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The image shows a newspaper clipping from the "Boston Evening Transcript," dated Saturday, January 23, 1937. The headline reads "Boston Museum of Modern Art Open." Below the headline, there is a subheading that says "Selections from the Art Exhibitions of the Week."

The clipping includes three images of artworks:

1. On the left is a drawing titled "La Loge au Macaron" by Dufy, exhibited at the Goodman-Walker Exhibition.
2. In the center is a sculpture titled "Construction" by Gaston Lachaise, which was included in the Boston Museum of Modern Art's temporary collection.
3. On the right is a bust, also by Gaston Lachaise, which was exhibited at the Germain Museum.

The images are arranged in a row, each with a brief caption describing the artwork and its location. The newspaper clipping appears to be pasted into a scrapbook or album, as evidenced by the aging paper and the visible edges of the book's pages.

The image shows a newspaper clipping from the Boston Evening Transcript dated Saturday, January 23, 1937. The headline reads, "Boston Museum of Modern Art Open."

Inside the clipping, there are three distinct artworks displayed:

1. On the left, there is a lithograph titled "La Loge au Macaron Dore" by Boulle-Laurette.
2. In the center, there is an abstract sculpture by Alexander Calder, titled "Sculpture."
3. On the right, there is a portrait by Lincoln Kirstein, created by Gaston Lachaise.

The caption underneath these images notes that both the lithograph and the sculpture are part of the "Boston Museum of Modern Art Show of Contemporary Sculpture" and are now at the Germanische Museum.

The newspaper clipping is part of a larger book or folder, which has some discoloration and wear, particularly evident in the edges and corners.

The image shows a yellowed newspaper clipping from the Boston Evening Transcript, dated Saturday, January 23, 1937. The headline reads "Boston Museum of Modern Art Open." The article features three black and white images of artworks. From left to right, the images are described as follows:

1. An abstract, curved line drawing, identified as "La Loge au Macaron" by a certain artist, possibly a lithograph by Boulogne-Laure.
2. A geometric sculpture, labeled as "Sculpture" by Alexander Calder.
3. A bust, titled "Lincoln Kirstein" by Gaston Lachaise.

The caption beneath the images provides additional context, noting that the pieces are part of the opening exhibition at the Boston Museum of Modern Art, which also includes a show of contemporary sculpture now at the Germanic Museum. The newspaper clipping is preserved in an album or scrapbook, with visible signs of aging along the edges.

The image is a page from the "Boston Evening Transcript," dated Saturday, January 23, 1937. The headline of the featured article is "Boston Museum of Modern Art Open."

This article showcases "Selections from the Art Exhibitions of the Week." It includes images of three artworks:

1. Left Image: A lithograph titled "La Loge au Macaron" by the artist Daumier.
2. Middle Image: A sculpture named "Fire 'Sculpture'" by Alexander Calder.
3. Right Image: A portrait, identified as "Lincoln Kirsten" by Gaston Lachaise, which is part of the Boston Museum of Modern Art Show of Contemporary Sculpture at the Germaine Museum.

The page appears to be aged and is stored in a protective casing, likely for preservation purposes. The text and images are printed in black and white.

This image is of a vintage newspaper clipping from the Boston Evening Transcript, dated Saturday, January 23, 1937. The headline reads "Boston Museum of Modern Art Open."

The clipping features a section titled "Selections from the Art Exhibitions of the Week" and showcases three artworks:

1. On the left, a lithograph titled "La Loge au Macaron" by Pablo-Ufer, displayed at the Goodhue Galleries.
2. In the center, a wire sculpture titled "Sculpture" by Alexander Calder.
3. On the right, a portrait bust of Lincoln Kirstein by Gaston Lachaise, which was included in the Boston Museum of Modern Art's show of contemporary sculpture and was noted to be on display at the Germanic Museum.

The clipping includes a brief description of each artwork and mentions that these works were part of the Boston Museum of Modern Art's opening exhibitions. The newspaper clipping is placed in a book, indicating it may have been preserved for historical or archival purposes.

The image shows a newspaper clipping from the Boston Evening Transcript, dated Saturday, January 23, 1937. The headline of the clipping is "Boston Museum of Modern Art Open."

The article includes three images and accompanying text describing selections from art exhibitions of the week:

1. The first image on the left is labeled "La Loge au Macaron" and is from a lithograph by Toulouse-Lautrec. It depicts a figure with a hat and a floral design.

2. The middle image is titled "Sculpture" by Alexander Calder and features a wire sculpture, which appears to be an abstract piece with circular and linear elements.

3. The third image on the right is a portrait by Gaston Lachaise, identified as Lincoln Kirstein.

The text at the bottom mentions that both the Lachaise portrait and the Calder sculpture are included in the Boston Museum of Modern Art Show of Contemporary Sculpture. Additionally, it notes that the Lincoln Kirstein portrait is now at the Germanic Museum.

The clipping itself is aged and has been preserved within a larger document or book, showing signs of wear and tear around the edges.

This image shows an old newspaper clipping mounted on a scrapbook or album page. The clipping is from the "Boston Evening Transcript" dated Saturday, January 23, 1937. The headline mentions the opening of the "Boston Museum of Modern Art." Below the headline are three images showcasing selections from art exhibitions of the week.

The left image appears to be an artwork titled "La Lose an Macaroon Dere," a lithograph by Toulouse-Lautrec from the Goodman-Walker Exhibition. The center image shows a wire sculpture titled "Sculpture" by Alexander Calder. The right image is a photograph of a sculpture titled "Portrait of Lincoln Kirstein" by Gaston Lachaise, included in the Boston Museum of Modern Art show of Contemporary Sculpture, now at the Germaine Museum.

The clipping is taped to the page with multiple pieces of aged tape, and some text in the caption is partially obscured or faded. The right image of the person appears to be pixelated or blurred for privacy or clarity. The scrapbook page has aged and discolored slightly over time, with some faint stains visible on the left side.

The image shows a clipping from the "Boston Evening Transcript" newspaper dated Saturday, January 23, 1937. The headline reads "Boston Museum of Modern Art Open." The article includes images of artistic works. To the left, there is a sketch-like illustration, and to the right, there's a photograph of a bust sculpture. Below these images, the text refers to selections from art exhibitions of the week, mentioning a linoleum knife etching by Gaston Lachaise and noting both pieces' inclusion in an exhibit at the Boston Museum as part of a show of contemporary sculpture. The article clipping and the surrounding area exhibit signs of aging with yellowing paper and some creases. It appears to be preserved in a scrapbook or an album, evident from the visible border of another page on the top edge and what seems to be a protective overlay sheet.

This image is a photograph of an old newspaper clipping from the Boston Evening Transcript dated Saturday, January 23, 1937. The headline reads, "Boston Museum of Modern Art Open." Below the headline are three separate sections featuring images related to art exhibitions of the week.

The first section contains an illustration titled “La Loge au Mascaron Doré,” from the lithographs of Toulouse-Lautrec. The second section showcases a sculpture titled “Mobile Sculpture” by Alexander Calder. The third section depicts a piece titled “Portrait of Lincoln Kirstein” by Gaston Lachaise. At the bottom, there is a caption noting that these exhibits are part of the Contemporary Sculpture Show at the Germain Museum.

The image depicts a page from a newspaper clipping or archival document, dated Saturday, January 23, 1937, from the Boston Evening Transcript. The headline prominently announces the opening of the Boston Museum of Modern Art.

Key Elements in the Image:

1. Headline:
   The bold headline reads:
   "Boston Museum of Modern Art Open", indicating a significant event—the opening of the museum.

2. Visual Content:
   Below the headline, there is a section titled "Selections from the Art Exhibitions of the Week", featuring three distinct artworks:

   • Left: An abstract or surrealistic artwork labeled as "La Loge au Macaron Dore" by Paul Klee, from the Goodman-Walker Exhibition. The artwork appears to depict a stylized figure or form with a dreamlike, surreal quality.
   • Center: A mechanical or abstract sculpture titled "Sculpture" by Alexander Calder, described as being included in the Boston Museum of Modern Art Show of Contemporary Sculpture. The sculpture is wire-based and resembles a kinetic or abstract form.
   • Right: A portrait bust of an individual, likely a notable figure, displayed on a pedestal. The bust is realistic and detailed, contrasting with the more abstract works on either side.

3. Textual Details:

   • The caption beneath the artworks provides additional context:
     • The left artwork is attributed to Paul Klee and is part of the Goodman-Walker Exhibition.
     • The central sculpture is by Alexander Calder and is part of the Boston Museum of Modern Art Show of Contemporary Sculpture.
     • The right portrait is identified as being "Now at the Germanic Museum."
   • The page also includes a small note at the top, likely a reference or catalog number, though it is partially obscured.

4. Layout and Condition:

   • The page appears to be part of a scrapbook or archive, as indicated by the visible edges of other pages and the slightly worn condition of the paper.
   • The layout is typical of a newspaper clipping, with the headline at the top, followed by the visual content and descriptive text below.

Overall Impression:

The image captures a historical moment in the art world, highlighting the opening of the Boston Museum of Modern Art and showcasing notable contemporary artworks from the period. The inclusion of works by Paul Klee, Alexander Calder, and an unnamed portrait bust reflects the museum's focus on modern and avant-garde art. The clipping serves as a primary source documenting the cultural significance of the event and the artists featured.