Archives Scrapbooks

The image shows a page from a book or a scrapbook, which contains a yellowed newspaper clipping and a yellow event flyer, both related to musical events at the Germanic Museum at Harvard University.

1. Flyer Details:

   • Title: Germanic Museum, Harvard University
   • Event 1: Organ Recital by E. Power Biggs featuring the Six Trio Sonatas for organ by J.S. Bach on Monday evening, December 3, at 8:15.
   • Event 2: Organ Recital by Carl Weinrich on Tuesday evening, December 4, at 8:15.
   • Event 3: Lecture by Dr. Hans Nathan titled "Mozart and the History of Musical Taste" in commemoration of the 150th anniversary of Mozart's death on Friday evening, December 7, at 8:15.
   • Event 4: Concert of Christmas Music by the Choir of Trinity Church, Cambridge, conducted by Julian Rand, on Monday evening, December 10, at 8:15.
   • Note: Subsequent concerts will be announced later.
   • Admission: Free and without tickets. No seats will be reserved.
   • Invitation: The public is cordially invited.
   • Note at the bottom: Sent to Germanic Mail List & Friends of Bach Organ.

2. Newspaper Clipping Details:

   • Title: Music
   • Subtitle: Germanic Museum Series
   • Content: The article discusses the Germanic Museum Series, which includes chamber and vocal music, as well as organ recitals. It mentions E. Power Biggs playing Bach's organ sonatas and Carl Weinrich playing a variety of chorale preludes. The article also highlights a lecture by Dr. Hans Nathan on Mozart and a Christmas concert by the Choir of Trinity Church. The events are noted to be free and open to the public.

3. Handwritten Notes:

   • Attendance Figures:
     • Thursday, December 6, 1956: 400
     • Friday, December 7: 77
     • Thursday, December 13: 775

The page appears to be a record of musical events held at the Germanic Museum, with details of the performances, dates, and attendance figures.

The image shows a page from a newspaper or a publication featuring an announcement from the Germanic Museum at Harvard University. The announcement lists several upcoming events:

1. An organ recital by E. Power Biggs on Monday evening, November 3, at 8:15.
2. An organ recital by Carl Weinrich on Tuesday evening, December 2, at 8:15.
3. A lecture by Dr. Hans Nathan titled “Mozart and the History of Musical Theory” on Friday evening, December 5, at 8:15, in commemoration of the 150th anniversary of Mozart’s death.
4. A concert by the Boy Choir of Christ Church, Cambridge, featuring Christmas music on Monday evening, December 15, at 8:15.

The events are free and admission is without tickets, with no seats reserved.

Below the announcement, there is a news article titled "Music" discussing the Germanic Museum Series. The article highlights the first event in the series, an organ recital by E. Power Biggs, and notes that the recital was well-attended and praised for its quality and the musical expertise of the performer. The piece also mentions that the audience was impressed by the technical proficiency and the overall ambiance of the performance.

The attendance numbers are noted as 600 and 775 for the respective events, and the article is signed by A. W. W.

The image displays an open book with two main items pasted on one of its pages. The top item is a yellow flyer or notice from the Germanic Museum, Harvard University, detailing several upcoming events. These events include:

1. An organ recital by E. Power Biggs featuring J.S. Bach's Six Trio Sonatas on Monday, November 3, at 8:15 PM.
2. An organ recital by Carl Weinrich on Tuesday, December 2, at 8:15 PM.
3. A lecture by Dr. Hans Nathan on "Mozart and the History of Musical Taste" on Friday, December 5, at 8:15 PM, commemorating the 150th anniversary of Mozart’s death.
4. A concert by the Boy Choir of Christ Church, Cambridge, conducted by W. Judson Rand, Jr., on Monday, December 15, at 8:15 PM, featuring Christmas choral music.

The notice states that admission is free and without tickets, and no seats are reserved. It also mentions that the public is cordially invited. Handwritten notes next to the events indicate attendance, possibly listing names like "Attendance 100" and "Attendance 75."

Below the flyer, there is a newspaper clipping titled "MUSIC" which appears to be a review or article related to the Germanic Museum Series. The text is partially visible and discusses the appeal of Bach’s music, the quality of the performances, and some details about the audience and the venue. The article seems to be well-written and provides insights into the musical event, though the full text is not entirely visible.

The page also includes a handwritten note at the bottom that reads: "Sent to Germanic Mailing list & Friends of Bach Organ."

The book and its contents are placed against a plain background, possibly a table or desk, with the book held open by another book or object out of view.

The image shows a historical event program from the Germanic Museum at Harvard University, detailing a series of musical events. Here's a detailed summary:

Event Announcements:

1. Organ Recital by E. Power Biggs

   • Date: Monday evening, November 3, at 8:15 PM
   • Program: The Six Trio Sonatas for organ by J.S. Bach

2. Organ Recital by Carl Weinrich

   • Date: Tuesday evening, December 2, at 8:15 PM

3. Lecture by Dr. Hans Nathan

   • Topic: "Mozart and the History of Musical Taste"
   • Date: Friday evening, December 5, at 8:15 PM
   • Occasion: Commemoration of the 150th anniversary of Mozart's death

4. Concert by The Boy Choir of Christ Church, Cambridge

   • Conductor: W. Julian Reed, Jr.
   • Date: Monday evening, December 15, at 8:15 PM
   • Feature: Christmas choral music

Additional Information:

• Admission: Free and without ticket, though reservations might be required.
• Invitation: The public is cordially invited to attend all events.

Note:

• Sent to the Germanic mailing list and friends of Bach organ.

Accompanying Article (Right Side):

The article discusses the inception of the Germanic Museum's music series. The series began with an organ recital by E. Power Biggs, which was highly successful. This success prompted the planning of a series of similar events, aiming to both educate and entertain the public with high-quality music.

The series includes various forms of musical performances and lectures. The organizers, including Mr. Biggs and Mr. Weinrich, are noted for their exceptional talent and dedication. The goal is to create a burgeoning interest in the music of the great composers, particularly J.S. Bach, through these performances.

The article also mentions that the series is still in its early stages, and further funding might be required to continue and expand the program. The hope is that these events will inspire and cultivate a broader appreciation for classical music among the public.

The image shows a page from a book or album with information related to events at the Germanic Museum at Harvard University. The page includes the following details:

1. Event Listings:

   • Organ Recital by E. Power Biggs: The Six Trio Sonatas for organ by J.S. Bach, held on Monday evening, November 3, at 8:15.
   • Organ Recital by Carl Weinrich: Held on Tuesday evening, December 2, at 8:15.
   • Lecture by Dr. Hans Nathan: "Mozart and the History of Musical Taste" in commemoration of the 150th anniversary of Mozart's death, held on Friday evening, December 5, at 8:15.
   • Concert by the Boy Choir of Christ Church, Cambridge: Christmas choral music, conducted by W. Judson Rand, Jr., held on Monday evening, December 15, at 8:15.

   Admission to these events is free and without tickets, but seats are reserved.

2. Notes on Attendance:

   • Attendance figures for the events are handwritten on the page:
     • E. Power Biggs recital: about 300 attendees.
     • Dr. Hans Nathan lecture: 77 attendees.
     • Concert by the Boy Choir of Christ Church: 775 attendees.

3. Newspaper Clipping:

   • A review of the E. Power Biggs organ recital is included. The review mentions that the recital was part of the Germanic Museum Series and was given at the Memorial Church, Harvard University. The reviewer notes that the recital was well-attended, with a capacity audience. The performance included works by J.S. Bach, and the reviewer praises Biggs's technical proficiency and artistic expression. The review highlights the challenges and rewards of performing Bach's complex compositions, emphasizing the brilliance and difficulty of the pieces performed.

4. Additional Note:

   • There is a handwritten note at the bottom left of the page indicating that the mailing list was sent to the Germanic Museum and friends of the Bach Organ.

The page overall provides a historical snapshot of musical events and their reception at Harvard University during the early part of the academic year.

The image shows a page from what appears to be an event program or newsletter related to the Germanic Museum at Harvard University.

At the top, there is a yellowed event schedule for musical performances and a lecture:

1. Organ Recital by E. Power Biggs: The Six Trio Sonatas for organ by J.S. Bach on Monday, November 3, at 8:15 PM.
2. Organ Recital by Carl Weinrich: Scheduled for Tuesday evening, December 2, at 8:15 PM.
3. Lecture by Dr. Hans Nathan: "Mozart and the History of Musical Taste" on Friday evening, December 5, at 8:15 PM, commemorating the 150th anniversary of Mozart's death.
4. Concert by the Boy Choir of Christ Church, Cambridge: Conducted by W. Judson Rand, Jr., on Monday evening, December 15, at 8:15 PM, featuring Christmas choral music.

The schedule notes that admission is free and without tickets, and no seats will be reserved. It also mentions that subsequent concerts will be announced later.

Handwritten notes are present on the right side of the page:

• "Attendance about 300"
• "Attendance 77"
• "Attendance 775"
• "Sent to Germanic mailing list & Friends of Bach Organ"

Below the schedule is a newspaper clipping titled "MUSIC" which describes an event from the Germanic Museum Series. The article discusses a recital by E. Power Biggs, who played the Six Trio Sonatas for organ by J.S. Bach. The audience was described as a mix of people with varied backgrounds, from students to older, more experienced listeners. The recital included challenging pieces, and the article notes the technical and musical difficulty of the performances, highlighting Biggs's skill and the impressive nature of the music.

The article was written by A. W. W. and published in the newspaper.

The image shows a large book page, presumably from a scrapbook or archival collection, with three clippings or inserts related to music events at the Germanic Museum, Harvard University.

1. The top insertion is a yellowish paper detailing upcoming events at the Germanic Museum, Harvard University. It lists:

   • An organ recital by E. Power Biggs on Monday, November 3, at 8:15.
   • An organ recital by Carl Weinrich on Tuesday, December 2, at 8:15.
   • A lecture by Dr. Hans Nathan on Friday, December 5, at 8:15, commemorating the 150th anniversary of Mozart's death.
   • A concert by the Boy Choir of Christ Church, Cambridge, conducted by W. Judson Rand on Monday, December 15, at 8:15.
     It also notes that subsequent concerts will be announced later, admission is free without reserved seats, and invites the public cordially.
     There is a handwritten note below this clipping stating: "Sent to Germanic Mailing List + Friends of Bach Organ."
     On the right side of this clipping, there are three handwritten annotations about attendance numbers, stating:
   • Attendance about 600
   • Attendance 77
   • Attendance 175

2. Below the first clipping, there is a smaller newspaper clipping titled "MUSIC" with a subheading "Germanic Museum Series." The article discusses the annual series of concerts on the Baroque organ in the Germanic Museum, Harvard University. It praises the organist E. Power Biggs, the difficulty of playing Bach’s compositions, and the charm and fascination of Bach's music. The article also mentions the narrow steps leading to the organ loft as a minor inconvenience and comments on the high quality and importance of the concert series.

Overall, the page documents promotional and review material related to musical events at the Germanic Museum, demonstrating efforts to present and appreciate Baroque organ music, particularly Bach, at Harvard University.

This image shows an open book or a pamphlet with text content relating to musical events. It appears to feature announcements and reviews of concerts connected with the Germanic Museum, Harvard University.

The top left section announces an organ recital by E. Power Biggs, featuring Six Trio Sonatas by J.S. Bach on November 3, and a lecture recital by Carl Weinrich on "Recent Trends and the History of Musical Taste" on December 8. It mentions the celebration of the 150th anniversary of Mozart's death at a concert by the Boy Choir of Christ Church, Cambridge, on December 15. All of these events were scheduled for 1945. It is noted that admission is free without tickets, and "The public is cordially invited."

Beneath the heading "Germanic Museum Series," there's a pasted newspaper clipping (reference to "MUSIC") with a review or description appreciating the musical events mentioned, emphasizing the value of the series in offering organ concerts. There are some handwritten notations on the right side of the page in pen, possibly reference marks ("Alexander 800," "Alexander '77," "Alexander 775"), but without additional context, the significance of these markings is unclear.

The overall tone of the page is informative and promotional, designed to inform readers about upcoming musical culture events and to express the enjoyment and appreciation of past events. The condition of the paper, typeface, and the style of the text suggest a vintage origin.

The image shows a page from a scrapbook or album containing clippings and a note related to events at the Germanic Museum of Harvard University. The page includes the following elements:

1. A yellow flyer from the Germanic Museum of Harvard University detailing a series of musical events:

   • A recital by E. Power Biggs featuring Bach's Trio Sonatas for Organ, scheduled for Monday evening, November 3, at 8:15.
   • An organ recital by Carl Weinrich, scheduled for Tuesday evening, December 2, at 8:15.
   • A lecture by Dr. Hans Nathan titled "Mozart and the History of Musical Taste" in commemoration of the 150th anniversary of Mozart's death, scheduled for Friday evening, December 5, at 8:15.
   • A Christmas music concert by the Boy Choir of Christ Church, Cambridge, conducted by J. Woodman Rand, scheduled for Monday evening, December 15, at 8:15.
   • The note indicates that subsequent concerts will be announced later, with admission being free and without reserved seating, and it invites the public cordially.

2. Handwritten notes on the page mentioning "Abendiana sketchbooks," "Abendiana 77," and "Abendiana 1975."

3. A newspaper clipping titled "MUSIC" discussing the Germanic Museum Series. The text reviews the performances, noting their technical and artistic qualities, especially praising the renditions of Bach's works on the museum's Baroque organ. The reviewer, A.W.W., reflects on the significance of the series and the impression made by the performances.

4. A handwritten annotation at the bottom of the page indicating that the information was sent to the Germanic mailing list and friends of the Bach Organ.

The page is neatly arranged, with the flyer and clipping affixed, and written notes providing additional context.

The image shows an open book or program booklet with handwritten annotations and printed text. Here is a detailed description:

Printed Content:

1. Header:

   • The top section features a printed header that reads:
     "GERMANIC MUSEUM, HARVARD UNIVERSITY".
   • Below this, there is a flyer or announcement for an Organ Recital by E. Power Biggs, scheduled for Tuesday evening, November 2, at 8:15 p.m.. The recital is part of the "Six Trio Sonatas for organ by J.S. Bach, Mon day evenings."
   • Another section announces a Lecture Recital by Carl Weinrich, titled "Mozart and the history of Musical Taste," scheduled for Tuesday evening, December 9, at 8:15 p.m., marking the 150th anniversary of Mozart's death.
   • A Concert by the Boy Choir of Christ Church, Cambridge, is also listed for Christmas Eve music, with performances on Friday evening, December 25, at 8:15 p.m., and Monday evening, December 31, at 8:15 p.m., conducted by W. Judson Rand, Jr.
   • The announcement concludes with:
     "SUBSEQUENT CONCERTS WILL BE ANNOUNCED LATER. Admission is free and without tickets. No seats will be reserved. THE PUBLIC IS CORDIALLY INVITED."

2. Music Section:

   • Below the announcements, there is a printed section titled "MUSIC", which appears to be a review or commentary on the concert. It discusses the Germanic Museum Series, noting that it is the first in the annual series of concerts on the Baroque organ at the Germanic Museum, Harvard University, Cambridge, Mass.
   • The text highlights the capacity audience and praises the performance, particularly the organist's skill and the quality of the music. It mentions specific pieces, such as Bach's Trio Sonatas, and describes the concert as "charming and fascinating examples of Bach's contrapuntal art."
   • The review emphasizes the technical difficulty of the pieces and the extraordinary performance, noting that the last movement was particularly impressive.

Handwritten Annotations:

• On the right margin of the printed text, there are handwritten notes in blue ink. These notes appear to be annotations or reminders:
  • The first note reads: "Attendaner dentboo" (likely a misspelling or shorthand for "Attendancer dentboo").
  • The second note reads: "Attendaner TT".
  • The third note reads: "Attendaner M75".
• Below the printed content, there is a handwritten note at the bottom of the page that says:
  "Sent to Germanic Mailing list & friends of Bach Organ."

Overall Layout:

• The page is neatly organized, with the printed announcements and review taking up the majority of the space, while the handwritten notes are placed in the margins for additional context or personal reference.
• The book appears to be a program or booklet from the Germanic Museum at Harvard University, likely used for documenting or promoting musical events and reviews.

Visual Details:

• The paper has a slightly aged appearance, suggesting it may be from an earlier time period.
• The handwritten notes are in a neat, cursive script, indicating careful annotation.
• The printed text is clear and formatted in a structured manner, typical of a concert program or review booklet.

This image captures a blend of formal printed content and personal handwritten notes, reflecting both the official promotion of events and an individual's engagement with the material.