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The image shows an open page from a book or scrapbook containing a newspaper article. The article is titled "Germanic Gets Organ Built on Plan of Bach's" and is written by Moses Smith. The article discusses a new organ installed in the Germanic Museum, which was designed according to the principles of Johann Sebastian Bach. The organ was built by G. Donald Harrison, who aimed to create an instrument that would allow for the performance of Bach's music with authenticity and purity.

Key points from the article include:

• The organ is a labor of love and a tribute to Bach's ideas on organ design.
• Harrison's design focuses on structural and tonal clarity, avoiding modern complexities.
• The organ includes features such as a "swell-box" and a "choir organ" to enhance the variety of sounds.
• The article mentions the physical setup of the organ, including its pipes and the console.
• The organ's sound is described as having a greater percussive quality and clarity, suitable for Bach's music.
• The article also discusses the historical context and the significance of the organ in the museum.

The article is dated March 27, 1937, as noted in handwriting at the bottom right of the page. The text is laid out in two columns, and the article appears to be from a newspaper, given its format and style.

The image shows an open book or magazine with an article titled 'Germanic Gels Organ Built on Plan of Bach's'. The article discusses an organ installed at Harvard, designed by E. Power Biggs and built by G. Donald Harrison, which returns to the tonal principles of J.S. Bach. The two-page spread includes detailed descriptions of the organ's features, its comparison to modern organs, and its historical significance. The left page contains the beginning of the article, while the right page has the continuation, with a handwritten note and date 'Mar 27, 1935' in the margin.

The image is a newspaper clipping from April 27, 1937, detailing the installation of a new organ in the Germanic Museum (now known as the Busch-Reisinger Museum) at Harvard University. The organ is notable for being built based on the principles and design of the Baroque organs that Johann Sebastian Bach was familiar with.

Key points in the article include:

1. Organ Design and Construction:

   • The organ has been designed to reflect the tonal purity and structural principles of the Baroque period, specifically in the style of organs from Bach's era.
   • G. Donald Harrison, an official at the Aeolian-Skinner Organ Company, was in charge of the project.

2. Historical Context:

   • Many modern organs have strayed from the Baroque principles, which makes this new organ unique.
   • The organ aims to recreate the sound of Baroque music as it was originally intended.

3. Technical Features:

   • The organ has a mechanical action, unlike many modern organs that use electrical actions.
   • It features an independent tone-structure, with pipes arranged to produce sounds similar to those in Bach’s time.
   • The console of the organ has two manuals (keyboards) and pedals, with stops divided to allow for a wide range of tonal combinations.

4. Tonal Characteristics:

   • The organ is designed to have a rich tonal palette, with the pipes arranged to achieve a more authentic Baroque sound.
   • The use of mutations and mixtures, which are stops that create a blend of pitches, enhances the organ's ability to replicate Baroque music.

5. Opinions and Expectations:

   • The article includes opinions from organ experts like Dr. Arthur T. Davison and Melville Smith, who have praised the organ's design and tonal characteristics.
   • The new organ is expected to offer a greater variety of tones and a more authentic Baroque sound than many contemporary organs.

6. Significance:

   • The organ is seen as a significant contribution to the field of organ music, particularly for the performance of Baroque compositions.
   • It is anticipated that the organ will be highly valued by musicians and music historians for its historical accuracy and tonal quality.

Overall, the article highlights the importance and uniqueness of this organ in reviving the authentic sound of Baroque music.

The image shows a newspaper clipping from March 27, 1935, detailing an article titled "Germanic Gels Organ Built on Plan of Bach's". The article, written by Masey Smith, describes an organ installed at Harvard's Germanic Museum, which has been constructed based on the principles of the baroque period, particularly the ideas of J.S. Bach.

Key points from the article include:

1. Organ Design and Philosophy:

   • The organ was designed by G. Donald Harrison, an official of the Aeolian-Skinner Organ Company.
   • It follows the baroque style, prioritizing tonal purity and simplicity over modern improvements.
   • The design is based on the idea that Bach's music should be heard as he intended, without modern enhancements.

2. Construction and Installation:

   • The organ was installed in the Germanic Museum, which is part of Harvard.
   • The physical setup and pipes are visible from the main hall of the museum.
   • The organ includes 39 stops, with a total of 2,368 pipes, and is built to resemble those of Bach's era.

3. Sound and Acoustics:

   • The organ has a "Baroque" character, aiming to recreate the sound of Bach's time.
   • The pipes and stops are designed to produce a more intimate and direct sound, with a focus on the quality and clarity of each note.
   • The article mentions that the organ can produce a range of timbres, from soft to loud, and includes a variety of stops that were typical of baroque organs.

4. Historical and Musical Context:

   • The organ is described as a return to the original ideas of Bach, with a focus on the purity of the sound and the faithfulness to historical practice.
   • Mr. Harrison's goal is to provide a model for what baroque organs might have sounded like, rather than just a modern interpretation.

5. Technical Details:

   • The organ features a console with stop knobs and keyboards adapted to the baroque style.
   • It includes a mixture of stops to achieve different tonal colors, with a specific focus on the "polyphony" that Bach's music is known for.

The article highlights the meticulous attention to detail in recreating the acoustic environment and sound quality of the baroque period, emphasizing the historical and artistic integrity of the instrument.

The image shows a newspaper clipping and a page from a book or journal. The clipping is a newspaper article titled "Germanic Gels Organ Built on Plan of Bach's" with a subtitle "Instrument Abandons New Ideas in Favor of Tonal Purity." The article, dated March 27, 1935, discusses the installation of a new organ at Harvard's Germanic Museum, designed by G. Donald Harrison, which aims to restore the tonal purity of organs as they were in Bach's time.

Key points from the article include:

• The organ is a labor of love, designed to follow Bach's tonal purity principles.
• It uses 39 vibrational stops, with the aim of producing a sound that is more reminiscent of Bach's era.
• The organ's design includes a "baroque" style with a clear, unobstructed view of the pipes.
• The organ features a manual and pedal keyboard, with a total of 2,800 pipes, and is intended to be played with the same technique as in Bach's time.
• The organ's construction has been compared to the acoustic qualities of a concert hall.
• The article also mentions that the organ is designed to produce a wide variety of sounds, from soft to loud, with a high level of clarity.

The clipping is dated March 27, 1935, and is signed "M. C. Harrison." The page it is clipped to has some text, possibly related to the organ or the museum, but the main focus is the newspaper article itself. The page appears to be from a bound volume, likely a journal or a collection of articles.

The image is a page from a newspaper or magazine featuring an article titled "Germanic Gels Organ Built on Plan of Bach’s." The article is written by Mases Smith and discusses the installation of an organ at the Germanische Gell Museum at Harvard.

Here's a detailed summary of the content:

Main Points:

1. Organ Installation at Germanische Gell Museum:

   • An organ has been installed in the museum, adhering to the principles of older, simpler designs rather than modern improvements.
   • The organ is based on the design of Johann Sebastian Bach.

2. Organ Designer:

   • The organ is being crafted by G. Donald Harrison, who is known for his dedication to historical organ designs.
   • Harrison's work focuses on restoring Bach’s original ideas, which emphasize tonal purity and simplicity.

3. Physical and Structural Details:

   • The organ has a total of 39 stops and over 800 pipes, making it a large and detailed instrument.
   • The pipes are visible from the main hall, showcasing the organ’s extensive construction.

4. Characteristics and Purpose:

   • The organ's design aims to replicate the original Bach organ, offering a more authentic and historically accurate sound.
   • It includes various stops and mechanisms to emulate the original Bach organ’s tonal and structural qualities.

5. Audience and Invitation:

   • There will be an invited audience to witness the organ’s completion and performance, highlighting its aesthetic and musical value.

Specific Points from the Article:

• The organ is described as being installed in a way that it looks like it was built in the Baroque period, which is an intentional design choice.
• The work involves a significant effort to maintain and replicate Bach’s original ideas, including the physical setup and the aesthetic of the organ.
• The article discusses the historical context and the importance of preserving the organ's purity and simplicity, which is emphasized by the organ's construction and the use of original materials and designs.

Additional Notes:

• The organ's setting is described as more intimate, allowing for a closer listening experience.
• The text also mentions that the organ is not just a modern copy but is designed to be as close to Bach’s original as possible.
• The use of traditional techniques and materials is noted as crucial to maintaining the authenticity and tonal richness of the organ.

Overall, the article highlights the meticulous effort and historical reverence that went into creating this organ, aiming to preserve and showcase the essence of Bach's musical style.

This image shows a newspaper clipping from an article. The headline reads "Germanic Gets Organ Built on Plan of Bach's," suggesting that the article is about an organ built in the style or according to the specifications of Johann Sebastian Bach. There's a subheading below that says, "Instrument Abandons New Ideas In Favor of Tested Purity." The article is authored by Moss Smith.

The article appears to be quite lengthy and is divided into two columns. On the right top corner of the clipping, there is a handwritten note that appears to say "Treasurer" with a date of "Jan 27, 1934" underneath it. This could indicate the position of the person who saved the clipping or the intended recipient, and the date may signify when the article was saved or marked.

The paper on which the article is printed shows some signs of aging, such as yellowing and slight wear on the edges, consistent with older documents. The article is pasted onto a page of what appears to be a scrapbook or binder, given the visible holes punched along the left edge where it would be bound. There's also an additional smaller piece of paper taped onto the main clipping, but the content on it is partly obscured and so cannot be completely discerned from the visible area.

This image shows a newspaper clipping titled "Germanic Gets Organ Built on Plan of Bach's" by Moses Smith. The subheading reads, "Instrument Abandons New Ideas in Favor of Tonal Purity." The article discusses an organ that has been installed at the Germanic Museum in Harvard, staying true to the design and tonal purity of the organs constructed in the time of Johann Sebastian Bach, foregoing modern developments in favor of historical accuracy.

The text of the article fills the entire clipping, and next to it, partially overlapping the article, is a handwritten note with the signature "T. L. Vasoo" and the date "Mar. 27, 1937."

The newspaper clipping is adhered to the pages of a scrapbook or album. The edges of other pages are visible to the left, and the scrapbook itself seems to have a hardcover, possibly green, hinted at in the top left corner.

The image shows an open book with a printed page titled "Germanie Gets Organ Built on Plan of Bach's Instrument Abandons New Ideas in Favor of Tonal Purity", authored by Moses Smith. The page is from a publication dated March 27, 1934, as indicated by a handwritten note in the top right corner.

Description of the Page Content:

Headline and Subheading:

• The headline, "Germanie Gets Organ Built on Plan of Bach's Instrument Abandons New Ideas in Favor of Tonal Purity", highlights the main topic: the construction of an organ based on the design principles of Johann Sebastian Bach, emphasizing a return to tonal purity over modern innovations.

Body Text:

• The article discusses the installation of an organ at the Germanic Museum in Harvard, which is noted for its modern improvements and adherence to Bach's tonal purity.
• It mentions Mr. G. Donald Harrison, an official of the museum and an expert in organ design, who played a key role in the project.
• The organ is described as a labor of love, with Harrison's dedication to returning to the structural and tonal design principles of Bach.
• The article explains that the organ was built using modern materials and techniques but adheres to Bach's ideals, such as the use of specific stops and tonal purity.
• It also touches on the historical context, noting that Bach's organ design was considered revolutionary and that modern organs often strayed from these principles.

Details About the Organ:

• The organ is noted for its abandonment of newer ideas in favor of Bach's tonal purity.
• It is described as having sufficient associations with Bach, including its placement in the Temple of Germanic Art at the museum.
• The article mentions that the organ's design includes visible organ pipes from the balcony, allowing visitors to see the mechanical components.
• The organ is praised for its tonal purity and its ability to reproduce the sounds of Bach's era, which are considered superior to modern orchestral sounds.

Handwritten Note:

• In the top right corner, there is a handwritten note that reads "Incensengert" followed by "Mar 27, 1934", indicating the date of the article or a notation by someone who read or annotated the page.

Layout and Design:

• The page is formatted in a classic newspaper or magazine style, with justified text and a clear headline.
• The left margin includes a vertical label or notation that reads "LARK", which might be a reference or cataloging code.
• The page appears to be part of a larger publication, as suggested by the structured layout and the presence of additional text on the right side of the image (though only partially visible).

Overall Context:

The image depicts a historical article discussing the construction of a Bach-inspired organ at the Germanic Museum in Harvard, emphasizing a return to classical design principles and tonal purity over modern innovations. The handwritten note and structured layout suggest it is part of an archival or historical collection.

The image shows an open book with two pages displayed. The left page has a title "Germanic Gets Organ Built on Plan of Bach's Instrument Abandons New Ideas in Favor of Total Purity" and an article written by Moses Smith. The right page has an article titled "The New Bach Organ" and a signature at the bottom. The pages have a white background and are slightly blurry. The book has a green cover with the title "Lar" on it.