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ARCH.2013.5.3, Rendition: 793402
The image shows a program for the "Sixty-seventh Faculty Concert" held at the Longy School of Music, located at 1 Follen Street, Cambridge, Massachusetts. The concert took place at Renaissance Hall in the Germanic Museum on Tuesday, November 28, 1939, at 8:15 P.M.
The program includes the following performances and pieces:
Performances by Rulon Robinson (Tenor) and Erwin Bodky (Harpsichord) for several pieces.
Preludium and Chaconne in G Major by Johann Kaspar Fertel.
Toccata in D minor by Johann Sebastian Bach, performed by Erwin Bodky on harpsichord, featuring:
Lieder with texts by Joseph von Eichendorff, performed by Rulon Robinson (Tenor), with Erwin Bodky on harpsichord:
Pièces de clavecin by François Couperin, performed by Erwin Bodky on harpsichord:
Four Arias with Strings and Continuo by Adam Krieger, performed by Rulon Robinson (Tenor), assisted by string orchestra and harpsichord:
The program also lists the assisting musicians:
The harpsichord used for the concert was built by Karl Maendler-Schramm from Munich.
The image shows a page from a program for a concert held by the Longy School of Music in Cambridge, Massachusetts, on November 28, 1939. The event took place in the Renaissance Hall at the German Museum and was titled the "Sixty-seventh Faculty Concert."
Here are the details of the program:
Canon à tre in D Major for Violins with Continuo (Harpsichord and Violoncello) by Johann Pachelbel.
Trobadour Songs:
Instrumental Works:
Vocal and Instrumental Works with Tenor Rulon Robinson:
Pieces de clavecin (Clavichord) by François Couperin:
Four Arias with Strings and Continuo by Adam Krieger:
The program also notes that the harpsichord was built by Karl Mandl-Schramm, Munich.
The image shows a program for a concert held at the Longy School of Music, located at 1 Follen Street, Cambridge, Massachusetts. The concert took place in Renaissance Hall at the Germanic Museum on Tuesday, November 28, 1939, at 8:15 PM. It was the sixty-seventh faculty concert.
The program includes a variety of musical pieces:
Canon à tre in D Major for Violins with Continuo by Johann Pachelbel, performed on the harpsichord and violoncello.
Troubadour Songs:
Praeludium and Chaconne in G Major by Johann Kaspar Fischer.
Toccata in D minor by Johann Sebastian Bach, with movements Adagio — Presto — Adagio — Allegro.
Ich werde nicht sterben by Schütz.
Klopfet an die Himmels-Pforte by Buxtehude.
Air by Rambeau, sung by Rulon Robinson, Tenor, assisted by Emily Johnson (violin), Ralphail Silverman (violin), and Olivia Silberberg (cello).
Pieces de clavecin by François Couperin, including:
Four Arias with Strings and Continuo by Adam Krieger, sung by Rulon Robinson, Tenor, including:
The concert was assisted by a string orchestra and harpsichord. The musicians included:
Additionally, the program notes that the harpsichord was built by Karl Maendler-Schramm from Munich.
The image shows a program for the "Sixty-seventh Faculty Concert" held at the Longy School of Music, located at 1 Follen Street, Cambridge, Massachusetts. The concert took place on Tuesday, November 28, 1939, at 8:15 PM in Renaissance Hall at the Germanic Museum.
The program lists the following pieces and performers:
Canon à tre in D Major for Violins with Continuo (Harpsichord and Violoncello) by Johann Pachelbel.
Troubadour Songs including:
Praeludium and Chaconne in G Major and Toccata in D minor by Johann Kaspar Fischer, followed by Adagio – Presto – Adagio – Allegro by Johann Sebastian Bach, performed by Erwin Bodky on the harpsichord.
Ich werde nicht sterben and Klopfet an die Himmels-Pforte (Air) by Schutz and Buxtehude, performed by Rulon Robson, Tenor, assisted by:
Pièces de clavecin by François Couperin, including:
Four Arias with Strings and Continuo by Adam Krieger, including:
The program also notes that the harpsichord was built by Karl Mändler-Schramm, Munich.
The image displays a program from a faculty concert held by the Longy School of Music. The concert took place on Tuesday, November 28, 1939, at 8:15 P.M. in Renaissance Hall at the Germanic Museum.
Here's a detailed breakdown of the program:
Canon à trè in D Major for Violins with Continuo - Johann Pachelbel
Trouvère Songs
Ballade Provençale
Præludium and Chaconne in G Major - Johann Kaspar Fischer
Toccata in D minor
Ich wolte nicht scheiden - Buxtehude
Pièces de Clavecin
Four Arias with Strings and Continuo - Adam Krieger
Performers:
Violins:
Violas:
Viola da Gamba:
Violoncello:
The harpsichord used was built by Karl Maendler-Schramm, Munich.
The image shows a page from a program booklet for the "Sixty-seventh Faculty Concert" held at the Longy School of Music, located at 1 Follen Street, Cambridge, Massachusetts. The concert took place on Tuesday, November 28, 1959, at 8:15 PM in the Renaissance Hall of the Germanic Museum.
The program includes the following pieces:
Canon à tre in D Major for Violin with Continuo by Johann Pachelbel, performed by Raphael Silverman (Violin) and Olivia Schlesinger (Cello).
Troubadour Songs by Walter von der Vogelweide, including "Song of the Geislers" and "Balla de Provencale," performed by Rulon Robison (Tenor) and accompanied by Rupert Marshall (Harpsichord).
Religious Song and Pastourelle by Walter von der Vogelweide, performed by Rulon Robison (Tenor) and accompanied by Rupert Marshall (Harpsichord).
Preludium and Chaconne in G Major by Johann Kajetan Fischer, performed by Erwin Bodky (Harpsichord).
Toccata in F Major by Johann Sebastian Bach, performed by Erwin Bodky (Harpsichord).
Adagio - Presto - Adagio - Allegro by Erwin Bodky, performed by Erwin Bodky (Harpsichord).
Ich werde nicht streben and Klaglied an die Himmels-Pforte by Johann Christoph Friedrich Bach, performed by Rulon Robison (Tenor) and accompanied by Emily Johnson (Violin), Olivia Schlesinger (Cello), and Francoise Couperin (Harpsichord).
Air by Johann Christoph Friedrich Bach, performed by Rulon Robison (Tenor) and accompanied by Emily Johnson (Violin), Olivia Schlesinger (Cello), and Francoise Couperin (Harpsichord).
Pièces de clavecin by François Couperin, performed by Erwin Bodky (Harpsichord). The pieces include:
Four Arias with Strings and Continuo by Adam Krieger, performed by Rulon Robison (Tenor) and accompanied by a string orchestra and harpsichord. The arias include:
The string orchestra and harpsichord accompaniment were conducted by Karl Muenchinger, with the following musicians:
The harpsichord was built by Karl Muenchinger.
The image shows an open program booklet for the 'Longy School of Music Sixty-seventh Faculty Concert' held at Renaissance Hall in the Fogg Art Museum on Tuesday, November 28, 1939, at 8:15 PM. The program includes classical pieces from composers like Johann Pachelbel, Johann Kaspar Fischer, Johann Sebastian Bach, Schütz, Buxtehude, and François Couperin. It lists both vocal and instrumental works, and the performers include a tenor, a harpsichord player, and musicians on violin, viola, and violoncello.
The page on the right-hand side lists the full program details, presenting the compositions to be played, their respective composers, and the performers. For instance, there is a canon by Johann Pachelbel, specified to be played with a harpsichord and violoncello.
The text is in English, and the font is straightforward and easily readable against the off-white background of the paper. The booklet is slightly worn, suggesting age, and the pages are thick with a visible texture. The left side of the image shows the booklet's binding and the curvature of the open pages, indicating that it's a physical object placed on a flat surface. It appears to be a historical document or memento from the musical event.
The image depicts an open book with a program insert for a musical concert from the Longy School of Music located in Follen Street, Cambridge, Massachusetts. The document is titled "Sixty-seventh Faculty Concert" and provides details for the concert held on Tuesday, November 28, 1939, at 8:15 P.M. in the Renaissance Hall at the Germanic Museum.
The program lists the pieces to be performed and the participating musicians. It features compositions by Johann Pachelbel, François Couperin, Johann Kaspar Fischer, Johann Sebastian Bach, Walter von der Vogelweide, and other composers. There are mentions of various musical works including Canon in D Major, Troubadour Songs, Ballade Provençale, and Four Arias with Strings and Continuo by Adam Krieger. The performers include the tenor RuLon Robinson and harpsichordist Erwin Bodky, among others, with a string orchestra and various instrumental assistants. The program is printed on a separate sheet and folded into the book, partially visible as it is turned.
The image shows a printed concert program for the "Sixty-seventh Faculty Concert" at the Longy School of Music, located at 1 Follen Street, Cambridge, Massachusetts. The concert took place in Renaissance Hall at the Germanic Museum on Tuesday, November 28, 1939, at 8:15 P.M.
The program lists a variety of musical pieces along with their composers, performers, and instruments. The works include:
Other pieces include compositions by François Couperin, and four arias with strings and continuo by Adam Krieger.
The program concludes with credits to the accompanying musicians and notes that the harpsichord was built by Karl Maendler-Schramm, Munich.
Overall, the concert features a mixture of Baroque and Renaissance music performed by faculty members and assisted by other musicians, showcasing vocal and instrumental works on violin, viola, 'cello, and harpsichord.
The image shows the interior of a book, specifically an open page displaying a program for a musical concert. The program is titled "Sixty-seventh Faculty Concert" and is associated with the Longy School of Music, located at 1 Follen Street, Cambridge, Mass. The concert is scheduled to take place at Renaissance Hall, Germanic Museum, on Tuesday, November 28, 1939, at 8:15 P.M.
The program includes a variety of musical pieces performed by different artists, with details about the performers and composers. Here is a breakdown:
Canon à tre in D Major for Violins with Continuo (Harpsichord and Violoncello)
Troubadour Songs
Prelude and Chaconne in G Major
Adagio — Presto — Adagio — Allegro
Ich werde nicht sterben
Pieces de clavecin
Four Arias with Strings and Continuo
The program lists several musicians who will perform the pieces:
The overall presentation is formal and structured, typical of a concert program from the mid-20th century, showcasing a diverse repertoire spanning Baroque and classical music.