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ARCH.2013.5.2, Rendition: 793638
The image depicts a page from a scrapbook or album, containing several newspaper clippings and an invitation. Here's a detailed summary of the contents:
Invitation (Top Clipping):
Newspaper Clipping (Middle):
Additional Clippings:
The page appears to be part of a collection documenting the work of Lewis W. Rubenstein, particularly his contributions to the Germanic Museum at Harvard University. The clippings and invitation highlight his artistic achievements and the public reception of his work.
The image shows an old newspaper clipping and an invitation related to an art exhibition at the Germanic Museum at Harvard University.
Invitation Details:
Newspaper Clipping Details:
Overall, the image provides both an invitation to an art exhibition and a detailed newspaper article about the significance and details of the frescoes created by Lewis W. Rubenstein.
The image shows an open book containing clippings from a newspaper and an invitation card. The book appears to be a scrapbook or a record of news articles and events.
Invitation Card (Top Section):
Newspaper Clipping (Bottom Section):
The clippings together provide a detailed account of the exhibition and the artistic achievements of Lewis W. Rubenstein.
The image shows a page from an open book with two pieces of newspaper clippings taped to it. The book appears to be a scrapbook or a collection of clippings related to an art exhibition.
Top Clipping:
Bottom Clipping:
The book itself appears to be a collection of historical or archival materials related to art exhibitions and projects.
The image shows an open book containing two newspaper clippings from the Boston Evening Transcript dated December 22, 1936. Both clippings are related to an exhibition and artwork by Lewis W. Rubenstein.
The top clipping is a flyer from the Germanic Museum, Harvard University, which announces:
The second clipping is a news article titled "Harvard Museum Fresco Depicts Medieval Saga". The article discusses the completion of artwork by artist Lewis W. Rubenstein, who created frescos in the Harvard Germanic Museum. The frescos depict legendary figures from the medieval Nibelungen saga, made famous by the Wagnerian operas. The article notes Rubenstein's detailed portrayal of these characters, including modern elements like military gear and modern clothing, which adds a contemporary twist to the historical narrative.
The article also mentions Rubenstein's background, noting he graduated from Harvard in 1926 and completed fresco murals at the Harvard Museum. It highlights the fresco process, the rapid and exacting nature of the work, and the artist’s skill in blending historical figures with modern elements. Additionally, it touches on the broader context of his artistic practice and the significance of his work within the museum's collection.
The image shows a page from what appears to be a scrapbook, containing two newspaper clippings related to Lewis W. Rubenstein and his work at the Germanic Museum, Harvard University.
The first clipping at the top is an invitation. It reads:
"GERMANIC MUSEUM, HARVARD UNIVERSITY
YOU ARE CORDIALLY INVITED TO INSPECT
THE NEWLY COMPLETED FRESCOS
BY LEWIS W. RUBENSTEIN
EXHIBITION OF DRAWINGS AND WATER COLORS
BY LEWIS W. RUBENSTEIN
DEC. 15-NOV. 21 - JAN. 11"
The second clipping is a newspaper article from the Boston Evening Transcript, dated Tuesday, December 22, 1936. The headline reads:
"Harvard Museum Fresco Depicts Medieval Saga
Artist Rubenstein Completes Work on Wagnerian Opera Theme in Germanic Building
Legendary figures from the medieval Nibelung saga made famous by Wagnerian opera were shown today at the Harvard Germanic Museum in a series of frescoes by Lewis W. Rubenstein, 52, a specialist in this form of painting. The artist, who is twenty-eight years old, brilliant, and dynamic, has completed the frescoes, which depict scenes from the Teutonic legend. The figures include Siegfried, the dragon-slayer, and Brunhild, the warrior queen, as well as other characters from the saga. The frescoes are an allegorical representation of Hitler's Germany, according to the artist, who has studied the modern political implications of the ancient stories. Mr. Rubenstein, who is one of the few artists practicing the 'true fresco' technique, has previously worked on frescoes at Harvard, including one in the Fogg Museum. The technique, which involves painting on wet plaster, is one that requires both skill and speed, as the plaster dries rapidly, forcing the artist to work quickly and decisively."
The page is framed in a book or album, suggesting that these clippings were collected and preserved, possibly by Rubenstein himself or someone associated with him. The text highlights Rubenstein's work, the significance of the frescoes, and his expertise in the "true fresco" technique.
The image you provided shows a page from a book or a scrapbook with several elements pasted onto it. At the top of the left page, a small, rectangular vintage-looking invitation or announcement states:
"GERMANIC MUSEUM, HARVARD UNIVERSITY
YOU ARE CORDIALLY INVITED TO INSPECT
THE NEWLY COMPLETED FRESCOS
By LEWIS W. RUBENSTEIN
EXHIBITION OF DRAWINGS AND WATER COLORS
By LEWIS W. RUBENSTEIN
DEC. 21-JAN. 11"
Below the invitation, there’s a portion of a newspaper clipping from the "BOSTON EVENING TRANSCRIPT, TUESDAY, DECEMBER 22, 1936." The visible heading of the newspaper clipping reads "Harvard Museum Fresco Depicts Medieval Saga." The clipping seems to be a continuation of an article about the artist Lewis W. Rubenstein, mentioning details about him finishing work on Wagnerian operas theme in the Germanic Museum building.
The cut-off text on the newspaper clipping is difficult to read due to the image quality, but it refers to specific details about the frescos depicting Lenore and appears to provide context about the artist and the artworks described.
It's important to note that the paper elements show signs of age with discolored edges and slight damage, indicating the items have historical value and have been preserved for some time. The right side of the page does not have any clippings and is left blank. The book or scrapbook itself has discolored pages, adding to the aged look of the contents.
The image depicts a scrapbook-style page with two items affixed to it. At the top of the page, there is an invitation from the Germanic Museum at Harvard University. The invitation reads:
"GERMANIC MUSEUM, HARVARD UNIVERSITY
YOU ARE CORDIALLY INVITED TO INSPECT
THE NEWLY COMPLETED FRESCOS
By LEWIS W. RUBENSTEIN
EXHIBITION OF DRAWINGS AND WATER COLORS
By LEWIS W. RUBENSTEIN"
The exhibition dates have been pasted over, with original dates of "OCT. 21-NOV. 3" and updated dates of "DEC. 21-JAN. 11."
Below the invitation, there is a newspaper clipping from the Boston Evening Transcript dated Tuesday, December 22, 1936. The headline reads: “Harvard Museum Fresco Depicts Medieval Saga.”
The article discusses artist Lewis Rubenstein's completion of frescos with themes from Wagnerian opera, particularly focusing on legendary figures from medieval mythology. The frescos are located in the Germanic Museum at Harvard University. The article details Rubenstein’s artistic process, noting his use of preparatory drawings and fresco painting techniques.
The image shows a page from a scrapbook or album containing two pieces of old paper attached to it. The top paper is a printed invitation from the Germanic Museum at Harvard University. It invites the viewer to inspect newly completed frescoes and attend an exhibition of drawings and watercolors by Lewis W. Rubenstein, with the event dates listed as December 21 to January 11.
Below the invitation is a partial newspaper clipping from the Boston Evening Transcript dated Tuesday, December 22, 1936. The headline announces that the Harvard Museum fresco depicts a medieval saga. The article discusses artist Lewis W. Rubenstein completing work on a Wagnerian opera theme in the Germanic Building. The text describes the fresco featuring legendary figures from the medieval Nibelung saga, mentions Rubenstein's age and appearance, and notes that his mural follows the true fresco technique employed by great Italian masters. The article further notes Rubenstein's study in Paris and Rome and mentions the fresco technique and work process.
The two pieces of paper are affixed to the page in a neat manner, with some slight yellowing or aging visible on both. The surroundings appear to be the blank pages of a bound album or book.
The image shows an open book with an invitation card for an exhibition of drawings and watercolors by Lewis W. Rubenstein. The exhibition is held at the Germanic Museum of Harvard University from December 21 to January 11. The invitation card has a green border and a brown background with white text. The book also contains a newspaper clipping with a headline about the exhibition. The clipping mentions Rubenstein's work on the Wagnerian opera "The Nibelung Saga" and his depiction of legendary figures from the opera.