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ARCH.2013.5.2, Rendition: 793640
The image appears to be a clipping from a newspaper, specifically the "Boston Evening Transcript" dated Saturday, December 26, 1936. The article is titled "Art from German Legend" and is written by William German Dooley. The article discusses a mural painting by Lewis W. Rubenstein, which depicts scenes from German legends, specifically the Nibelungen and Norse epics.
Key points from the article include:
The article also mentions that Rubenstein completed his work in Europe and has been working on the mural since his return. The mural is described as a large and complex work that combines elements of Germanic and Norse legends.
Additionally, there is a photograph of the mural, showing a dramatic scene with figures engaged in a battle, titled "Battle of Gods and Giants." The caption under the photograph provides more context about the mural and the artist's background.
The image is of a newspaper clipping from the "Boston Evening Transcript," dated Saturday, December 26, 1936. The featured section is titled "The Fine Arts," and it includes articles written by William Germain Dooley.
Title: Art from German Legend: Nibelung and Norse Epics Depicted in True Fresco - Mural Just Completed at Harvard
Summary:
The article discusses a significant fresco painting project recently completed at Harvard University's Germanic Museum (now the Busch-Reisinger Museum). The frescoes depict themes from the ancient Nibelung legend and Norse epics, executed in true fresco technique, which involves painting on wet plaster.
The mural was created by Lewis W. Rubenstein, a young artist from Harvard. Rubenstein worked on the lunettes and side panels in the entrance hall of the museum over two years. The article highlights the ambitious nature of the project, noting the frescoes' complexity and the methodical preparation involved.
The frescoes illustrate scenes from the Nibelungenlied, a medieval German epic, portraying various aspects such as heroism, tragedy, and the cultural ethos of the time. The article emphasizes the technical strength of fresco painting and its ability to convey dramatic themes vividly.
The fresco technique requires careful planning and execution, as the artist must paint quickly on wet plaster before it dries. This method, while challenging, is praised for its durability and the unique visual qualities it imparts to the artwork.
Lewis W. Rubenstein, born in Buffalo, New York, in 1908, studied at the Art Students League in New York and later in Europe. He was known for his frescoes and had previously completed significant works in various locations.
The article includes a visual depiction of a scene from the mural, showing a part of the "Battle of Gods and Giants," which represents the climax of the Norse legend Ragnarok, illustrating the struggle between creative culture and the brutal impulses of man.
Overall, the article celebrates the completion of a substantial artistic endeavor, showcasing the cultural and educational value of the frescoes at Harvard.
The image is a newspaper clipping from the Boston Evening Transcript, dated Saturday, December 26, 1936. The article is titled "Art from German Legend" and is written by William Germain Dooley. It discusses a large fresco mural by Lewis W. Rubenstein, a young Harvard graduate, which depicts scenes from German and Norse epics, specifically the Nibelung and Ragnarok legends.
The mural was completed at the Germanic Museum at Harvard University. The article highlights the ambitious nature of the fresco, which is executed in the true fresco technique on canvas. It mentions that the mural's subjects are taken from early Germanic and Norse legends, portraying the epic struggles between creative culture and brutal oppression.
The article elaborates on the technical aspects of the fresco, emphasizing the meticulous research into early literary sources and the draughtsmanship involved. It notes that the mural was inspired by the artist's interest in the themes of the Nibelung and Ragnarok legends and the epic battles they represent. The piece also includes a small black-and-white photograph of a scene from the mural, titled "Battle of Gods and Giants," which depicts a dramatic struggle between mythical figures.
The clipping is neatly placed in a book or scrapbook with other pages visible around it, indicating it may be part of a collection or archive.
The image shows a newspaper clipping from the "Boston Evening Transcript," dated December 26, 1936. The headline of the article is "Art from German Legend," and it discusses a fresco mural titled "Battle of Gods and Giants" by Lewis W. Rubenstein, depicting scenes from the Germanic and Norse epics, specifically the Nibelungenlied and Ragnarok.
The article, written by William Germain Dooley, highlights that the mural was completed at Harvard University's Germanic Museum. The fresco, painted over two years, portrays various themes from Germanic legends, including the epic struggles between creative culture and brutal oppression.
The text mentions that Rubenstein, a Harvard graduate, used a variety of techniques and artistic methods to bring the scenes to life, including detailed depictions of characters and dramatic scenes. The fresco is noted for its technical strength and artistic capability, with each element carefully planned and executed.
Additionally, there is a brief biographical note about Lewis W. Rubenstein, detailing his education and travels, including studies at the Albright Art School and time spent in Europe. The accompanying illustration in the newspaper shows a close-up of the mural, featuring figures in dramatic poses. The clipping is part of a larger collection, as indicated by the visible binding and other pages around it.
The image shows a newspaper clipping from the Boston Evening Transcript dated December 26, 1936, focusing on an article titled "Art from German Legend." The article is by William German Dooley and discusses a fresco mural created by Lewis W. Rubenstein, a Harvard graduate.
The article highlights Rubenstein's ambitious fresco painting project, which depicts scenes from the Norse and German epics such as Nibelung and Ragnarok. This mural is noted for its unique method of fresco painting, executed on a plaster surface rather than the traditional canvas.
Key points from the article include:
The clipping also includes a small photograph of a section of the mural titled "Battle of Gods and Giants," showing figures engaged in a dramatic scene.
The newspaper page includes a header indicating the feature is part of "THE FINE ARTS" section. The clipping has been torn out and is part of a larger collection of newspaper pages, likely bound into a scrapbook.
The image shows a newspaper article from the Boston Evening Transcript, dated Saturday, December 26, 1936. The article, titled "Art from German Legend," is written by William Germain Dooley and focuses on a fresco painting depicting scenes from the Nibelung and Norse epics, which was recently completed at Harvard.
The article is part of a series called "The Fine Arts," and this particular piece details the work of Lewis Rubenstein, a young Harvard graduate who executed the fresco. The subject of the fresco is drawn from early Germanic and Norse legends, which are noted for their themes of struggle, creative culture, and brutal oppression. The painting is located in the entrance hall of the Germanic Museum at Harvard, where Rubenstein spent two years working on the project.
The article also includes an illustration of a section of the mural, titled "Battle of Gods and Giants," which represents the climax of the ancient Norse legend Ragnarok. The fresco is described as being innovative in its technique, using a dry fresco method that has been researched extensively. The piece highlights Rubenstein's skill and the effort that went into creating this significant work of art.
Additionally, there are some handwritten notes and a date, "Dec. 26, 1936," at the top of the page, which likely indicate when the article was read or saved for reference.
The image shows an open book or a binder with newspaper clippings and articles pasted onto the pages. On the right-hand side, there's a newspaper clipping from the "Boston Evening Transcript," dated Saturday, December 26, 1936. The section visible is titled "THE FINE ARTS" and an article titled "Art from German Legend" by William Germain Dooley. The article discusses a mural just completed at Harvard, depicting scenes from the Nibelung and Norse epics in true fresco. There's also a black and white photo of a mural featuring the "Battle of Gods and Giants," by Lewis W. Rubenstein from the actual mural painted at the Germanic Museum, Harvard University. The image in the newspaper presents a dramatic scene from mythology, with figures engaged in an intense struggle under an arched structure.
On the left-hand side, there's visible handwritten text that appears to be a date ("January 14") and a year ("1936") with some writing cut off from view. A small part of another article can be seen with the visible title "Part Six." There are also yellowed pieces of adhesive tape on this side, suggesting the age of the materials and that they have been preserved in this form for archival or personal reasons.
The image displays a page from a scrapbook or album. It includes newspaper clippings related to art and murals done at Harvard University. There are visible labels, dates, and headings such as "Art from German Legend" and "The Fine Arts."
One article by William Germain Dooley talks about a recently completed mural at Harvard depicting Nibelung and Norse epics. The text discusses the mural's technique, themes, and artistic significance.
There is also a transcription from the Boston Evening Transcript, dated Saturday, December 26, 1936, featuring a section titled "The Fine Arts." Underneath this title, there is an image described as the "Battle of Gods and Giants" by Lewis W. Rubenstein, which is a fresco painting at the Germanic Museum, Harvard University. The image shows a dramatic scene with muscular figures engaged in battle, symbolizing the struggle between creative culture and brutal impulses.
Handwritten notes and the visible edges of the scrapbook frame the articles and images, indicating they have been meticulously preserved.
The image shows a scrapbook page with two newspaper clippings attached to it.
The left clipping is a partially torn article titled "Art from German Legend," with a subtitle describing the depiction of Nibelung and Norse epics in a true fresco mural completed at Harvard. The article is written by William Germain Dooley and discusses the fresco painting by Lewis Rubenstein, a Harvard graduate. It details the themes, technical aspects, and symbolism of the mural, which portrays the ancient Nibelung legend and the Ragnarok in modern dress, depicting figures such as Alberich and the Rhine maidens, as well as the struggle of the gods and giants from Norse mythology.
The right clipping is from the Boston Evening Transcript, dated Saturday, December 26, 1936, in the "THE FINE ARTS" section, also by William Germain Dooley. It features an image of the mural, captioned "BATTLE OF GODS AND GIANTS, BY LEWIS W. RUBENSTEIN." The caption explains that the mural at the Germanic Museum at Harvard University represents the climax of the ancient Norse legend Ragnarok, depicting the struggle between creative culture and the brutal impulses of man. The mural image shows several muscular figures engaged in strenuous effort within an arched setting.
The scrapbook page itself is yellowed with age and shows some wear, with handwritten notes at the top indicating "Transcript Dec 26, 1936."
The image shows an open book with two visible pages. The left page is titled "Art from German Legend" and is subtitled "Nibelung and Norse Epics Depicted in True Fresco Mural Just Completed at Harvard." The text is an article by William Germain Dooley, detailing the completion of a fresco mural at the Germanic Museum in Cambridge. The article discusses the ambitious fresco painting, which took many years to complete, and highlights the subject matter drawn from the Nibelung and Norse epics. It mentions the artist, Lewis Rubenstein, a Harvard graduate who specialized in modern fresco techniques, and describes the mural's themes, including the struggle between gods and giants, as depicted in the Norse legend of Ragnarok.
The right page features a newspaper clipping from the Boston Evening Transcript, dated Saturday, December 26, 1936, under the section "The Fine Arts." The headline reads "Battle of Gods and Giants, By Lewis W. Rubenstein" and includes a caption explaining that the mural represents the climax of the ancient Norse legend Ragnarok, depicting the struggle between the creative culture of the gods and the brutal impulses of man. Below the headline, there is a detailed black-and-white illustration of the mural, showing a dramatic scene with figures in dynamic poses, likely representing gods and giants engaged in combat. The illustration captures the intensity and grandeur of the fresco, emphasizing the artistic and thematic elements discussed in the accompanying text.
The overall layout combines textual and visual elements, providing a comprehensive view of the fresco's creation, themes, and artistic significance.