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Busch-Reisinger Museum Scrapbook, 1941-1951

ARCH.2013.5.4, Rendition: 793057

Mistral, mistral.magistral-small-2509

The image shows a program for an event titled "Lectures on the Music of the Middle Ages," held in conjunction with the Annual Meeting of the Medieval Academy of America. The event took place on Thursday evening, April 23rd, 1947, at 8:30 PM in the Germanic Museum at Harvard University, located at Kirkland Street, Cambridge.

The lecture was given by Dr. William Apel, with musical illustrations provided by Milton T. Perham, assisted by several singers and instrumentalists, including:

  • Nemie Alberti
  • Aidan Mailloux
  • Anthony Morante
  • Mary Oates
  • Priscilla Field
  • Helen Heim
  • Lloyd Hibbard
  • Helen Sanderson
  • Marjorie Stebbins
  • Nancy Schettle
  • Josephine Silberberg
  • Robert Sabin
  • John Van Eps

The program is divided into several sections, each featuring different types of medieval music:

I. Holy Liturgical Music of the 9th Century (c. 800-900)

  1. Responsorium "Libera me"
  2. Motet in Bethlehem

II. Solo Songs, 13th-14th Centuries

  1. Conductus "Beata viscera" (Perotinus, c. 1200)
  2. Troubadour Song "Lanquan li jost" by Bernard de Ventadorn (c. 1150)
  3. Trouvere Song "Amours, amours, com batart" by Gillebert de Berneville (1150-1200)
  4. Minnesinger Song "Tandaradei" by Neidhart (1180-1250)

III. Polyphonic Music of the 14th Century

  1. Rondeau "Tant a par" by Guillaume de Machaut (c. 1300-1377)
  2. Caccia "Alta, trista, e pene" by Francesco Landini (1325-1397)

IV. Polyphonic Music of the 15th Century

  1. De plus en plus by Gilles Binchois (c. 1400-1460)
  2. Le servant by John Dunstable (c. 1390-1453)
  3. De tous biens plaise by Guillaume Dufay (c. 1400-1474)

The document appears to be a formal program, likely distributed to attendees of the event, and includes detailed information about the pieces performed and their composers.

Mistral, mistral.ministral-3-3b-instruct

The image is a page from a program for a musical event titled "Lecture on the Music of the Middle Ages." The event was part of the annual meeting of the Medieval Academy of America and took place on Thursday, April 23, 1945, at eight thirty at Germaine's Room, Harvard University, Kirkland Street, Cambridge.

The lecture was presented by Mr. William Apel with musical demonstrations by Milton T. Robinson, assisted by several singers and instrumentalists listed on the page:

  • Semmies Alberts
  • Arnold Bailey
  • Arthur Behrend
  • Jane Correa
  • Priscilla Field
  • Helen Hall
  • Everett Hall
  • Lloyd Hibbard
  • Malen Sanderson
  • Marabelle Stebbins
  • Mary Schroettle
  • Josephine Silberberg
  • Ernest
  • John Van Ness
  • Walter Welles

The program is divided into several sections with specific musical pieces and their respective performers:

  1. Early Liturgical Music:

    • Responsorium Libera me
    • Motet in Bethlehem
  2. Solo Songs from the 13th-14th Centuries:

    • Cantus Planus (a 1300)
    • Troubadour Song
    • Troubadour Song (Perotin)
    • Troubadour Song (Bernard de Ventadorn)
    • Troubadour Song (Maidart v. Remechal)
  3. Polyphonic Music of the 14th Century:

    • Ave Liza
    • St. Eulalie
  4. Polyphonic Music of the 15th Century:

    • De nube in caelis
    • La bone chier
    • Exspecto Redemptoris

Each entry includes the titles of the pieces, approximate dates, and performers or composers associated with them. The program appears to be part of an academic event focused on historical musicology.

Mistral, mistral.ministral-3-8b-instruct

The image is a page from a program for an event titled "Lectures on the Music of the Middle Ages," organized by the Lodge School of Music at One Pole Street, Cambridge. The event is held in conjunction with the Annual Meeting of the Medieval Academy of America and took place on Thursday evening, April 23, 1942, at eight-thirty at the Germanic Museum, Harvard University, Kirkland Street, Cambridge.

The lecture is given by Mr. Willi Apel with musical illustrations by Milton T. Baum, assisted by singers and instrumentalists. The list of singers and instrumentalists includes:

  • Semiois Albertis
  • Arthur Ballantine
  • Anthony Baines
  • Elizabeth Crane
  • Priscilla Field
  • Talen Hale
  • Everett Hale
  • Lloyd Hibbard
  • Helen Sanderson
  • Harriette Stebbins
  • Emily Scott
  • Josephine Silberberg
  • Robert Shaw
  • Robert Wheloc

The program outlines the following musical pieces to be performed:

I. Early Liturgical Music:

  1. Responsorium Libera me
  2. Motet in Bethlehem
    • a. 800
    • b. 1350

II. Solo Songs, 13th-14th Centuries:

  1. Conditor saeculorum
  2. Troubadour Song
  3. Troubadour Song
  4. Minnesinger Song
    • Perotin
    • c. 1200
    • Bernard de Ventadorn
    • c. 1190
    • Heinrich von Meissen
    • 1150-1240

III. Polyphonic Music of the 14th Century:

  1. Nove Liz
    • Guillaume de Machaut
    • 1300-1377

IV. Polyphonic Music of the 15th Century:

  1. Si el dolze sunder
  2. De plus en plus
    • Francesco Landini
    • 1335-1397
    • Gilles Binchois
    • c. 1400-1460
    • Johannes Ockeghem
    • c. 1430-1497
    • Guillaume Dufay
    • c. 1400-1474

Mistral, mistral.ministral-3-14b-instruct

The image is a page from a program booklet for a lecture and musical performance titled "Lectures on the Music of the Middle Ages." The event took place on April 23, 1945, at eight-thirty in the evening at the Germanic Museum, Harvard University, Cambridge, Massachusetts.

The lecture was in conjunction with the Annual Meeting of the Medieval Academy of America. It was delivered by Dr. Willi Apel, with musical illustrations provided by Milton T. Robinson Jr. and assisted by various singers and instrumentalists, including:

  • Senora Alberte
  • Arthur Hatch
  • Arnold McMillin
  • Frances Crane
  • Priscilla Field
  • Helen Hale
  • Everett Helm
  • Lloyd Hibberd
  • Helen Sanderson
  • Harriette Stebbins
  • Emily Schopfer
  • Josephine Silberberg
  • Robert Schanche
  • John Van Esser

The program is divided into four main sections:

  1. Early Liturgical Music

    • Responsorium Libera me
    • Motet en Bethlehem
  2. Solo Songs (13th-14th Centuries)

    • Conductus: Deo gracias
    • Troubadour Song
    • Troubadour Song
    • Fountain Song
    • Minnesinger Song
  3. Polyphonic Music of the 14th Century

    • Ave Maria
    • El me dolz soferir
    • Deo gracias
  4. Polyphonic Music of the 15th Century

    • Ma bouche rit
    • Espritz amors

Each musical piece is attributed to specific composers and time periods:

  • For Responsorium Libera me and Motet en Bethlehem, the time period is around 800 and 1250 respectively.
  • Conductus Deo gracias by Perotinus (c. 1200).
  • Troubadour songs by Bernard de Ventadour (c. 1140-1200) and Walther von der Vogelweide (1170-1230).
  • Fountain Song and Minnesinger Song by Neithart von Reuenthal (1240-1290).
  • Ave Maria by Guillaume de Machaut (1300-1377).
  • El me dolz soferir by Francesco Landini (1335-1397).
  • Deo gracias by Gilles Binchois (1400-1460).
  • Ma bouche rit by John Dunstaple (1390-1453).
  • Espritz amors by Guillaume Dufay (1400-1474).

Mistral, mistral.mistral-large-3-675b-instruct

The image shows a page from a program or booklet detailing the minutes or proceedings of a meeting of the American Academy of Arts and Sciences. Here's a detailed summary:

Header Information:

  • Event: Stated meeting of the American Academy of Arts and Sciences.
  • Date: Tuesday evening, April 13, 1943, at 8:15 p.m.
  • Location: House of the Academy, 28 Newbury Street, Boston, Mass.

Written By:

  • Recording Secretary: Edwin H. Hall.

Content Summary:

Election of Fellows and Foreign Honorary Members:

The following individuals were elected to the Academy:

Fellows:

  • Santos Alberti (Medicine)
  • Nathan Banks (Geology, Geography, and Meteorology)
  • Harold Davis (Economic Sciences)
  • Yandell Henderson (Physiology)
  • Julian H. Lewis (Medicine)
  • Sewall Wright (Zoology and Anatomy)

Foreign Honorary Members:

  • Cecil Edgar Tilley (Geology, Mineralogy, and Geography)
  • Johannes Schmidt (Zoology and Anatomy)
  • Joseph Schumpeter (Social and Economic Sciences)
  • Archibald Vivian Hill (Medicine and Physiology)

Reports Delivered:

  1. Henry M. McDonald: Topic not specified, awarded $25.
  2. Recommended Edward Adelbert Doisy: For work on estriol, awarded $500.
  3. Robert R. Hannon: Topic on "Pulmonary Tuberculosis," awarded $1,200.
  4. Dr. Gordon Isaacs Wiener: Topic not specified.
  5. Prunell Sung: For research on "Serum Antitoxins."
  6. Frederick Song: Topic not specified, awarded $2,000.
  7. Whittaker Court: For work on "Red Shark," awarded $1,300-$1,900.

Additional Reports:

  1. Polytechnic Institute of New York (various sections):

    • I. F. Stone: Awarded $1,000-$1,997.
    • E. R. Jette: Awarded $1,000.
    • Dean et al: Awarded $1,000.
  2. Polytechnic Studies of the 1943 Category:

    • R. R. Renshaw: Awarded $1,500.
  3. Miscellaneous:

    • Bengt E. Holstrom: For work on "Aeronautical Research," awarded $5,000-$7,000.

The page also shows some handwritten notes and signatures at the bottom, likely indicating approval or acknowledgment of the contents. The document appears to be an official record, possibly a draft or a final copy of minutes from the meeting.

Mistral, us.mistral.pixtral-large-2502-v1:0

The image shows a page from a document, likely a program or schedule, for an event held on Sunday evening, April 29th, 1945, at eight thirty o'clock in the Garrison Theater, Harvard University, Cambridge, Massachusetts. The event appears to be the annual meeting of the Radcliffe League of Scholarship.

The program includes a list of participants and their roles:

  1. Director of Music:

    • Miss Helen Kross, Cambridge
  2. Pianist for the Evening:

    • Miss Ruth C. McIntosh
  3. Director of the Chorus:

    • Miss Mary T. Kildall, Brookline
  4. Accompanist:

    • Miss Lillian S. Hodgson
  5. Narrator and Instrumentalists:

    • Dorice Alberts
    • Helen Ballou
    • Marian Ballou
    • Betty Bowditch
    • Priscilla Field
    • Dorothy Fletcher
    • Norah Gibson
    • Mary Gilson
    • Betty Shettle
    • Elinor Simmons
    • Ruth Thornton
    • Harriet Yates
    • John Van Sauer
  6. Program:

    • I. Early Colonial Music
        1. Reproduction Liburne de Chant, 1620
        1. Psalms in Metallum
    • II. Ballad Songs, 18th-19th Centuries
        1. Colonial Ballad Chorus
        1. Yankee Doodle Song
        1. Troubadour Song
        1. Minstrels' Chorus
    • III. Polyphonic Music of the 19th Century
        1. Nine Lives
        1. Si die dolce sguardo
        1. Polyphonic Music of the 19th Century
        1. Si die no note
        1. Si die non est
        1. System of Numerals

The document is typed in a blue ink and is neatly organized, providing a clear structure of the event's proceedings and the participants involved.

Azure OpenAI Service, gpt-4

You've provided an image of an old document. It is a typed page with a heading "LONGY SCHOOL OF MUSIC OF BARD COLLEGE Cambridge" followed by details of a program titled "MUSIC OF THE MIDDLE OF THE MEDIEVAL AGES". The event appears to be associated with the Annual Meeting of the Mediaeval Academy of America, scheduled for the evening of April 23rd, 1942. The location mentioned is "Germund Frodel, Harvard University Kirkland Street, Cambridge".

The program includes performances by "Mr. William Apfel", with "musical illustrations by Milton T. Boyce, tenor," who is assisted by a list of singers and instrumentalists whose names follow below. The page then lists the program of musical pieces, which are categorized into four parts, primarily focusing on early and medieval music. Each piece listed includes the name of the composer or the origin and the approximate date of composition. Notably, the document also shows signs of wear and age, such as discolored edges and what seems to be a staple in the top left corner.

The quality and the contents of the document suggest it might be of historical interest, potentially to those studying or appreciating the history of music, musicology, or the specific institution named at the top.

Azure OpenAI Service, gpt-4o-2024-05-13

This image shows a typewritten document, possibly from around the mid-20th century, detailing a lecture program titled "Lecture on the Music of the Middle Ages." It appears to be associated with the Longy School of Music, located at 18 Garden Street, Cambridge, and is held in conjunction with the annual meeting of the Medieval Academy of America. The event took place on Thursday evening, April 23rd, 1943, at 8:30 PM, in the Germanic Museum at Harvard University, Kirkland Street, Cambridge.

The lecture is given by Mr. Ivan Ada with musical illustrations provided by Hugh T. Hodgson, Senior, assisted by various singers and instrumentalists.

The program is divided into four sections:

  1. Early Liturgical Music, around the year 600, featuring "Responsorium Hebdomadæ" c. 1250 and "Noël in Bethlehem."
  2. Solo Songs from the 12th to 14th centuries, including songs by Perotinus, Bernard de Ventadorn, Metchart v. Roenstal, and others.
  3. Polyphonic Music of the 14th Century, showcasing works by Guillaume de Machaut and Francesco Landini.
  4. Polyphonic Music of the 15th Century, highlighting pieces from Gilles Binchois, Johannes Ockeghem, Guillaume Dufay, and others.

Names such as Denise Alberts, Arlan Ballow, Dorothy Samglet, and others are listed as participants.

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows a page from a book or a binder that has a typed document affixed to it. The document is an announcement or program for a lecture on medieval music, specifically titled "LECTURE ON THE MUSIC OF THE MEDIEVAL AGES." The lecture is organized by the Longy School of Music in Cambridge and is held in conjunction with the Annual Meeting of the Medieval Academy of America. It is scheduled for Thursday evening, April 23rd, 1942, at eight-thirty at the Germanic Museum, Harvard University, Kirkland Street, Cambridge.

The lecture is presented by Dr. Willi Apel with musical illustrations by Eulon Y. Robinson, a tenor, assisted by singers and instrumentalists whose names are listed. The document also includes a detailed program outlining different parts of the lecture:

I. Early Liturgical Music

  1. Responsorium Libera me (circa 800)
  2. Motet in Bethlehem (circa 1250)

II. Solo Songs, 12th-14th Centuries

  1. Condustus Estis viscera (Perotinus, circa 1200)
  2. Troubador Song (Bernard de Ventadorn, died 1195)
  3. Trouvere Song (circa 1250)
  4. Minnesinger Song (Meinhart v. Redenthal, 1180-1240)

III. Polyphonic Music of the 14th Century

  1. Rose lis (Guillaume de Machaut, 1300-1377)
  2. El mie dolce sospir (Francesco Landini, 1325-1397)

IV. Polyphonic Music of the 15th Century

  1. De plus en plus (Gilles Binchois, circa 1400-1460)
  2. En bonet Pitz (Johannes Ockeghem, circa 1430-1498)
  3. Supernas est mortalisina (Guillaume Dufay, circa 1400-1474)

The text appears to be typed in purple ink on slightly translucent paper, which is attached to a thicker page in the book or binder. The corners of the page show slight wear or creases.

Amazon, amazon.nova-lite-v1:0

The image shows a page from a book or a booklet. The page is printed with blue text on a cream-colored background. The text is organized into sections with headings such as "Lecture on the Music of the Medieval Ages," "By," "with," and "Sincers and Instrumentalists." The text includes names of individuals, possibly musicians or speakers, and a list of songs or pieces that were performed or discussed during the event. The page appears to be a program or a flyer for a lecture or performance related to medieval music.