Archives Scrapbooks

The image shows an open book or scrapbook with two main items on display. At the top, there is a notice from the Germanic Museum at Harvard University regarding an exhibition. The exhibition is titled "German Graphic Art of the 15th and 16th Centuries" and is scheduled from November 8 to December 6, 1937. Additionally, there is an illustrated lecture on "German Prints of the Late Gothic and Renaissance" by Dr. Jakob Rosenberg, scheduled for December 2nd, 1937, at 4:30 P.M.

Below the notice, there is a newspaper clipping titled "MUSIC," dated November 9, 1937. The clipping discusses a Bach recital given by E. Power Biggs at the Germanic Museum, Harvard University. The review mentions several pieces performed, including works by Bach, and provides some critical insights into the performance, noting both strengths and areas where the performance could have improved. The review is signed by the critic, identified only by the initials "A. W. W."

The page appears to be part of a scrapbook, possibly compiled by someone named "Herbert," as this name is handwritten at the top. The overall context suggests an interest in music, art, and academic events during that period.

The image shows an open book or newspaper clipping from the German Museum at Harvard University, dated around December 1937. The top part of the page features a notice for an exhibition titled "German Graphic Art of the 15th and 16th Centuries," which ran from November 8 to December 6, 1937. Below the notice is an announcement for an illustrated lecture titled "German Prints of the Late Gothic and Renaissance" given by Dr. Jakob Rosenberg on December 2nd at 4:30 P.M.

The main text below the announcements is a review or article about a performance by K. Power Biggs, an organist, who gave a Bach recital at the German Museum. The article discusses the technical aspects and performance of Bach’s works, specifically highlighting Biggs's interpretation and execution of pieces like "Prälude und Fuge in G major," "Paraphrase on O God, Thou hast created all things," and "Allegro in D minor." The text points out Biggs's skill in handling Bach's complex organ compositions, noting his ability to communicate the nuances of Bach’s music effectively.

Additionally, the article mentions the challenges and admiration for Biggs’s performance, comparing it favorably to the typical audience reaction, which the reviewer feels is often less than enthusiastic. The article concludes with a mention of the performance's technical and aesthetic merits, affirming Biggs's virtuosity. The date of the article appears to be written by hand as "Herold, Dec. 9, 1937."

The image shows an open book or a scrapbook page containing a mixture of historical documents and a newspaper clipping.

1. Top Section:

   • The top part of the page features a paper with the header "GERMANIC MUSEUM, HARVARD UNIVERSITY."
   • The document details an exhibition titled "German Graphic Art of the 15th and 16th Centuries," which took place from November 8 to December 6, 1937.
   • Below the exhibition details, there is an announcement for an "ILLUSTRATED LECTURE" titled "German Prints of the Late Gothic and Renaissance" by Dr. Jakob Rosenberg, scheduled for December 2, 1937, at 4:30 PM.

2. Bottom Section:

   • The lower part of the page contains a newspaper clipping dated November 9, 1937, with the heading "MUSIC."
   • The clipping discusses a performance by E. Power Biggs, an organist, who played Bach's recital at the Germanic Museum, Harvard University.
   • The article critiques Biggs's performance, noting his technical proficiency and his ability to play difficult pieces, but also mentions that the performance lacked the spiritual and emotional depth expected from Bach's music.
   • The reviewer suggests that Biggs's interpretation might have been influenced by his predilection for contemporary music and a lack of deep appreciation for Bach's predecessors.

The page is dated November 9, 1937, and the handwritten notes in the upper right corner suggest a date and some additional comments, though these are not entirely clear. The newspaper clipping appears to be a review of the musical performance, offering a detailed critique of the recital.

The image shows a page from a book or a scrapbook with two primary items inserted:

1. Top Item: Exhibition Announcement

   • Institution: Germanic Museum, Harvard University
   • Exhibition Title: German Graphic Art of the 15th and 16th Centuries
   • Dates: November 8 – December 6, 1937
   • Illustrated Lecture: German Prints of the Late Gothic and Renaissance
   • Lecturer: Dr. Jakob Rosenberg
   • Date and Time of Lecture: December 2nd, 1937, 4:30 PM

2. Bottom Item: Newspaper Clipping

   • Publication Date: October 9, 1937
   • Headline: MUSIC
   • Content: A review of a recital by E. Power Biggs, an organist, who performed works by J.S. Bach at Harvard's Germanic Museum. The review mentions several pieces played, including the Toccata in D minor, and highlights Biggs' interpretation and technical skill. The reviewer notes that Biggs' performance was engaging and educational, providing insights into Bach's compositions and the organ itself.

The book page itself has some handwritten notes and text, but the main focus is on the two inserted items. The book appears to be a record or collection of historical or cultural significance, possibly related to the exhibition or the events mentioned in the clipping.

The image is of a document that contains information about events and a newspaper article clipping from the Harvard University's Germanic Museum, dated November to December 1937.

1. Exhibition Announcement:

   • Title: Exhibition of German Graphic Art of the 15th and 16th Centuries
   • Venue: Germanic Museum, Harvard University
   • Duration: November to December 6, 1937

2. Illustrated Lecture Announcement:

   • Topic: German Prints of the Late Gothic and Renaissance
   • Speaker: Dr. Jakob Rosenberg
   • Date and Time: December 2nd, 1937, at 4:30 P.M.

3. Newspaper Article (Harvard, Thursday, December 9, 1937):

   • Title: MUSIC
   • The article discusses a musical performance by E. Power Biggs, an organist, who played Bach's Toccata in D minor on the Germanic Museum's organ.
   • Content Summary:
     • The organ used for the recital is a modern reproduction of a 17th-century instrument, specifically modeled after one by Arp Schnitger.
     • The article notes the rarity of hearing Bach's organ works played on an organ similar to what Bach would have used.
     • The writer mentions that the sound of the organ was unique, with an emphasis on its mechanical precision and the different tonal qualities compared to modern organs.
     • The performance by Mr. Biggs was praised for bringing out the authentic sound intended by Bach.
     • The article also highlights the historical context and the importance of the instrument in understanding Bach's music.

The overall document provides a snapshot of cultural and academic events at Harvard University in 1937, focusing on both visual arts and music.

The image shows a page from a scrapbook or a similar collection of clippings. The page contains two main items:

1. Exhibition Announcement:

   • The top part of the page features a printed announcement from the Germanic Museum at Harvard University.
   • The announcement is for an exhibition titled "German Graphic Art of the 15th and 16th Centuries," which ran from November 8 to December 6, 1937.
   • There is also an illustrated lecture scheduled for December 1st, 1937, at 4:30 PM, titled "German Prints of the Late Gothic and Renaissance" by Dr. Jakob Rosenberg.

2. Newspaper Clipping:

   • The bottom part of the page has a newspaper clipping with a review of a musical performance.
   • The headline of the article is "MUSIC."
   • The review discusses a performance by Power Biggs, an organist, who played at the Harvard University Chapel. The program included works by various composers such as Bach, Pachelbel, and others.
   • The reviewer praises Biggs's performance, noting his technical skill and the emotional depth of his playing.
   • The article mentions specific pieces played, such as Bach's Toccata and Fugue in D minor, and highlights the organist's ability to convey the music's emotional content.
   • The review concludes by noting the audience's enthusiastic response and the overall success of the performance.

Additionally, there is a handwritten note at the top of the newspaper clipping that reads "Herald, Dec. 9, 1937," indicating the source and date of the clipping.

The image shows an open book or catalog page from an exhibition. The left-hand page header reads "GERMANIC MUSEUM, HARVARD UNIVERSITY" followed by "EXHIBITION" and details "German Graphic Art of the 15th and 16th Centuries NOVEMBER 8 – DECEMBER 6, 1937". Below that, there is an announcement for an "ILLUSTRATED LECTURE" titled "German Prints of the Late Gothic and Renaissance" by Dr. Jakob Rosenberg, scheduled for "DECEMBER 3RD, 1937, 4:30 P.M."

On the top left there's a handwritten note "Herald. Dec. 9, 1937", which seems to reference the origin of the clippings or the date of publication.

On the right side, there appears to be a newspaper clipping glued to the page. It's headed "MUSIC," and although the full text of the article is not fully visible, it can be seen that it refers to a music review. The visible text discusses a music performance, with mentions of specific compositions such as "Prelude and Fugue in G minor" and other particulars about the music and performances.

The book itself seems to have a light brown cover, and the pages look aged. This could be a scrapbook, exhibition catalog, or collection of materials from or about the exhibition, including reviews or articles related to the events.

The image shows an open book with a piece of paper and a newspaper clipping pasted onto one of its pages. The paper at the top features a notice from the "Germanic Museum, Harvard University" about an exhibition titled "German Graphic Art of the 15th and 16th Centuries" from November 8 to December 6, 1937. It also mentions an illustrated lecture "German Prints of the Late Gothic and Renaissance" by Dr. Jakob Rosenberg on December 2, 1937, at 4:30 p.m.

Below this notice, there is a newspaper clipping under the heading "Music" with a handwritten date "Herald Nov. 9, 1937." This clipping details a review of musical performances, specifically mentioning various compositions by J.S. Bach and efforts by the musician Mr. Biggs. The review discusses the quality and techniques of the organ playing, the reception of the music, and the technical aspects of the performance.

The image appears to be a page from a book or pamphlet. The page has a beige background and contains both text and an image. The text is written in black font and includes information about an exhibition of German graphic art from the 15th and 16th centuries, which was held at the Germanic Museum of Harvard University from November 8 to December 6, 1937. The image on the page shows a black-and-white photograph of a man standing in front of a wall with various prints and drawings displayed.

The image shows an open book with a newspaper clipping placed on top of the page. The newspaper clipping is a review of a musical performance by Mr. Biggs. The review is written by A. W. W. and is dated March 9, 1937. The review discusses Mr. Biggs' performance of two Bach recitals, including the Prelude and Fugue in D minor and the Prelude and Fugue in G major. The review praises Mr. Biggs' performance and notes that the program could have been more effective if it had been played on a different instrument. The book appears to be a program or brochure for an exhibition of German graphic art at Harvard University's Germanic Museum. The exhibition ran from November 8 to December 6, 1937, and featured works from the 15th and 16th centuries. The book also includes an illustrated lecture on German prints of the late Gothic and Renaissance periods by Dr. Jakob Rosenberg, which took place on December 2, 1937.