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Busch-Reisinger Museum Scrapbook, 1941-1951

ARCH.2013.5.4, Rendition: 793058

Mistral, us.mistral.pixtral-large-2502-v1:0

The image is a program for a lecture on the music of the Middle Ages, held in conjunction with the annual meeting of the Medieval Academy of America. The event took place on Thursday evening, April 23rd, 1942, at eight-thirty at the Germanic Museum, Harvard University, located on Kirkland Street, Cambridge.

The lecture was given by Manfred F. Bukofzer on the subject of "The Musical Illustrations." It was assisted by Eric T. Knudsen-Egge.

The singers and instrumentalists involved in the program are listed as follows:

  • Soprano: Elaine Alberts, Brian Ballilee, Antony Borgalet, Robert Crane, Priscilla Field, Helen Heim, Everett Helm
  • Tenor: Lloyd Abbott, Jules Beaudreau, Isabelle Stebbins, Sally Schoettle, Josephine Stilberberg, Robert Thornton, Arthur Wilcox

John Van Eps is also mentioned, presumably as a participant.

The program is divided into four sections:

I. Early Liturgical Music:

  1. Responsoria Libera no. 2
  2. Motet in Bethlehem

II. Solo Songs, 12th-14th Centuries:

  1. Conductus Beata Viscera (Perotinus)
  2. Troubadour Song (Bernart de Ventadorn)
  3. Trouvere Song (Anonymous)
  4. Minnesinger Song (Walther v. Der Vogelweide)

III. Polyphonic Music of the 14th Century:

  1. Non Isa (Guillaume de Machaut)
  2. Il mio dolce soave (Francesco Landini)

IV. Polyphonic Music of the 15th Century:

  1. De plus en plus (Guillaume Dufay)
  2. De bon estat (Johannes Ockeghem)
  3. Super omnes specie (Guillaume Dufay)

Each piece is accompanied by its respective composer's name and approximate date of composition.

Mistral, mistral.ministral-3-8b-instruct

The image is a program from the Longy School of Music, located at One Poland Street, Cambridge. The event is titled "An Evening on the Music of the Middle Ages," held in conjunction with the Annual Meeting of the Medieval Academy of America. The event took place on Thursday evening, April 23, 1942, at eight-thirty at the Germanic Museum, Harvard University, located on Kirkland Street, Cambridge.

The program features a lecture by Dr. Willa Cather with musical illustrations performed by Hulon Y. Robinson, tenor, and assisted by singers and instrumentalists. The names of the singers and instrumentalists are listed as:

  • Munice Alberts
  • Arian Baillie
  • Antony Bonvalot
  • Robert Crane
  • Priscilla Field
  • Helen Sanderson
  • Marabelle Stebbins
  • Molly Schoettle
  • Joseph Stieberberg
  • Lloyd Hibbard
  • Helen Sanderson
  • Robert Thornton
  • Arthur Wellsome
  • Everett Helm
  • Helen Helm
  • John Van Haser

The program includes four sections of music:

I. Early Liturgical Music

    1. Responsorium Libera me
    1. Motet in Bethlehem

II. Solo Songs, 12th-14th Centuries

    1. Conductus Beata viscerra
    1. Troubadour Song by Bernard de Ventadorn
    1. Trouvère Song
    1. Minnesinger Song by Walther von der Vogelweide

III. Polyphonic Music of the 14th Century

    1. Rose lis by Guillaume de Machaut
    1. El mie dulce corazir by Francesco Landini

IV. Polyphonic Music of the 15th Century

    1. De plus en plus by Gilles Binchois
    1. Ma bouche rit by Johannes Ockeghem
    1. Supremum est mortalibus by Guillaume Dufay

Each section includes specific musical pieces with their composers and approximate dates.

Mistral, mistral.ministral-3-3b-instruct

The image shows a program for an event titled "Amorous on the Music of the Middle Ages," which was part of the Annual Meeting of the Medieval Academy of America. The event took place on Thursday, April 23rd, 1943, at 8:30 PM in the Germanic Museum at Harvard University, located at Kirkland Street, Cambridge.

The event was conducted by Mr. William Ash, with musical illustrations provided by Helen Y. Robison, assisted by several musicians and instrumentalists listed on the program:

  • Sinceras and Instrumentalists: Munice Alberts, Arian Bailles, Antony Bouvalot, Robert Crane, Priscilla Field, Helen Helm, Everett Helm, Lloyd Hibbard, Helen Sanderson, Marabelle Stebbins, Molly Shoestile, Josephine Silberberg, Robert Thornton, Arthur Wellcome, and John Van Waser.

The program is divided into several sections with specific pieces of music:

  1. Early Liturgical Music:

    • I. Responsorium Libera me
    • II. Motet in Bethlehem
  2. Solo Songs, 12th-14th Centuries:

    • III. Conditus Beata viscera
    • IV. Troubadour Song
    • V. Troubadour Song
    • VI. Minnesinger Song
  3. Polyphonic Music of the 14th Century:

    • VII. Rose lis
    • VIII. Il mie dolce cospir
  4. Polyphonic Music of the 15th Century:

    • IX. De plus en plus
    • X. Ma maison rii
    • XI. Supremus est mortalibus

Each piece is annotated with the composers and approximate dates of their compositions:

  • For example, Conditus Beata viscera by Perotinus (c. 1200)
  • Troubadour Song by Bernard de Ventadorn (d. 1195)
  • Minnesinger Song by Wehhart von Eschenbach (1180-1240)
  • Rose lis by Guillaume de Machaut (1300-1377)
  • De plus en plus by Gilles Binchois (c. 1400-1460)
  • Ma maison rii by Johannes Ockeghem (c. 1430-1495)
  • Supremus est mortalibus by Guillaume Dufay (c. 1400-1474)

Mistral, mistral.magistral-small-2509

The document is a program for an event titled 'AMORES ON THE MUSIC OF THE MIDDLE AGES,' held in conjunction with the Annual Meeting of the Medieval Academy of America. The event took place on Thursday evening, April 23, 1942, at 8:30 PM in the Germanic Museum at Harvard University, Kirkland Street, Cambridge. The lecture was given by Dr. Willi Apel, with musical illustrations by Hugh Y. Robinson, assisted by John Van Vasser. The program includes performances by singers and instrumentalists, listed by name. The event features several musical pieces categorized under different periods and styles, including Early Liturgical Music, Solo Songs from the 12th-14th Centuries, and Polyphonic Music of the 14th and 15th Centuries. Specific compositions and their respective time periods are also noted.

Mistral, mistral.mistral-large-3-675b-instruct

The image displays a program or a flyer for a musical lecture event. Here's a detailed summary:

Event Title:
LECTURE ON THE MUSIC OF SIXTEENTH CENTURY

Host Organization:
The Royal Musical Association
One Palace Gate
Cambridge

Event Details:

  • The lecture is held in conjunction with the annual meeting of the Medieval Academy of America.
  • Date: Thursday evening, April 23rd, 1943.
  • Time: 8:30 PM.
  • Location: Germanic Museum, Harvard University, Kirkland Street, Cambridge.

Lecturer:
Mr. Willi Apel

Musical Illustrations:
Provided by Hilton R. Robertson, assisted by:

  • Singers and Instrumentalists:
    • Eunice Alberts
    • Allan Bailey
    • Antony Bowles
    • Robert Crane
    • Priscilla Field
    • Helen Rees
    • Everett Hale
    • Lloyd Hibberd
    • Helen Sanderson
    • Isabelle Stebbins
    • Sally Sanstedt
    • Joseph Silverstein
    • Robert Watson
    • Arthur Tillotson
    • John Van Nuys

Program Details:
The program features several pieces of early music categorized as follows:

I. Early Liturgical Drama:

  1. Responsorium: Tenebrae (Anonymous, 9th century) - e. 600
  2. Planctus in Bethlehem (Anonymous, 12th century) - c. 1250

II. Solo Songs, 12th-14th Centuries:

  1. Conductus: Dum sigillum (Anonymous) - Perotinus, c. 1200
  2. Troubadour Song - Bernard de Ventadorn, d. c. 1195
  3. Trouvère Song - e. 1250
  4. Minnesinger Song - Folz (15th century) and Neidhart v. Reuenthal (1180-1240)

III. Polyphonic Music of the 14th Century:

  1. Rosa lis - Guillaume de Machaut (1300-1377)
  2. Si dous chant - Francesco Landini (1335-1397)

IV. Polyphonic Music of the 15th Century:

  1. De plus en plus - Gilles Binchois (c. 1400-1460)
  2. Ma bouche rit - Johannes Ockeghem (c. 1430-1495)
  3. Super rosarum flores - Guillaume Dufay (c. 1400-1474)

Mistral, mistral.ministral-3-14b-instruct

The image is a historical program for an event titled "AMOURS ON THE MUSIC OF THE MIDDLE AGES," held in conjunction with the Annual Meeting of the Medieval Academy of America. The event took place on Thursday evening, April 23rd, 1942, at eight-thirty in the Garmanic Museum at Harvard University, located at Kirkland Street, Cambridge.

The program was presented by Mr. Will Aims and included musical illustrations by Helen Y. Robison, tenor, assisted by several singers and instrumentalists.

The list of singers and instrumentalists includes:

  • Denise Alberts
  • Arlan Bailles
  • Anthony Bonvalot
  • Robert Crane
  • Priscilla Field
  • Helen Helm
  • Everett Helm
  • Lloyd Hibbard
  • Helen Sanderson
  • Harriette Stebbins
  • Molly Schoenstein
  • Josephine Silberberg
  • Robert Thornton
  • Arthur Wellcome
  • John Van Naser

The program consists of several musical pieces categorized into four sections:

I. Early Liturgical Music:

  1. Responsorium Libera me
  2. Motet in Bethlehem
    • Both pieces are dated approximately 600 and 1350 respectively.

II. Solo Songs, 12th-14th Centuries:

  1. Conductus Beata viscera
    • Perotinus, ca. 1200
  2. Troubadour Song
    • Bernard de Ventadorn, d. 1195
  3. Trouvère Song
    • Anonymous, ca. 1250
  4. Minnesinger Song
    • Neithart v. Reuental, 1180-1240

III. Polyphonic Music of the 14th Century:

  1. Rose lis
    • Guillaume de Machaut, 1300-1377
  2. El mie dolce sopir
    • Francesco Landini, 1335-1397

IV. Polyphonic Music of the 15th Century:

  1. De plus en plus
    • Gilles Binchois, ca. 1400-1460
  2. Ma bouche rit
    • Johannes Ockeghem, ca. 1430-1495
  3. Supremum est mortalibus
    • Guillaume Dufay, ca. 1400-1474

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows a typed program for a lecture event held by the Longy School of Music at One Follen Street, Cambridge. The lecture is titled "Lecture on the Music of the Middle Ages" and took place on Thursday evening, April 22nd, 1943, at 8:30 PM at the Germaine Museum, Harvard University, Kirkland Street, Cambridge.

The lecture was delivered by Dr. Thomas Ayer, with musical illustrations by Emlin T. Robison, tenor, assisted by several singers and instrumentalists. The list of assistants includes names like Bernice Alberts, Arlan Balflee, Anthony Howlett, Robert Grove, Priscilla Field, and others.

The program is divided into four parts:

I. Early Liturgical Music

  • Responsorium Libera me (circa 600)
  • Motet in Bethlehem (circa 1250)

II. Solo Songs, 12th-14th Centuries

  • Conductus Beata viscera (Fortinmus, circa 1200)
  • Troubador Song (Bernard de Ventadorn, circa 1195)
  • Trouvere Song
  • Minnesinger Song (Walther v. Eschenbach, 1180-1240)

III. Polyphonic Music of the 14th Century

  • Rose lis (Guillaume de Machaut, 1300-1377)
  • El me dolce conplir (Francesco Landini, 1325-1397)

IV. Polyphonic Music of the 15th Century

  • De plus en plus (Gilles Binchois, circa 1400-1460)
  • Ma bouche rit (Johannes Ockeghem, circa 1430-1495)
  • Suprema est mortalitas (Guillaume Dufay, circa 1400-1474)

The document has a slightly worn look, with a small tear on the bottom right corner. The text is typed in purple ink.

Azure OpenAI Service, gpt-4

This image shows a typed document that appears to be an event program. The top of the document mentions "LONGY SCHOOL OF MUSIC, One Follen Street's Cambridgeshire" and announces "AN HOUR OF MUSIC OF THE MIDDLE AGES" in coordination with the annual meeting of the Mediaeval Academy of America. The event was scheduled for Thursday evening, April 23rd, 1942, at eight-thirty at the Harvard University, Cambridge.

The lecture was to be delivered by Mr. Ivan Apgar with musical illustrations by Milton J. Nosworthy, tenor, assisted by several singers and instrumentalists. The names of the singers and instrumentalists are listed in two columns. The program itself is divided into four parts consisting of different types of medieval music such as "Early Liturgical Music," "Solo Songs, 12th-14th Centuries," "Polyphonic Music of the 14th Century," and finally "Polyphonic Music of the 15th Century." Each part includes individual pieces with their names, composers, and the period in which they were composed. The document is aged, with slight discoloration and creases, indicating its historical nature.

Azure OpenAI Service, gpt-4o-2024-05-13

This image depicts a vintage lecture program, printed on paper in predominantly purple ink. The letterhead at the top reads "LONGY SCHOOL OF MUSIC One Follen Street Cambridge." Below it, the title of the lecture "LECTURE ON THE MUSIC OF THE MIDDLE AGES" is mentioned, along with details about the hosting alongside the Annual Meeting of the Mediaeval Academy of America. The event is scheduled for Thursday evening, April 23rd, 1942, at 8:30 PM, to be held at the Germanic Museum, Harvard University, Kirkland Street, Cambridge.

The lecture is conducted by Hugh M. Arn, with musical illustrations by Elion Y. Solis-Cohen, tenor, assisted by several singers and instrumentalists whose names are listed, including Bernice Alberts, Floyd Hibbard, and others.

The program is organized into four segments:
I. Early Liturgical Music

  1. Responsorium Libera me (c. 600)
  2. Noe Noe in Bethlehem (c. 1200)

II. Solo Songs: 12th-14th Centuries

  1. Conduitæ Bena via ma (Perotimus, c. 1200)
  2. Troubadour Song (Bernard de Ventadorn, c. 1195)
  3. Trouvere Song (Jehan le Cuvelier d’Arras, c. 1250)
  4. Minnesinger Song (Reinmar v. Hagenau, 1180-1240)

III. Polyphonic Music of the 14th Century

  1. Rose lis (Guillaume de Machaut, c. 1300-77)
  2. Si j’ac dolçe soupir (Francesco da Milano, c. 1335-1397)

IV. Polyphonic Music of the 15th Century

  1. Se je vous ay aymé (Gilles Binchois, c. 400-60)
  2. No bause vient (Johannes Ockeghem, c. 1430-1495)
  3. Supremum est mortalibus (Guillaume Dufay, c. 1400-1474)

The document appears to be an academic and musical collaboration providing an insightful historical exploration of Medieval music.

Amazon, us.amazon.nova-2-lite-v1:0

The image depicts a printed program for a lecture titled "Lecture on the Music of the Middle Ages", held in conjunction with the Annual Meeting of the Medieval Academy of America. The event took place on Thursday evening, April 23rd, 1942, at eight-thirty in the Garmany Museum, Harvard University, Kirkland Street, Cambridge.

Key Details:

Event Information:

  • Title: Lecture on the Music of the Middle Ages
  • Date and Time: Thursday evening, April 23, 1942, at 8:30 PM
  • Location: Garmany Museum, Harvard University, Kirkland Street, Cambridge
  • Organizer: Longy School of Music, One Follen Street, Cambridge

Speaker:

  • Dr. Willy Apel (the lecturer)

Musical Illustrations:

  • Performed by: Milton T. Robinson (tenor), assisted by various singers and instrumentalists.

Singers and Instrumentalists:

  • Singers:
    • Hunice Alberts
    • Alan Ballou
    • Antony Douralot
    • Robert Crane
    • Priscilla Field
    • Helen Heim
    • Everett Heim
  • Instrumentalists:
    • Lloyd Ebbard
    • Helen Sanderson
    • Harabelle Stebbins
    • Daisy Schoettle
    • Josephine Silberberg
    • Robert Thornton
    • Arthur Wellcome
    • John Van Hauer

Program Outline:

The program is divided into four main sections, each featuring musical selections from different historical periods:

  1. Early Liturgical Music

    • Responsorium Libera me (c. 600)
    • Motet in Bethlehem (c. 1250)
  2. Solo Songs, 12th–16th Centuries

    • Conductus Beata viscera (c. 1300)
    • Troubadour Song (Bernard de Ventadorn, c. 1195)
    • Trouvere Song (c. 1250)
    • Minnesinger Song (Meithart V. Reuenthal, 1180–1240)
  3. Polyphonic Music of the 14th Century

    • Rose lis (Guillaume de Machaut, 1300–1377)
    • El me dolce sospir (Francesco Landini, 1325–1397)
  4. Polyphonic Music of the 15th Century

    • De plus en plus (Gilles de Binchois, c. 1400–1460)
    • Ma bouche rit (Johannes Ockeghem, c. 1430–1495)
    • Superamus aet mortales (Guillaume Dufay, c. 1400–1474)

Visual Characteristics:

  • The document is typed on a light-colored sheet of paper.
  • The text is organized into clear sections with headings in bold or underlined font.
  • The layout is structured and formal, typical of academic or concert programs from the mid-20th century.
  • The paper shows slight signs of aging, such as discoloration and minor wear at the edges.

This program provides a detailed overview of a scholarly lecture and musical performance focusing on medieval music, featuring a range of historical pieces performed by a talented ensemble of singers and instrumentalists.