Archives Scrapbooks

The image shows an open scrapbook page with two main items pasted on it.

1. At the top, there is a ticket or program for an exhibition titled "Modern German Sculpture," held at the Germanic Museum, Harvard University from March 21st to April 29th, 1938. The ticket lists several sculptors: Kolbe, Barlach, Lehmbruck, Sinteins, Marcks, Belling, Fiori, Scheibe, Matare, Karsch, and Haller.

2. Below the ticket, there is a newspaper article titled "Bach Organ Cycle Resumed by Biggs." The article, written by E. Power Biggs, discusses the resumption of a series of recitals devoted to the organ works of Johann Sebastian Bach at the Germanic Museum, Harvard University. The article mentions that the first recital in the series took place on March 9th, with the next one scheduled for March 23rd. It describes the unique qualities of the German-built organ, including its distinctive sound due to its stop keys, and highlights some of the pieces that will be played, such as works from the "Orgelbüchlein" and the "Great Eighteen." The article also notes Biggs' appreciation for the clarity and brilliance of the organ's tone, which he believes makes Bach's music particularly effective.

The page appears to be part of a scrapbook, possibly collecting memorabilia related to cultural events.

The image is a page from a newspaper clipping or magazine article, specifically from the German Museum at Harvard University archives, dated March 21st to April 29th, 1938. The main focus of the clipping appears to be on a concert involving a performance of the Bach Organ Cycle by E. Power Biggs.

Here's a detailed summary:

1. Header Information:

   • The top section of the page lists "Modern German Sculpture" and names several sculptors: Kolbe, Barlach, Marcks, Mataré, Belling, Karsch, Fiori, Sintes, Scheibe, and Haller.

2. Main Clipping:

   • The main text article discusses E. Power Biggs's performance of the Bach Organ Cycle at the German Museum, Harvard University.
   • The concert featured the "Prelude and Fugue in E-flat," "Toccata and Fugue in D minor," and "Trio in D minor." Biggs used a modified organ, which differed from the traditional organ in several respects, including having more varied color and allowing him to play softer.
   • The performance was noted for its clarity and the expressive and sensitive interpretation of Bach's works.

3. Additional Details:

   • The performance included the entire series of Bach’s organ works, starting with the Prelude and Fugue in E-flat.
   • The article mentions the challenges of playing the Bach organ cycle on a modified instrument and the unique experience of playing softer and clearer parts.
   • Biggs is described as an accomplished musician and performer who brought significant appreciation to the Bach works.

4. Olympia Program:

   • The bottom left corner mentions an Olympia Program, indicating that the performance was part of a series at Olympia.

5. Secondary Clipping:

   • To the right, there is another newspaper article about E. Power Biggs, which mentions his recitals and his work with Bach's organ music. The article highlights his refined interpretations and the public's appreciation for his performances.

Overall, the image captures a historical account of a significant musical performance and the context of the German Museum's involvement in showcasing modern German art and culture during that period.

The image shows a page from a newspaper clipping and a program related to an exhibition and a series of concerts. Here’s a detailed summary:

Top Section

• Exhibition Notice:
  • Location: Germanic Museum, Harvard University
  • Exhibition Title: Modern German Sculpture
  • Artists Included: Kolbe, Barlach, Marcks, Mataré, Belling, Karsch, Lehmbruck, Fiori, Sintenis, Scheibe, and Haller
  • Dates: March 21st to April 29th, 1938

Center Section

• Newspaper Clipping:
  • Title: "Bach Organ Cycle Resumed by Biggs"
  • Content:
    • E. Power Biggs resumed his series of recitals devoted to the organ works of J.S. Bach at the Germanic Museum, Harvard University.
    • The concert included pieces such as the Toccata and Fugue in D minor, the Prelude and Fugue in E-flat major, and the Prelude and Fugue in G minor.
    • The instrument at the Germanic Museum is noted for its exceptional tone quality and clarity, differing from conventional organs in several respects.
    • Biggs' performance was praised for its clarity and sensitivity, with the audience appreciating the full tone and rich color of the instrument.
    • The recital was well-received, with the audience enjoying the blend of Bach's compositions and the organ's unique characteristics.

Right Section

• Music Section:
  • Title: "MUSIC"
  • Article Title: "E. Power Biggs"
  • Content:
    • E. Power Biggs resumed his series of concerts on the organ at Harvard University.
    • The program included several pieces by Bach, such as the Toccata and Fugue in D minor, Prelude and Fugue in E-flat major, and the Prelude and Fugue in G minor.
    • The recital was highly appreciated, with Biggs’ playing described as sensitive and refined, making the music come alive.
    • The article mentions that the organ's unique features, such as its tonal quality and clarity, were well-suited to Bach's compositions.
    • The concert was attended by a large audience, indicating its popularity and the appreciation for Biggs' performances.

Additional Notes

• Annotations and Markings:
  • There are handwritten notes and markings on the page, including the word "Harcelt" and "Transcript," along with some dates and possibly names or references.

Overall, the image captures the details of an exhibition of modern German sculpture and a series of organ recitals by E. Power Biggs at the Germanic Museum, Harvard University, in 1938.

The image shows an open book or album with several items of interest:

1. Top Section:

   • There is a label from the "GERMANIC MUSEUM, HARVARD UNIVERSITY" that reads "MODERN GERMAN SCULPTURE." The names of various sculptors are listed, including Kolbe, Barlach, Lehmbruck, Mataré, and others, along with the dates of an exhibition from March 21st to April 29th, 1938.

2. Middle Section:

   • Two newspaper clippings are pasted on the page. The first clipping is titled "Bach Organ Cycle Resumed by Biggs" and is dated March 9th. It describes a concert by E. Power Biggs who resumed a series of recitals devoted to the organ works of J.S. Bach at the Germanic Museum. The concert included pieces such as the Prelude and Fugue in C major, Toccata and Fugue in D minor, and others. The review mentions the clarity and musicality of Biggs's performance, highlighting his ability to demonstrate the complexity and beauty of Bach's compositions.

   • The second clipping is also titled "MUSIC" and provides a detailed review of the concert. It highlights E. Power Biggs's exceptional musicianship and his ability to bring out the brilliance and subtleties of Bach's music. The reviewer notes that Biggs's performance was both technically skilled and musically profound, making the audience appreciate the depth of Bach's compositions.

3. Annotations:

   • There are handwritten annotations on the newspaper clippings. One annotation on the right clipping reads "Transcript" and "Mar 9," indicating that this is a transcript of the concert review from March 9th.

Overall, the page appears to be a collection of historical documents related to a concert series and an exhibition, documenting both the artistic and musical events of the time.

The image shows a page from a publication or program guide related to events at the Germanic Museum, Harvard University, in 1938. The page contains several distinct sections:

1. Exhibition Announcement:

   • At the top, it announces an exhibition of "Modern German Sculpture" featuring works by various artists including Kolbe, Barlach, Lehmbruck, Sintenis, Marcks, Belling, Fiori, Scheibe, Mataré, Karsch, and Haller.
   • The exhibition is scheduled to run from March 21st to April 29th, 1938.

2. Article on Bach Organ Cycle Resumed by Biggs:

   • This section discusses E. Power Biggs resuming his series of recitals dedicated to the organ works of Johann Sebastian Bach. The recitals are presented on the excellent instrument at the Germanic Museum.
   • The article highlights the tonal range and quality of the organ, which is noted for its variety in color and clarity.
   • Biggs's approach to the recitals, including his meticulous selection of combinations and registrations, is detailed.
   • The recitals started with the Preludes and Fugues in E-flat and D minor, followed by various other works by Bach.
   • The series is planned to continue with future recitals.

3. Music Program Details:

   • The right side of the page lists the musical program performed by E. Power Biggs.
   • The program includes:
     • Prelude and Fugue in E-flat Major ("St. Anne")
     • Two Chorale Preludes: "Wer nur den lieben Gott lässt walten," "Herr Christ, der ein'ge Gottes-Sohn"
     • Toccata, Adagio, and Fugue in C Major
     • Prelude and Fugue in D minor

4. Olympia Program:

   • There is a brief mention of an "Olympia Program," but the details are not visible in the image.

The page combines announcements of visual art exhibitions and detailed information about musical performances, specifically focusing on the organ works of Johann Sebastian Bach.

The image appears to be a page from a scrapbook or album. The page contains several items, including newspaper clippings and a program card, all related to cultural events from 1938.

1. Top Center: Program Card

   • The card is from the Germanic Museum at Harvard University.
   • It announces an exhibition titled "Modern German Sculpture" featuring artists such as Kolbe, Barlach, Lehmbruck, Sintenis, Marcks, Belling, Fiori, Scheibe, Kaisch, Mataré, and Haller.
   • The exhibition ran from March 21st to April 29th, 1938.

2. Left Side: Newspaper Clipping

   • The clipping is titled "Bach Organ Cycle Resumed by Biggs."
   • It discusses a performance by E. Power Biggs, who resumed his cycle of Bach organ music at the Germanic Museum.
   • The article mentions specific pieces performed, such as Preludes and Fugues in D minor and G major.
   • It highlights Biggs's musicianship and the audience's reaction, noting the performance's brilliance and the organist's mastery.

3. Right Side: Newspaper Clipping

   • The clipping is titled "Music" and also discusses E. Power Biggs.
   • It reviews a concert where Biggs performed works by Bach and other composers.
   • The review praises Biggs's technique and musicality, mentioning specific pieces and their impact on the audience.
   • It also comments on the acoustics and atmosphere of the Germanic Museum.

4. Handwritten Notes

   • There are handwritten notes on the page, including dates and the word "Transcript."

The overall theme of the page is centered around cultural and musical events, specifically focusing on organ performances by E. Power Biggs and an exhibition of modern German sculpture at Harvard University in 1938.

The image shows an open book or binder with various pieces of paper, including newspaper clippings and other documents, affixed to the right-hand page. The main clipping at the center is a program or announcement for an event regarding "Modern German Sculpture" at the "Germanic Museum, Harvard University," which took place from March 21st to April 29th, 1938. It lists several artists, including Kolbe, Marcks, Mataré, Barlach, Belling, Lehmbruck, Fiors, Karsch, Haller, Sintenis, and Scheibe.

Below this main clipping, there's another article or program excerpt related to music, specifically mentioning a "Bach Organ Cycle Resumed by Biggs." The article discusses performances related to organ music, referencing the musician E. Power Biggs.

On the left margin of the page with the music article, there are handwritten notes that appear to say "Turnerport" and some other words that are less clear, possibly including dates or references to the content on the page.

The papers are somewhat yellowed with age, suggesting they are of historical rather than recent origin. The photograph captures the texture of the paper and the careful placement of these documents on the page.

The image depicts an open scrapbook page with various newspaper clippings and an exhibition announcement. The announcement is from the Germanic Museum at Harvard University for an exhibition titled "Modern German Sculpture," listing artists such as Kolbe, Barlach, Lehmbruck, Sintenis, Marcks, Belling, Fioli, Scheibe, Mataré, Karsch, and Haller. The exhibition dates are March 21st to April 29th, 1938.

Below the announcement are two clipped articles. The left article is titled "Bach Organ Cycle Resumed by Biggs" and discusses a music program featuring the performances of E. Power Biggs, focusing on the works of Bach. The right article, titled "Music" by E. Power Biggs, elaborates on the performance and the use of a special organ designed by G. Donald Harrison, highlighting its features and significance in Bach's compositions. Handwritten notes are visible next to the articles, including "Transmit [unclear word] Mar. 8" adjacent to the right article.

The image shows a scrapbook page with newspaper clippings and a yellow exhibition card taped to it. The yellow card at the top is an announcement for an exhibition titled "Modern German Sculpture" at the Germanic Museum, Harvard University. The exhibition seems to feature artists Kolbe, Marcks, Mataré, Barlach, Belling, Karsch, Lehmbruck, Fiori, Haller, and Sintenis, and it took place from March 21st to April 29th, 1938.

Below the card are two newspaper clippings related to music. The left clipping is titled "Bach Organ Cycle Resumed by Biggs" and discusses E. Power Biggs resuming his series of recitals devoted to the organ music of J.S. Bach at the Germanic Museum, Harvard University. The right clipping is titled "Music" by E. Power Biggs and talks in detail about his concerts, his admiration for Bach's works, and audience reception.

There are pencil handwritten notes around the clippings, with dates such as "Mar. 9" and "Transcript Mar 8." The scrapbook page looks old and worn, with some tape and discoloration visible.

The image shows an open book with two pages displayed. The left page has a title card that reads "GERMANIAN MUSEUM, HARVARD UNIVERSITY" and "MODERN GERMAN SCULPTURE" with a list of names and dates. The right page has an article titled "Bach Organ Cycle Resumed by Biggs" with some text and a signature at the bottom. The book has a green cover and a spine.