic Museum, highlighting the influence of German Expressionism. It mentions key artists such as Paul Klee, Max Beckmann, and Otto Dix, and their contributions to the movement, noting the transformation of inner life into art through color, line, and plane.
The article emphasizes the exhibition's significance, noting the early influence of artists like the Swiss Holder, the Norwegian Munch, and the Frenchman Van Gogh. It also briefly touches on the historical context of German Expressionism, which was at its zenith around the 1920s.
The right side of the page includes a section titled "The Summer Crimson" with the names and roles of various contributors, such as Richard A. Green, Managing Editor, and Charles W. Bailey, Assistant Managing Editor.
Additionally, the page lists the staff and contributors to the publication, including editors, managing editors, business managers, and editorial chairmen, along with their respective departments and offices. The address and contact details for Crimson Printing Co. are also provided.
This image displays a page from a publication, specifically on the topic of "Collections and Critiques." The page is titled "PAGE TWO" at the top left and "THE SUMMER CRIMSON" at the top right. The text on the page refers to an exhibition of German museum paintings and drawings from 1920 to 1933, and discusses the significance of German Expressionism and its evolution leading up to and after the World War II period. Moreover, it critiques certain artworks and artists, mentioning specific works, techniques, and the impact of political and historical contexts on the art.
The physical condition of the page suggests it's from an older document, given the slightly yellowed edges and the fact that it is bound in a larger volume, as visible on the right side of the image.
The image captures the details of the layout and typography that are characteristic of a printed newspaper or journal from an earlier period, with the date "THURSDAY, JULY 22, 1948" indicated at the bottom of the main column.
This image shows an open page of a magazine titled "The Summer Crimson," specifically page two. It appears to be published by the Harvard Summer School, located at 14 Plympton Street, Cambridge 38, Mass. The publication date is Thursday, July 22, 1948.
The page is divided into different sections. At the top, it lists the names of the editorial team including the managing editor, business managers, assistant managing editors, editorial chairman, and various other staff members.
Below the editorial team section, there is an article titled "Collections and Critiques" with a subheading "At the Germanic Museum." The article discusses an exhibition of German sculpture, paintings, and drawings from the period of 1902 to 1933 displayed at the Germanic Museum. The content includes critiques and descriptions of the exhibition, touching upon artists such as Klee, Grosz, Dix, Hofer, Nolde, Kokoschka, Kandinsky, Feininger, Becker, Mann, Heckel, and Seuntz.
The article offers insights into the intentions of German Expressionism, and discusses specific artists and artworks included in the exhibition, such as those by Paul Klee, George Grosz, and Max Beckmann. It emphasizes the themes represented in these works like transmutation of inner life into visual forms, utilizing colors and planes to express emotions and associations.
Overall, the image reflects the layout and content typical of mid-20th century academic publications.
The image shows an open book with two pages visible. The top page has the title "The Summer Crimson" and lists the staff of the publication, including the managing editor, business managers, and assistant managing editors. The bottom page has a title "Collections and Critiques" and discusses the exhibition at the Germanic Museum, focusing on German Expressionism art from 1920 to 1933. It mentions the artists and their works, including Paul Klee, George Grosz, and others, and describes the themes and styles of their paintings.
The image shows a page from a book that appears to be an article or essay discussing an exhibition of German sculpture, painting, and drawing at the Germanic Museum. The text is printed in a serif font and is divided into two columns. The left column has a heading "Collections and Critiques" and discusses the exhibition, while the right column has a heading "The Summer Crimson" and appears to be a separate article or essay. The page number is 2, indicating that it is the second page of the book.