Archives Scrapbooks

The image displays an open book with two visible pages. The left page features an announcement for an organ recital at the Germanic Museum, Harvard University. The details include:

• Event: Organ Recital
• Performer: E. Power Biggs
• Date: Monday, November 13th
• Time: 8:15 p.m.
• Location: Germanic Museum, Harvard University

The announcement also mentions that the public is cordially invited, and seating capacity is limited to 500, with tickets available at the Germanic Museum. The right page is an article from a publication titled "MUSIC," dated Tuesday, November 14, 1933. The article discusses the recital by E. Power Biggs, focusing on the performance of Bach's works. The headline reads "BACH Recital on Baroque Organ by E. Biggs," and the article provides a detailed critique of the performance, highlighting the historical context and the unique qualities of the music presented. The critic praises the selection of pieces from the "Orgelbüchlein" (The Little Organ Book) and the skill of the performer in capturing the essence of Bach's compositions.

The image shows a page from a newspaper or a magazine featuring announcements and articles related to a musical event at the Germanic Museum, Harvard University.

1. Top Left Section:

   • The first boxed announcement reads:
     "GERMANIC MUSEUM, HARVARD UNIVERSITY
     RECITAL on the Baroque organ by E. Power Biggs
     The Orgelbuchlein (The Little Organ Book) and Prelude and Fugue in G major by J.S. Bach.
     CHAMBER MUSIC by the STRADIVARIUS QUARTET
     G major Quartet, K. 387 by W.A. Mozart; 3 Pieces by Ernest Bloch; F major Quartet, Op. 18, no. 1 by L. Beethoven. Friday evening, December 15th, at 8:15."

   • Below this, there's an invitation:
     "THE PUBLIC IS CORDIALLY INVITED"
     "As seating capacity is limited to 500, tickets may be obtained at the Germanic Museum, 103 Beacon Street, Cambridge, Massachusetts, or by calling in person."

2. Top Right Section:

   • A transcript dated Tuesday, November 14, 1979, under the heading "MUSIC" and "BACH" discusses the recital:
     "Recital on Baroque Organ by E. Biggs"
     The article, written by Edward Downes, describes the event and the significance of Bach's music:
     "Two of the greatest religious styles our western civilization has produced met and mingled last night in Harvard University's Germanic Museum with a performance of Bach's music by E. Power Biggs, a master of the Baroque organ."

     The text describes the Bach recital as a significant event, noting the organ's historical and artistic importance. It mentions the contrast between the Baroque musical style and the modern organ, and how Biggs masterfully played the organ. The piece also reflects on the timeless quality of Bach's music and the emotional resonance it evokes.

3. Bottom Section:

   • Another announcement for an "ORGAN RECITAL by E. Power Biggs" is present:
     "Monday, November 13th, 8:15 p.m."

   • The description highlights:
     "The Orgelbuchlein (The Little Organ Book) and Prelude and Fugue in G major by J.S. Bach"
     The event is noted to be another performance of significant historical and musical value.

This detailed page reflects an appreciation for classical music and the historical context of the Baroque period, emphasizing the recitals' cultural and artistic significance.

The image depicts a page from a book, specifically a newspaper or magazine clipping, related to an event at the Germanic Museum at Harvard University. The clipping is titled "MUSIC" and focuses on a recital by E. Power Biggs on a Baroque organ.

The page includes several elements:

1. Top Left Corner:

   • A notice for a recital on the Baroque organ by E. Power Biggs, featuring The Orgelbüchlein (The Little Organ Book) and a Prelude and Fugue in G major by J.S. Bach on Monday evening, November 13th, at 8:15 PM.
   • An announcement for a chamber music performance by the Stradivarius Quartet on Friday evening, December 15th, at 8:15 PM, including pieces by W.A. Mozart and L. Beethoven.

2. Top Right Corner:

   • A transcript dated Tuesday, November 14, 1978, titled "MUSIC" and "BACH."
   • An article titled "Recital on Baroque Organ by E. Biggs" by Edward Downes.
   • The article describes the recital, emphasizing the significance of Bach's work and the skill of E. Power Biggs. It highlights the historical context, the style of the music, and the concert's impact on the audience.

3. Main Body (Middle Section):

   • A notice for an organ recital by E. Power Biggs at the Germanic Museum, Harvard University, on Monday, November 13th, at 8:15 PM.
   • A statement that seating is limited to 500, and tickets can be obtained by sending a stamped, addressed envelope to the museum.

4. Article Content:

   • The article discusses Bach’s "Little Organ Book," noting its historical and musical significance. It mentions Bach’s ability to combine various musical elements and the emotional depth of his compositions.
   • The text emphasizes the skill and virtuosity of E. Power Biggs, describing the recital as a successful event that resonated with the audience.
   • The recital is noted for its technical brilliance and the performer's ability to convey the music's depth and complexity, making it a memorable performance.

Overall, the image is a historical document capturing a detailed account of a significant musical event at Harvard University, highlighting the performance and its impact on the audience.

The image shows an open book featuring a newspaper clipping and an article about an organ recital at the Germanic Museum at Harvard University. Here is a detailed summary:

1. Newspaper Clipping (Left Page):

   • Headline: "GERMANIC MUSEUM, HARVARD UNIVERSITY"
   • Recital Announcement: An organ recital by E. Power Biggs on the Baroque organ, featuring "The Orgelbüchlein (The Little Organ Book)" and "Prelude and Fugue in G major" by J.S. Bach. The recital was scheduled for Monday, November 13th, at 8:15 p.m.
   • Chamber Music: The Stradivarius Quartet was also performing, with pieces by W.A. Mozart and L. van Beethoven, on Friday evening, December 15th, at 8:15 p.m.
   • Invitation: The public was cordially invited to attend the concerts. Seating was limited to 500, and tickets could be obtained by sending a stamped, self-addressed envelope.

2. Article (Right Page):

   • Headline: "MUSIC: BACH"
   • Subhead: "Recital on Baroque Organ by E. Biggs"
   • Author: Edward Downes
   • Content:
     • The article discusses a Bach recital by E. Power Biggs, highlighting his mastery of the Baroque organ.
     • Biggs' performance of "The Orgelbüchlein" and "Prelude and Fugue in G major" was praised, with the article noting that his playing was a rare and significant event.
     • The recital was part of a series at the Germanic Museum, featuring the Stradivarius Quartet and other performances.
     • The article describes the musical pieces, their historical context, and the technical skill required to perform them.
     • It mentions that Biggs' performance was a highlight of the concert series, bringing to life the music of Bach with a modern audience in mind.
     • The review concludes by mentioning that Biggs' performance was a significant and memorable event, emphasizing his virtuosity and the impact of his rendition of Bach's music.

The newspaper clipping and the article together provide both an announcement and a detailed review of an organ recital by E. Power Biggs at Harvard University.

The image displays a program or flyer for a musical event featuring an organ recital and chamber music performance at the Germanic Museum, Harvard University.

Organ Recital

• Performer: E. Power Biggs
• Date and Time: Monday, November 13th, at 8:15 p.m.
• Program:
  • The Orgelbüchlein (The Little Organ Book) by J.S. Bach
  • Prelude and Fugue in G major by G.F. Handel

Chamber Music

• Performers: The Stradivarius Quartet
• Date and Time: Tuesday evening, December 15th, at 8:15 p.m.
• Program:
  • G major Quartet, K. 387 by W.A. Mozart
  • 3 Pieces by Ernest Bloch
  • F major Quartet, Opus 18, no. 1 by L. van Beethoven

Additional Information

• Ticketing:
  • Mailing capacity is limited to 500 tickets, which can be obtained by addressing a stamped, self-addressed envelope, or by calling in person.
  • Note that the seating capacity is limited, emphasizing the need to secure tickets in advance.

Article on E. Power Biggs and the Organ Recital

The right side of the image contains an article discussing E. Power Biggs' recital on the Baroque organ at the Germanic Museum. Key points include:

• Baroque Organ: The organ is described as a meticulously crafted instrument, modeled to produce the sounds and styles characteristic of the 17th and 18th centuries.
• Historical Context: The article explains the organ's historical significance, including its various stops, which are reproductions of old models and include rare features like the "rohr schalmey."
• Bach's Influence: The Orgelbüchlein (Little Organ Book) is highlighted as a significant work by Bach, intended for church use and covering various liturgical themes.
• E. Power Biggs: The organist is noted for his efforts in reviving interest in Baroque organ music and his performances, which have been broadcast and recorded.

The article underscores the importance of this event in the musical and academic community, showcasing the Baroque organ's unique capabilities and the historical music it is designed to play.

The image depicts a page from a book or scrapbook, containing various clippings related to musical events at the Germanic Museum, Harvard University, in November 1931. Here is a detailed summary:

1. Top Left Clipping:

   • Event: Organ Recital by E. Power Biggs
   • Date: Monday, November 13th, at 8:15 PM
   • Program:
     • "Das Orgelbüchlein" (The Little Organ Book) and Prelude and Fugue in G major by J.S. Bach
     • "March" by Max Reger
   • Additional Information:
     • Chamber Music by the Harvard Quartet on Friday evening, December 15th, at 8:15 PM.
     • The public is cordially invited to these events.
     • Admission is free, and tickets can be obtained at the Germanic Museum one week in advance of each concert, by mail or in person.

2. Bottom Left Clipping:

   • Event: Organ Recital by E. Power Biggs
   • Date: Monday, November 13th, at 8:15 PM
   • Venue: Germanic Museum, Harvard University
   • Ticket Number: 103

3. Right Clipping:

   • Title: Music
   • Subtitle: Bach Recital on Baroque Organ by E. Biggs
   • Author: Edward Owens
   • Date: Tuesday, November 14, 1931
   • Content:
     • The article discusses a recital by E. Power Biggs, highlighting the significance of the baroque organ and the music of J.S. Bach.
     • It mentions the historical context of Bach's compositions and the challenges of performing them on modern organs.
     • The recital included pieces from "Das Orgelbüchlein" and a Prelude and Fugue in G major.
     • The article praises Biggs's performance, noting his technical skill and musical interpretation.
     • It also mentions upcoming performances by Biggs, including a recital at the Germanic Museum on March 4 and a series of complete organ works of Mozart.

The clippings provide a snapshot of the cultural and musical activities at Harvard University during this period, with a focus on the works of J.S. Bach and the performances of E. Power Biggs.

The image shows an open book or pamphlet. On the left page, there's an announcement for events at the GERMANIC MUSEUM, HARVARD UNIVERSITY. It advertises a recital on the Baroque organ by E. POWER BIGGS, pieces by J.S. Bach including "The Little Organ Book," and Prelude and Fugue in G minor by the Orchestra with the STRADIVARIUS QUARTET. Below the text is an invitation for THE PUBLIC to attend the event, noting that seating capacity is limited to 500 and tickets can be obtained at the Germanic Museum. The left page also features a pink rectangular ticket stub numbered 103 with the event details for an ORGAN RECITAL by E. POWER BIGGS on Monday, November 13th, 8:15 p.m.

The right page contains an article about music by Bach and mentions the same Baroque organist, E. POWER BIGGS. The article, titled "MUSIC BACH Recital on Baroque Organ by E. Power Biggs," is by Edward Downes. It describes the cultural significance of Bach's music and mentions Biggs' recent performance in the context of presenting authentic Baroque music.

Both pages are yellowed with age, indicating they may be from an older print publication. The top of the right page has a handwritten note: "Transopt Tues. Nov. 14. '78".

This image is of an open album or scrapbook with two types of items adhered to the page. On the left side, there are two cards announcing events, both from the Germanic Museum at Harvard University.

1. The first card:

• Header: GERMANIC MUSEUM, HARVARD UNIVERSITY
• Announcement: Recital on the Baroque organ by E. Power Biggs.
• Details about the recital program, including the pieces to be played such as "The Orgelbüchlein (The Little Organ Book)" and "Prelude and Fugue in G major by J.S. Bach."
• Date and time: Monday evening, November 13th, at 8:15.
• Information about another event featuring chamber music by the Stradivarius Quartet on Friday evening, December 15th, at 8:15.
• Invitation: The public is cordially invited with ticket details and seating capacity information.

2. The second card:

• Header: GERMANIC MUSEUM - HARVARD UNIVERSITY (large font)
• Announcement: ORGAN RECITAL by E. Power Biggs.
• Date and time: Monday, November 13th, 8:15 p.m.
• Contains "103" presumably indicating the ticket number or seating section.

On the right side, there is a newspaper clipping with a review or article titled "MUSIC BACH." The article discusses the recital that took place at the Germanic Museum, highlighting the performance of E. Power Biggs on the Baroque organ. Edward Downes, presumably the author of the article, offers a detailed and favorable critique of the concert, praising the quality of music, the significance of Bach's work, and the skill of E. Power Biggs. The clipping is dated Tuesday, November 14, 1939, written in the top corner.

The overall context is an event or series of events at Harvard University, specifically a recital featuring organ music by E. Power Biggs and a related newspaper review.

The image shows an open scrapbook or album page containing three items related to a music event at the Germanic Museum, Harvard University. On the left side, there is a printed card on beige paper announcing:

• A recital on the Baroque organ by E. Power Biggs, specifically "The Orgelbüchlein (The Little Organ Book) and Prelude and Fugue in G major by J.S. Bach," scheduled for Monday evening, November 13th, at 8:15.
• Chamber music by the Stradivarius Quartet playing works by Mozart, Ernest Bloch, and Beethoven on Friday evening, December 15th, at 8:15.
• It states that the public is cordially invited, with seating limited to 500 and tickets obtainable one week in advance from the Germanic Museum through various means.

Below this card is a smaller salmon-colored card, numbered 103, also from the Germanic Museum, Harvard University, announcing an organ recital by E. Power Biggs on Monday, November 13th, at 8:15 p.m.

On the right side of the page, a newspaper clipping titled "MUSIC BACH" with the subtitle "Recital on Baroque Organ by E. Biggs" by Edward Downes is pasted. The article praises the recital of Bach's works on the Baroque organ, highlighting the harmony between Bach's music and the organ’s design by G. Donald Harrison. It explains the significance of Bach’s "Orgelbüchlein," the instrument’s qualities, and Biggs’s performance. The review appreciates the historical and emotional aspects of the music, the clarity and transparency of the organ, the rhythm and poetry in Biggs’s interpretations, and the powerful connection to the spirit of Bach’s compositions. It concludes by mentioning that another recital by Biggs will be scheduled for March 4th, devoted to the organ works of Mendelssohn.

The top edge of the newspaper clipping includes handwritten notes, "Transcript. Tues. Nov. 14, 1939," indicating the date the article was transcribed into the scrapbook.

The image depicts an open book, likely a program or announcement for a musical event held at the Germanic Museum, Harvard University. The book is open to two facing pages, each containing distinct content.

Left Page:

• Title: "GERMANIC MUSEUM, HARVARD UNIVERSITY"
• Event Details:
  • Recital: "RECITAL on the Baroque organ by E. POWER BIGGS"
  • Program:
    • "The Orgelbüchlein (The Little Organ Book) and Prelude and Fugue in G major by J.S. Bach."
    • "Monday evening, November 13th at 8:15."
  • Additional Performance:
    • "CHAMBER MUSIC by the STRAVADAVARI QUARTET"
    • "G major Quartet, K. 387 by W. A. Mozart; 3 Pieces by Ernest Bloch; F major Quartet, Opus 18, no. 1 by L. Beethoven."
    • "Friday evening, December 15th at 8:15."
  • Public Information:
    • "THE PUBLIC IS LIMITED TO 500. TICKETS MAY BE INVITED."
    • "As seating capacity is limited, cordiality at the Germanic Museum is one week in advance of each concert, by sending a stamped, addressed envelope, or by calling in person."
  • Page Number: "103"
  • Footer: "GERMANIC MUSEUM, HARVARD UNIVERSITY" and "ORGAN RECITAL by E. POWER BIGGS. Monday, November 13th, 8:15 p.m."

Right Page:

• Header: "Transcript: Tues. Nov. 14, 1937" at the top.
• Title: "MUSIC"
• Subtitle: "BACH"
• Content:
  • Event Description:
    • "Recital on Baroque organ by E. Power Biggs."
    • "By Edward Downey."
    • A detailed review or commentary on the recital, discussing the significance of Bach's organ works, particularly the "Orgelbüchlein" and the Prelude and Fugue in G major.
    • The text praises the performance, highlighting Biggs' skill, the historical context of Bach's compositions, and the unique qualities of the Baroque organ.
    • Mentions the Germanic Museum's role in presenting Bach's music and the audience's positive reception.
  • The text is formatted in a dense, columned style typical of newspaper or magazine articles, with a focus on musical critique and historical appreciation.

Overall Context:

The image shows a program or announcement for a Bach organ recital by E. Power Biggs at the Germanic Museum, Harvard University, dated Monday, November 13th, 1937, at 8:15 p.m. The left page provides logistical details about the event, while the right page contains a review or commentary on the performance, emphasizing its historical and artistic significance. The layout and content suggest this is part of a larger publication, possibly a program booklet or a newspaper clipping archive.