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Busch-Reisinger Museum Scrapbook, 1941-1951

ARCH.2013.5.4, Rendition: 793052

Mistral, mistral.mistral-large-3-675b-instruct

The image is of a program for an organ recital performed by E. Power Biggs. The event took place on Thursday evening, January 20, 1942, at 8:15 PM. The venue was the Germanic Museum at Kirkland Street, Harvard University, located in Cambridge.

Here's a detailed description of the program:

Title:
Organ Recital by E. Power Biggs

Program:

  1. Three Compositions on the Notes B.A.C.H. (B-flat, A, C, B-natural)

    • Fantasia and Fugue on B.A.C.H. by Franz Liszt
    • Fugue on the name B.A.C.H. by Robert Schumann
    • Chromatic Study on the name of Bach by Walter Piston
  2. Eleven Chorale Preludes, Opus 122 by Johannes Brahms

    • Mein Jesu, der du mich (My Jesus, calls to me)
    • Herzlieber Jesu (O Blessed Jesu)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
    • Herzlich thut mich erfreuen (My faithful heart rejoices)
    • Schmücke dich, o liebe Seele (Deck thyself, my soul)
    • O wie selig seid ihr doch, ihr Frommen (Blessed are ye faithful)
    • O Gott, du frommer Gott (O God, Thou faithful God)
    • Es ist ein’ Ros’ entsprungen (Behold, a rose is blooming)
    • Herzlich tut mich verlangen (My heart is filled with longing) (Second setting)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
  3. Introduction and Fugue on the chorale "Ad nos, ad salutarem undam" by Franz Liszt

    • The recital features a classic organ designed by G. Donald Harrison.

The program showcases a mix of compositions dedicated to the motif B.A.C.H., a set of chorale preludes by Brahms, and a significant piece by Liszt.

Mistral, mistral.magistral-small-2509

The image shows a program for an organ recital held at the Longy School of Music, located at One Follen Street, Cambridge. The recital was performed by E. Power-Biggs on Thursday evening, January 20, 1944, at 8:15 p.m. The event took place at the Germanic Museum, Harvard University, Kirkland Street, Cambridge.

The program lists the following compositions:

  1. Three Compositions on the Notes B-A-C-H (H=B natural):

    • "Fantasia and Fugue on B.A.C.H." by Franz Liszt
    • "Fuge on the name B.A.C.H." by Robert Schumann
    • "Chromatic Study on the name of Bach" by Walter Piston
  2. Eleven Choral Preludes, Opus 122 by Johannes Brahms:

    • "Mein Jesus, der du mich" (My Jesus calls to me)
    • "Herzliebster Jesu" (O Blessed Jesus)
    • "O Welt, ich muss dich lassen" (O world, I now must leave thee)
    • "Herzlich thut mich verlangen" (My faithful heart rejoices)
    • "Schmücke dich, O liebe Seele" (Deck thyself, my soul)
    • "O wie selig seid ihr doch, ihr Frommen" (Blessed are ye faithful souls)
    • "O Gott, du frommer Gott" (O God, Thou faithful God)
    • "Es ist ein Ros entsprungen" (Behold, a rose is blooming)
    • "Herzlich thut mich verlangen" (My heart is filled with longing) (Second setting)
    • "O Welt, ich muss dich lassen" (O world, I now must leave thee)
  3. Introduction and Fugue on the chorale "Ad nos, ad salutarem undam" by Franz Liszt, performed on a classic organ designed by G. Donald Harrison.

Mistral, mistral.ministral-3-3b-instruct

The image shows a sheet from an organ recital program. The program is for an event held at the Longy School of Music located at One Fellow Street, Cambridge.

Here are the details of the program:

  • Performer: E. Power-Biggs
  • Date and Time: Thursday Evening, January 29, 1942, at 8:15
  • Venue: Germanic Museum, Harvard University, Kirkland Street, Cambridge

The program lists the following compositions:

  1. Three compositions on the notes B.A.C.H. (H=B natural):

    • Fantasia and Fugue on B.A.C.H. by Franz Liszt
    • Fugue on the name B.A.C.H. by Robert Schumann
    • Chromatic Study on the name Bach by Walter Piston
  2. Eleven Chorale Preludes, Opus 122 by Johannes Brahms:

    • Mein Jesu, der du mich (My Jesus calls to me)
    • Herzlielster Jesu (O Blessed Jesus)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
    • Herzlich thut ich erfreuen (My faithful heart rejoices)
    • Schmücke dich, O liebe Seele (Deck thyself, my soul)
    • O welch seid ihr doch, ihr Froman (Blessed are ye faithful)
    • O Gott, du frommer Gott (O God, Thou faithful God)
    • Es ist ein Ros’ entspringen (Rejoice, a rose is blooming)
    • Herzlich thut mich verlangen (My heart is filled with longing)
    • Herzlich thut mich verlangen (Second setting)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
  3. Introduction and Fugue on the chorale:

    • Ad nos, ad salutarem undam by Franz Liszt

The organ used for the recital is noted to be a classic organ designed by G. Donald Harrison.

Mistral, mistral.ministral-3-8b-instruct

The image shows a page from a program for an organ recital held at the Longy School of Music. The event took place on Thursday evening, January 29, 1942, at 8:15 PM, at the Germanic Museum, located on Kirkland Street, Cambridge, Harvard University.

The recital was performed by E. Power-Biggs. The program lists the following compositions:

  1. Three Compositions on the Notes B.A.C.H. (H = B natural):

    • Fantasia and Fugue on B.A.C.H. by Franz Liszt
    • Fugue on the name B.A.C.H. by Robert Schumann
    • Chromatic Study on the name of Bach by Walter Piston
  2. Eleven Chorale Preludes, Opus 122 by Johannes Brahms:

    • Mein Jesu, der du mich (My Jesus calls to me)
    • Herzliebster Jesu (O Blessed Jesus)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
    • Herzlich thut mich erfreuen (My faithful heart rejoices)
    • Schmücke dich, O liebe Seele (Deck thyself, my soul)
    • O wie selig seid ihr doch, ihr Frommen (Blessed are ye faithful)
    • O Gott, du frommer Gott (O God, Thou faithful God)
    • Es ist ein Ros’ entsprungen (Behold, a rose is blooming)
    • Herzlich thut mich verlangen (My heart is filled with longing)
    • Herzlich thut mich verlangen (Second setting) (My heart is filled with longing, second setting)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
  3. Introduction and Fugue on the chorale:

    • Ad nos, ad salutarem undam by Franz Liszt

The program also notes that the recital was performed on a classic organ designed by G. Donald Harrison.

Mistral, mistral.ministral-3-14b-instruct

The image shows a historical program for an organ recital held at the Longy School of Music, located at One Pollen Street, Cambridge. The recital was performed by E. Power-Biggs on Thursday evening, January 29, 1942, at 8:15 PM, at the Germanic Museum on Kirkland Street, Harvard University, Cambridge.

The program lists the following pieces to be performed:

  1. Three Compositions on the Notes B.A.C.H. (H = B natural)

    • Fantasia and Fugue on B.A.C.H. by Franz Liszt
    • Fugue on the name B.A.C.H. by Robert Schumann
    • Chromatic Study on the name of Bach by Walter Pistón
  2. Eleven Chorale Preludes, Opus 122 by Johannes Brahms:

    • Mein Jesu, der du mich (My Jesus calls to me)
    • Herzliebster Jesu (O Blessed Jesus)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
    • Herzlich thut mich erfreuen (My faithful heart rejoices)
    • Schmücke dich, O liebe Seele (Deck thyself, my soul)
    • O wie selig seid ihr doch, ihr Frommen (Blessed are ye faithful)
    • O Gott, du frommer Gott (O God, Thou faithful God)
    • Es ist ein Ros entsprungen (Behold, a rose is blooming)
    • Herzlich thut mich verlangen (My heart is filled with longing) [Second setting]
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
  3. Introduction and Fugue on the chorale:

    • Ad nos, ad salutarem undam by Franz Liszt

The program also notes that the recital featured a classic organ designed by G. Donald Harrison.

Mistral, us.mistral.pixtral-large-2502-v1:0

The image depicts a program for an organ recital held at the Longy School of Music in Cambridge, Massachusetts. The event took place on Thursday evening, January 29, 1942, at 8:15 PM at the Germanic Museum, Harvard University, located on Kirkland Street, Cambridge.

The recital was performed by E. Power-Biggs and featured the following program:

  1. Three Compositions on the Notes B.A.C.H. (H = B natural):

    • Prelude and Fugue in C minor by Franz Liszt
    • Fugue on the name B.A.C.H. by Robert Schumann
    • Chromatic Study on the name of Bach by Walter Piston
  2. Eleven Chorale Preludes, Opus 122 by Johannes Brahms:

    • O Welt, ich muss dich lassen (O world, I now must leave thee)
    • Herzliebster Jesu (O Blessed Jesus)
    • Herzlich thut mich verlangen (My heart is filled with longing)
    • Schmücke dich, O liebe Seele (Deck thyself, my soul, with gladness)
    • O wie selig seid ihr doch, ihr Frommen (Blessed are ye faithful holy)
    • O Gott, du frommer Gott (O God, Thou faithful God)
    • Es ist ein Ros entsprungen (Behold, a rose is blooming)
    • Herzlich thut mich verlangen (My heart is filled with longing)
    • Herzliebster Jesu, was hast du verbrochen (My dearest Jesus, what hast thou offended)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
  3. Introduction and Fugue on the Chorale: "Als Gott in die Zeit" by Franz Liszt
    (Classic organ designed by G. Donald Harrison)

The program indicates a detailed and structured performance, showcasing a variety of classical organ compositions by notable composers such as Franz Liszt, Robert Schumann, Walter Piston, and Johannes Brahms.

Azure OpenAI Service, gpt-4

This image shows a page from a program for an organ recital at the Longy School of Music, located on Garden Street, Cambridge. The recital by E. Power Biggs took place on Thursday evening, January 20, 1944, at 8:15, at the Germanic Museum, Harvard University, Kirtland Street, Cambridge.

The program details are as follows:

PROGRAM
Three Compositions on the Notes B.A.C.H. (B-flat natural)

  • Fantasia and Fugue on B.A.C.H. by Franz Liszt
  • Fugue on the name B.A.C.H. by Robert Schumann
  • Chromatic Study on the name of Bach by Walter Piston

Eleven Chorale Preludes, Opus 122 by Johannes Brahms, with the first piece titled "Mein Jesu, der du mich (My Jesus calls to me)" and the last "O Welt, ich muss dich lassen (O world, I now must leave thee)", including other pieces with their English translations provided in parentheses.

Lastly, the program concludes with "Introduction and Fugue on the chorale: Ad nos, ad salutarem undam" by Franz Liszt and mentions that the classic organ was designed by G. Donald Harrison.

The page is slightly aged, suggesting it's from a historic program, with the left side bound along with other similar pages, indicating it is part of a booklet or collection of programs.

Azure OpenAI Service, gpt-4o-2024-05-13

This image shows an open page of a book or program with text detailing an organ recital. The header of the page reads, "LONGY SCHOOL OF MUSIC" located on One Follen Street, Cambridge. The recital is by E. Power-Biggs and is scheduled for Thursday evening, January 29, 1942, at 8:15 PM, taking place in the Germanic Museum on Kirkland Street at Harvard University in Cambridge.

The program lists the pieces to be performed:

  1. Three Compositions on the Notes B.A.C.H. (B-flat natural):

    • Fantasia and Fugue on B.A.C.H. by Franz Liszt
    • Fugue on the name B.A.C.H. by Robert Schumann
    • Chromatic Study on the name of Bach by Walter Piston
  2. Eleven Chorale Preludes, Opus 122 by Johannes Brahms, including:

    • Mein Jesu, der du mich (My Jesus calls to me)
    • Herzliches Jesu (O Blessed Jesu)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
    • Herzlich tut mich erfreuen (My faithful heart rejoices)
    • Schmücke dich, O liebe Seele (Deck thyself, my soul)
    • O wie selig seid ihr doch, ihr Frommen (Blessed are ye faithful souls)
    • O Gott, du frommer Gott (O God, Thou faithful God)
    • Es ist ein Ros' entsprungen (Behold, a rose is blooming)
    • Herzlich tut mich verlangen (My heart is filled with longing)
    • O Welt, ich muss dich lassen (O world, I now must leave thee) (Second setting)
  3. Introduction and Fugue on the chorale:

    • Ad nos, ad salutarem undam by Franz Liszt

At the bottom of the page, it is mentioned that the classic organ is designed by G. Donald Harrison. The exposed bindings and edges of the book suggest it is either an archival copy or one in regular use.

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows an old program leaflet mounted on a page in a book or album with a beige border around the leaflet. The program is from the Longy School of Music located at One Follen Street, Cambridge. It announces an organ recital by E. Power-Biggs scheduled for Thursday evening, January 29, 1942, at 8:15 at the Germanic Museum on Kirkland Street, Harvard University, Cambridge.

The program includes the following:

  • Three Compositions on the Notes B.A.C.H. (where H = B natural):

    • Fantasia and Fugue on B.A.C.H. by Franz Liszt
    • Fugue on the name B.A.C.H. by Robert Schumann
    • Chromatic Study on the name of Bach by Walter Piston
  • Eleven Chorale Preludes, Opus 122 by Johannes Brahms:

    • Mein Jesu, der du mich (My Jesus calls to me)
    • Herzliebster Jesu (O Blessed Jesu)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
    • Herzlich thut mich erfrueen (My faithful heart rejoices)
    • Schmücke dich, O liebe Seele (Deck thyself, my soul)
    • O wie selig seid ihr doch, ihr Frommen (Blessed are ye faithful souls)
    • O Gott, du frommer Gott (O God, Thou faithful God)
    • Es ist ein Ros' entsprungen (Behold, a rose is blooming)
    • Herzlich thut mich verlangen (My heart is filled with longing)
    • Herzlich thut mich verlangen (My heart is filled with longing) (Second setting)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
  • Introduction and Fugue on the chorale:

    • Ad nos, ad salutarem undam by Franz Liszt

At the bottom, there is a note indicating that the classic organ was designed by G. Donald Harrison.

Amazon, us.amazon.nova-2-lite-v1:0

The image shows an open book, likely a program or booklet, detailing an organ recital event. The cover page prominently displays the title "LONGY SCHOOL OF MUSIC" at the top, indicating the institution hosting the event. Below this, the subtitle "ORGAN RECITAL BY E. POWER-BIGGS" is clearly visible, identifying the performer.

The recital is scheduled for Thursday Evening, January 29, 1942, at 8:15 PM, and it is taking place at the Germanic Museum, Harvard University, Kirkland Street, Cambridge.

The program lists the following pieces to be performed:

PROGRAM

  1. Three Compositions on the Notes B.A.C.H. (H = B Natural)

    • Fantasia and Fugue on B.A.C.H.Franz Liszt
    • Fugue on the name B.A.C.H.Robert Schumann
    • Chromatic Study on the name BachWalther Piston
  2. Eleven Choral Preludes, Opus 122Johannes Brahms

    • Meine Jesu, der du mich rufen kannst zu mir (My Jesus calls to me)
    • Herzliebster Jesu (O Blessed Jesus)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
    • Herzlich tut mich erfreuen (My faithful heart rejoices)
    • Schmücke dich, o liebe Seele (Deck thyself, my soul)
    • Wie selig seid ihr, ihr Fromman (Blessed are ye faithful)
    • O Gott, du frommer Gott (O God, thou faithful God)
    • Exsultavit ros ensprungen (Behold, a rose is blooming)
    • Herzlich tut mich verlangen (My heart is filled with longing)
    • Herzlich tut mich verlangen (My heart is filled with longing) – (Second setting)
    • O Welt, ich muss dich lassen (O world, I now must leave thee)
  3. Introduction and Fugue on the chorale:

    • Ad nos, ad salutem undamFranz Liszt

At the bottom of the page, a note indicates that the recital will feature a classic organ designed by G. Donald Harrison. The overall design of the booklet is simple and formal, with clean typography and a structured layout typical of concert programs from the mid-20th century. The book itself appears to have a soft, light-colored cover with visible spine and edges, suggesting it may be a printed program or booklet rather than a hardcover book.