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ARCH.2013.5.2, Rendition: 793643
The image shows an open page from a book or scrapbook that contains two newspaper clippings.
Left Clipping:
Right Clipping:
The page also includes handwritten notes and annotations, indicating that it might be part of a personal collection or research material. The notes include the date "Oct. 8, 1935" and the name "Rudolph Schwarz." The overall layout suggests that the page is from a scrapbook or a collection of articles related to art and museum exhibitions.
The image shows a newspaper clipping and an accompanying article about the completion of murals at the Germanic Museum. The newspaper clipping is titled "Germanic Museum Murals Completed by Rubenstein" and dates to June 1926. The article is from the "Boston Bee" and describes the work of artist Lew Lewin, who completed two large murals in the museum's entrance hall.
Key points from the article include:
The Murals: The murals depict scenes from Norse legends and are titled "The Doom of the Gods" and "The Kagnarak." These murals represent themes from the "Elder Edda" and "Nibelungenlied."
Artist Background: Lew Lewin, who is described as a young artist, graduated from Harvard and studied in Paris. His murals are noted for their vigorous sketches and dynamic portrayal of the themes.
Artistic Techniques: Lewin's work uses bold colors and a striking contrast to depict the themes, emphasizing the struggle between creative culture and the brutal impulses of mankind.
Context and Symbolism: The article discusses the historical and cultural significance of the murals, highlighting the contrast between the ancient legends and the modern context in which they are presented.
Themes and Stories: The article elaborates on the stories behind the murals, such as the destruction of the gods and the quest for gold, which are drawn from ancient Norse and Germanic legends.
The image also includes a handwritten note at the top right corner, dated June 8, 1926, indicating a possible personal reference to the article's relevance or an acknowledgment of the event.
The image shows a page from a newspaper article titled "Germanic Museum Murals Completed by Rubenstein" and "Frescoes in Germanic Museum Are Complete; Themes from Legends."
The page is from the Radcliffe News dated January 27, 1926. The main content focuses on the completion of murals and frescoes at the Germanic Museum, highlighting the work of an artist, likely named Lew R. Lew, who created these artworks.
Key points from the article include:
The newspaper page also includes a photograph of a section of the mural titled "Doom of the Gods," illustrating the vivid and dramatic scene described in the article. The text emphasizes the artist's skill and the rich cultural background of the Germanic legends depicted in the frescoes.
The image shows an open book or scrapbook with two newspaper clippings pasted onto one of the pages. The clippings both discuss the completion of frescoes in the Germanic Museum, likely by an artist named Rubenstein.
The clipping on the left, titled "Germanic Museum Murals Completed by Rubenstein," describes the frescoes that depict scenes from Norse mythology, including "The Doom of the Gods" and "The Magic Ring." It mentions that the artist has used a modern technique that allows the murals to be easily cleaned. The text also provides some details about the artist's background and his experience with similar projects. The clipping is from the "Philadelphia Inquirer," dated December 27, 1926.
The clipping on the right, headlined "Frescoes In Germanic Museum Are Complete; Themes From Legends," elaborates on the two years of work that went into creating the frescoes, which illustrate scenes from Norse legends such as "The Doom of the Gods" and the "Nibelungen." It highlights the artist Lewis Rubenstein's skill in capturing the energy and force of the characters, and his ability to create a sense of movement and life. It also mentions that the frescoes were completed in the entrance hall of the Germanic Museum. The clipping includes an image of a section of the fresco, showing a detailed portrayal of a scene. This clipping is from the "Philadelphia Inquirer," dated January 3, 1927.
The page also has some handwritten notes, including a date: "Jan. 3, 1927," which likely corresponds to the date of the clipping on the right.
The image shows a newspaper clipping from the Philadelphia Public Ledger dated March 17, 1935. The main article discusses the completion of murals by artist Lewis Rubenstein in the Germanic Museum at Harvard University.
Germanic Museum Murals Completed by Rubensetin
Attractive Features of Decorative Frescoes
The article details the work of Lewis Rubenstein, who has finished a series of frescoes in the Germanic Museum. These frescoes illustrate various themes from Germanic legends and stories. The mural project was described as ambitious, involving extensive planning and execution over two years.
The murals cover the walls of the entrance hall of the Germanic Museum and depict different legendary themes:
The article highlights the specific frescoes and their intricate details, such as the representation of figures from Germanic mythology and the creative techniques Rubenstein employed. One fresco, "The Dooms of the Gods," is noted for its dramatic depiction of the end of the world, with figures like Siegfried and Brunhilde.
There is a small illustration in the article showing a preparatory sketch of one of the frescoes, labeled "The Doom of the Gods - from the East Wall."
The overall tone of the article is one of admiration for Rubenstein's work and its contribution to the cultural and artistic ambiance of the Germanic Museum.
The image shows a page from a newspaper or magazine, featuring an article titled "Frescoes in Germanic Museum Are Complete; Themes From Legends." The article is dated January 6, 1926, and is from the "Boston Post."
The article discusses the completion of a series of frescoes by artist Lewis Rupley Rupley in the Germanic Museum. These frescoes depict scenes from ancient legends and myths. The article highlights Rupley's use of the "true fresco" technique, which involves painting on wet plaster, allowing the colors to become part of the wall itself.
Key points include:
Additionally, there is a handwritten note in the top right corner dated January 5, 1926, and a note in the bottom right corner dated August 5, 1967, indicating that the article was likely saved for its historical significance. The page also includes an illustration of a fresco titled "The Doom of the Gods," showing a battle scene with warriors and mythical creatures.
The image shows a scrapbook page containing two newspaper clippings related to murals completed by Lewis W. Rubenstein for the Germanic Museum.
The smaller clipping on the left is titled "Germanic Museum Murals Completed by Rubenstein" and it provides a brief overview of the murals, mentioning the themes of mythology from the Norse "Ragnarok" and the Nibelung legends. It highlights Rubenstein's artistic approach and background, noting his use of a favorite fresco technique and his connection to Harvard and the Bacon Fellowship.
The larger clipping on the right starts with a heading "Frescoes In Germanic Museum Are Complete; Themes From Legends" and offers a more detailed article on Rubenstein's work. It discusses the themes inspired by ancient Nordic legends, the technique used, and the symbolic depiction of the struggle between order and chaos. The article mentions Rubenstein's age, education background, and career highlights. Additionally, there is a black and white photo of one of the frescoes titled "The Doom of the Gods," illustrating a dramatic scene of the Norse legend.
Handwritten notes on the scrapbook page indicate dates, with "Post, Dec. 27, 1936" on the left above the smaller clipping and "Princeton News, Jan. 8, 1937" above the larger clipping. The overall presentation suggests the clippings were collected for documentation or archival purpose related to Rubenstein's mural work at the Germanic Museum.
This image shows an open book or journal with two newspaper or magazine clippings pasted into it on the right-hand side page. Both clippings contain text and one includes a photograph.
The first clipping at the top of the right-hand page is dated April 5, 1938, while the second clipping starts with the headline "Frescoes In Germanic Museum Are Complete; Themes From Legends." The photograph within the second clipping is a black and white image of a fresco, captioned "The Doom of the Gods—from the East Wall."
The left-hand page has a single clipping that also looks like it is taken from a newspaper and contains the title "Germanic Museum Murals Completed by Rubenstein." This article has a cut-off date that seems to read "Oct. 27, 1936."
The content of the clippings discusses murals and frescoes completed by an artist with the last name Rubenstein, with thematic elements derived from Germanic legends and Norse sagas. The photograph depicts a scene from one of the frescoes which illustrates a narrative from the legends.
The visible text goes into detail about the artwork and the intentions behind the frescoes, as well as providing commentary on the artist's work and the artistic techniques used.
The image shows an open scrapbook with newspaper clippings. On the left page, there is a clipping titled "Germanic Museum Murals Completed by Rubenstein," dated Dec. 27, 1936. The article discusses the completion of murals by an artist named Rubinstein in the Germanic Museum, mentioning the themes of the murals and their significance.
On the right page, there is a clipping with the headline "Frescoes In Germanic Museum Are Complete; Themes From Legends," dated Jan. 5, 1937, from Radcliffe News. This article describes the completion of frescoes at the museum, detailing the themes from Germanic legends, such as the Nibelungen Legend. Accompanying the article is a black-and-white photograph of one of the murals titled "The Doom of the Gods" from the East Wall, depicting figures in an artistic scene.
Both articles celebrate the artistic achievement and describe the intricate details and symbolism present in the murals and frescoes.
The image shows an open book with two visible pages. The left page is titled "Germanic Museum Murals Completed by Rubenstein" and contains a dense block of text discussing the artistic and historical significance of murals completed by Rubenstein. The text appears to be an article or essay, likely from a publication, as it includes a structured layout with headings and paragraphs.
The right page is titled "Frescoes In Germanic Museum Are Complete; Themes From Legends" and features a detailed article accompanied by an illustration. The article discusses the completion of frescoes at the Germanic Museum, highlighting their themes drawn from ancient legends. The illustration on the right page depicts a dramatic scene titled "The Doom of the Gods"—from the East Wall," showing a mythological or legendary figure in a dynamic pose, possibly representing a scene from Norse mythology.
The text on the right page elaborates on the frescoes, their themes, and the artistic techniques used, referencing historical and mythological narratives. The layout includes a caption beneath the illustration, providing context for the depicted scene. The overall design suggests this is a historical or art-focused publication, possibly from a newspaper or magazine, dated June 1, 1933, as indicated by a handwritten note at the top of the left page. The book's spine and binding are visible, indicating it is a physical, bound volume.