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ARCH.2013.5.3, Rendition: 793336
The image shows a document from the Germanic Museum at Harvard University in Cambridge, Massachusetts. The document is titled "Lecture on Pre-Bach Organ Music" by Dr. Willi Apel. It includes a program of musical illustrations listed as follows:
The document appears to be a typed page, possibly a program or outline for a lecture, and is preserved between sheets of transparent tissue paper.
The image shows an open book from the Germanic Museum at Harvard University, Cambridge, Massachusetts. The book is titled a "Lecture on Pre-Bach Organ Music" by Dr. Willi Apel.
The page contains a program of musical illustrations that Dr. Apel likely planned to discuss during his lecture. The list includes various pieces of pre-Bach organ music along with the composers and their approximate lifespans:
Mit ganzzen Willen wunsch ich dir
Anonymous composition from the Buchsheimer Orgelbuch (c. 1460)
O dulcis Maria
Duo (two verses)
Glorificamus te
Two Intonations
Toccata per l'elevazione
Wehe Windgon wehe
Wer nur den lieben Gott laesset walten
Vater unser im Himmelreich
The list includes a mix of composers and their respective works, suggesting a historical overview of organ music before Johann Sebastian Bach. The right side of the page has some notes or additional details, but they are partially obscured.
The image depicts an open book page from a lecture on pre-Bach organ music by Dr. Willi Apel, held at the Germanic Museum at Harvard University in Cambridge, Massachusetts.
The page is titled "Lecture on Pre-Bach Organ Music" and includes a program of musical illustrations. Each piece of music is listed alongside the composer's name and the years of their life.
Here is the detailed program:
Mit ganzem Willen wünsch ich dir
Anonymous composition from the Buxheimer Orgelbuch (c. 1460)
O dulcis Maria
Arnold Schlick (1460-1521)
Duo (two verses)
Antonio de Cabezon (1510-1566)
Glorificamus te
Girolamo Cavazzoni (1500s, exact years unclear)
Two Intonations
Giovanni Gabrieli (1554-1612)
Toccata per l'elevazione
Girolamo Frescobaldi (1583-1643)
Wehe Winden wehe
Samuel Scheidt (1587-1654)
Wer nur den lieben Gott laesst walten
Georg Böhm (1661-1733)
Vater unser im Himmelreich
Johann Pachelbel (1653-1706)
The page appears to be an original document, showing signs of aging and wear. The layout is straightforward, with the musical pieces listed on the left side and the composers' names with their respective years on the right.
The image shows a page from a book or a document from the Germanic Museum at Harvard University, Cambridge, Massachusetts. The page is titled "Lecture on Pre-Bach Organ Music by Dr. Willi Apel."
The document lists a program of musical illustrations, each paired with a composer's name and the approximate years of their life spans. The compositions are as follows:
The page appears to be part of a larger collection or archive, possibly a program or syllabus for a lecture series on organ music from the pre-Bach era. The edges of the page have some wear and tear, and there are small pieces of tape visible, likely used for repair or reinforcement.
The image shows a program for a lecture on pre-Bach organ music. The event was organized by the Germanic Museum at Harvard University in Cambridge, Massachusetts. The lecturer was Dr. Willi Apel.
The program includes a list of musical illustrations that were likely performed or discussed during the lecture. Here are the pieces listed along with their composers and time periods:
The document appears to be an original or a replica of a historical program, considering the style and aging of the paper.
The image shows an open book with a program for a lecture on pre-Bach organ music. The lecture was given by Dr. Willi Apel at the Germanic Museum, Harvard University, in Cambridge, Massachusetts. The program lists several musical compositions that were likely discussed or performed during the lecture, along with their composers and approximate dates of composition. Here is a detailed summary of the program:
The book appears to be aged, with some discoloration and wear visible on the pages. The pages are typed, and the text is neatly organized. The book is bound in a green cover.
This image displays an open book or booklet with text printed on the right-hand side page. It reads as follows:
GERMANIC MUSEUM - HARVARD UNIVERSITY - CAMBRIDGE, MASS.
LECTURE ON PRE-BACH ORGAN MUSIC
DR. WILLY APEL
Programme of musical illustrations:
Mit ganczem Willen wuensch ich dir Conrad Paumann (1410-1473)
Anonymous composition from the Buxheimer Orgelbuch (c.1460)
O lux beata Trinitas
Duo (two versos)
Glorificamus te Arnold Schlick (1460-c.1520)
Two Intonations
Toccata per l'elevazione Antonio de Cabezón (1510-1566)
Glorificamus te Girolamo Cavazzoni (1520 - ?)
Two Intonations
Toccata per l'elevazione Girolamo Frescobaldi (1583-1643)
Wehe Windgen, wehe
Canzio belgica, with four variations Samuel Scheidt (1587-1654)
Wer nur den lieben Gott laesst walten Georg Böhm (1661-1733)
Six Partitas
Vater unser im Himmelreich Johann Pachelbel (1653-1706)
It seems to be a programme listing for a lecture on organ music predating Johann Sebastian Bach, featuring various compositions and their respective composers, with compositions dating from approximately the mid-15th to mid-17th century. The composers listed include significant figures in early music composition and organ playing.
The image shows an open book with an inserted typed document on yellowing paper. The header of the document reads "GERMANIC MUSEUM - HARVARD UNIVERSITY - CAMBRIDGE, MASS." followed by "LECTURE ON PRE-BACH ORGAN MUSIC BY DR. WILLIE APEL". Below the header, there is a list titled "Programme of musical illustrations:", which includes the titles of various musical pieces along with their composers and their years:
There are some visible stains and the edges of the paper show signs of wear.
The image shows a typed page titled "GERMANIC MUSEUM - HARVARD UNIVERSITY - CAMBRIDGE, MASS." It features the heading:
"LECTURE ON PRE-BACH ORGAN MUSIC
by
DR. WILLI APEL."
Below the heading is a "Programme of musical illustrations," listing several compositions with their respective composers and dates:
There are a couple of tape marks on the page, and the document is within a bound book with yellowed pages. The text is in a typewritten font and is well-aligned with clear spacing between the entries.
The image shows an open book with a title page and a program of musical illustrations. The book is titled "Lecture on Pre-Bach Organ Music" and is authored by Dr. Willi Apel. It is associated with the Germania Museum at Harvard University, Cambridge, Mass.
The page lists a Programme of musical illustrations, which includes a series of organ pieces with their composers and approximate dates of composition. The listed pieces are as follows:
The book appears to be a scholarly or academic resource, likely used for lectures or study on pre-Bach organ music. The text is neatly typed, and the page has a clean, formal layout typical of academic or archival materials. There are visible creases and a small, rectangular, translucent overlay or sticker in the center of the page, possibly indicating a note or annotation. The spine of the book is visible on the left side, showing the book's binding and suggesting it is part of a larger collection or archive.