Archives Scrapbooks

The image shows an open page of a scrapbook or album with two newspaper clippings pasted onto it. The page is from a book with a green spine, and the clippings are secured with tape.

1. Left Clipping:

   • Title: "The Exhibit German Art Collection From Harvard Museum on View at School"
   • Content: The article discusses an exhibition of German art at a school, featuring reproductions of famous paintings from the 15th to the 19th centuries. The exhibit includes works by notable artists such as Albrecht Dürer, Hans Holbein, and others. The exhibition is noted for its educational value, providing insights into the development of German art.

2. Right Clipping:

   • Title: "The Fine Arts - English Brass Rubbings Shown at Cambridge"
   • Subtitle: "Impressions from These Early Memorials Are Valuable in Some Fields of Study"
   • Content: This article, written by William Gernsheim, discusses an exhibition of English brass rubbings at Cambridge. The rubbings are described as valuable for studying costume history and heraldry. The article mentions the historical significance of these memorials and their role in preserving cultural heritage.

The clippings are neatly arranged on the page, with handwritten annotations at the top, possibly indicating the source or date of the clippings. The overall condition of the page suggests it has been well-preserved.

The image shows a page from an old newspaper that has been clipped and placed inside a scrapbook or album. The page contains two distinct articles:

1. Left Column:

   • The article is titled "Exhibit German Art: Collection From Harvard Museum on View at School."
   • The article discusses an exhibition of German medieval art, specifically from the Harvard Museum, which was presented at the Normal school (likely a reference to a teacher training institution).
   • The exhibition includes woodcuts, engravings, and drawings from the 14th to 16th centuries.
   • Notable artists mentioned include Hans Holbein the Elder, Albrecht Dürer, and Lucas Cranach the Elder.
   • The exhibit is said to have been organized by the German Museum with the assistance of the Carl Schurz Memorial Library and the Danbury Public Library.
   • The article mentions the collection includes 48 items, with the majority being from the 15th century.
   • The exhibit is open from 9 to 5, except on Saturdays and Sundays.

2. Right Column:

   • The article is titled "The Fine Arts: English Brass Rubbings Shown at Cambridge."
   • It discusses an exhibit at the Germaine Museum in Cambridge, featuring early memorial brass rubbings.
   • The article is written by William Germain Dooley.
   • It details the historical significance of brass rubbings, which were first introduced in England in the late 17th century.
   • The brass plates, often made of copper, were originally used as memorials in churches and were later copied and studied.
   • The article mentions specific examples and their historical context, such as those from the 17th and 18th centuries.
   • It also notes the stylistic evolution of these brass rubbings and the importance of their study in understanding historical artifacts.

The page appears to be from a newspaper dated around the mid-20th century, given the style of the writing and the layout of the articles. The articles are clipped and placed in a scrapbook, likely for archival or personal interest.

The image shows an open newspaper clipping page from a newspaper that appears to be from the mid-20th century. The clippings are primarily focused on two articles:

1. Exhibit German Art Collection from Harvard Museum on View at School:

   • This article discusses an exhibition of German art at a school. The collection comprises 48 pieces, mainly from the 15th to the 17th centuries, including engravings, woodcuts, and prints. The exhibition is organized with the help of the German Museum and the Carl Schurz Memorial Library at Harvard University. The articles highlight the works of renowned artists such as Albrecht Dürer, Martin Schongauer, Lucas Cranach the Elder, and Hans Holbein the Younger. The exhibition runs from Monday to Friday, with a few exceptions, from 9:00 a.m. to 5:00 p.m.

2. English Brass Rubbings Shown at Cambridge:

   • This article is part of a series titled "Impressions from These Early Memorials Are Valuable in Some Fields of Study." It discusses a collection of English brass rubbings exhibited at Cambridge. The article by William Germain Donnelly describes the historical significance of these rubbings, detailing how they have been used to study the history of European art. The rubbings are from the 15th to the 17th centuries and are often associated with memorials and inscriptions. The article also notes the craftsmanship and the typical styles used by anonymous artists.

Additionally, the newspaper page is annotated with handwritten notes and highlights, indicating that the reader has taken interest in the articles and possibly marked important sections. The handwritten notes include names and dates, suggesting a personal study or reference. There are also some yellowed and torn edges, indicating that the clippings have been used and stored over time.

The image displays an open book or scrapbook with two newspaper articles pasted onto one of its pages. The page is adorned with handwritten notes and headings, suggesting that it is part of a collection or research compilation.

1. Left Article:

   • Title: "EXHIBIT GERMAN ART"
   • Subheading: "Collection From Harvard Museum on View at School"
   • The article discusses an exhibition featuring German art, including pieces from the Middle Ages and the Renaissance periods, on display at the Carl Schurz Memorial. It mentions that the collection consists of 48 items, including woodcuts, engravings, and drawings, with notable works by Albrecht Dürer and Hans Holbein. The exhibit is open from 9 a.m. to 5 p.m., with extended hours on Wednesdays.

2. Right Article:

   • Title: "English Brass Rubbings Shown at Cambridge"
   • Subheading: "Impressions from These Early Memorials Are Valuable in Some Fields of Study"
   • The article, authored by William Germain Denley, describes an exhibition at the Fogg Museum featuring brass rubbings from English memorials, dating back to the 13th century. It highlights the historical and artistic value of these rubbings, which depict figures from various periods. The article notes that the rubbings provide insights into the history of costumes, armor, and architectural details, and that they were created by rubbing lead or paper over the surface of the brasses.

The page also includes some handwritten annotations, possibly for reference or study purposes. The overall context suggests an academic or historical interest in art and cultural artifacts.

The image shows an old newspaper with two main articles visible on the page.

1. Left Article: "Exhibit German Art"

   • Title: Exhibit German Art - Collection From Harvard Museum on View at School.
   • Content: This article announces an exhibition of German graphic art from the Germanic Museum, sent on loan to a school, presumably for educational purposes. The exhibition includes 65 prints from the fifteenth to the nineteenth centuries. Notable artists featured in the exhibition are Albrecht Dürer, Hans Sebald Beham, Barthel Beham, Heinrich Aldegrever, Lucas Cranach, and Hans Holbein the Elder. The exhibition is open to the public and free of charge. The article also mentions that the Germanic Museum at Harvard University has been cooperating with schools by sending out traveling exhibits.

2. Right Article: "English Brass Rubbings Shown at Cambridge"

   • Title: The Fine Arts - English Brass Rubbings Shown at Cambridge.
   • Content: The article discusses an exhibition of impressions from early English memorial brasses, displayed at an unspecified location in Cambridge. The brasses date from the thirteenth to the seventeenth centuries. William German Dooley, curator at the Germanic Museum, has organized the exhibition, which includes 124 rubbings. The article explains the historical context and significance of these brasses, which were generally used to commemorate the deceased. The brasses feature various figures such as knights, ladies, and clergy, often in detailed attire. The exhibition aims to show the development and use of these memorials over time.

The newspaper page also includes other minor text fragments and parts of other columns, but the two articles described are the primary focus.

The image shows an open book or album with newspaper clippings pasted onto the pages. The clippings are from "The Fine Arts" section of a newspaper and appear to be from the early 20th century.

The first clipping, titled "Exhibit German Art," describes an exhibition of German art from the Harvard Museum, which was on view at a school. The exhibition featured items such as textiles, woodcuts, engravings, and metalwork from the 15th to the 17th centuries. Notable artists mentioned include Martin Schongauer, Albrecht Dürer, Lucas Cranach, and Hans Holbein the Elder.

The second clipping, titled "English Brass Rubbings Shown at Cambridge," discusses an exhibit of early English memorials at the Germana Museum in Cambridge. The article highlights the historical significance of brass rubbings, which are impressions taken from brass plates that once covered tombs. The rubbings date back to the 14th and 15th centuries and include works by anonymous artists. The article also mentions the unique memorials and their artistic value.

Both clippings are dated and seem to have been collected and preserved, likely for their historical and artistic interest. The edges of the clippings show signs of aging, indicating they are quite old.

The image shows an open scrapbook with two newspaper clippings pasted on the right-hand page. The left-hand side of the scrapbook page is blank.

The first clipping, located on the upper left side of the page, is titled "EXHIBIT GERMAN ART" and mentions a collection from the Harvard Museum on view at a school. It talks about an exhibition of German graphic art from the Middle Ages and Renaissance, highlighting its significance and the involvement of the Carl Schurz Memorial Foundation. The exhibit features about 60 framed facsimile reproductions of woodcuts, engravings, and etchings, and notes the educational value and national interest in the art.

The second clipping, positioned to the right and spanning most of the page vertically, is titled "English Brass Rubbings Shown at Cambridge". It discusses impressions from early memorials and their value in various fields of study. The article, authored by William Germain Dooley, addresses how German exhibition in Cambridge has shown important English brass decorations used in tombs during the transition from the 13th to the 16th century. It also covers aspects of brass plate production, artistic styles, and historical significance. The article gives insight into the technique and historical context of these brass rubbings and early English memorials.

Both clippings are affixed with small pieces of brown tape at the top, and there are faint handwritten notes near the top of the page, which are partially obscured but seem to reference locations or dates. The edges of the scrapbook page are slightly yellowed, indicating age.

This is an image of an open book, showing two pages with newspaper clippings pasted onto them. On the left page, there is one clipping with the headline "EXHIBIT GERMAN ART," mentioning a collection from Harvard Museum on view at a school, referencing an exhibition of German prints. On the top right page, another clipping with the headline "The Fine Arts—English Brass Rubbings Shown at Cambridge" discusses the value of memorials from brass rubbings in studying certain fields. The text below these headlines is a continuation of the respective articles, and the pages do contain some handwritten notes in cursive, possibly indicating the source or relevance of the clippings. The book itself shows signs of age, with some discoloration on the pages. There are no visible images in these clippings; they consist solely of text.

The image displays an open scrapbook with two newspaper clippings glued onto one of its pages. The clippings are attached at the top edge and appear to be historical articles.

The left clipping, titled "EXHIBIT GERMAN ART," discusses an exhibition of German graphic arts from the Middle Ages. The article mentions that it is on display at a Harvard museum. The exhibit is hosted by Arnold Schering, a professor of music and art history from the University of Berlin, who is in residence during the winter and spring at Harvard College.

The right clipping, titled "English Brass Rubbings Shown at Cambridge," features information about an exhibition of brass rubbings from early English memorials. The article covers how these rubbings provide valuable insights into certain fields of study. It explores the historical significance and artistic techniques used by anonymous artists who created these rubbings, and how they contribute to various academic and historical understandings.

Handwritten notes appear above each clipping, indicating locations and dates: "Danbury Conn" above the left clipping and "Tuesday Jan 7th" above the right clipping.

The image shows an open book with two facing pages. The left page is titled "The Exhibit German Art: Collection From Harvard Museum on View at Graph..." and appears to be a catalog or description of an exhibition. The text discusses the collection of German art, highlighting its significance and the artists represented. It mentions the opening date, location, and details about the exhibition, including the types of artworks displayed, such as woodcuts, engravings, and prints from the 15th to 19th centuries.

The right page is titled "The Fine Arts: English Brass Rubbings Shown at Cambridge" and discusses the history and study of early English brass rubbings. The text delves into the historical context, the materials used, and the artistic value of these rubbings. It references notable collections and scholars, such as William Gem, and explores the evolution of brass rubbing as an art form, including its technical aspects and the techniques employed by anonymous artists.

Both pages feature dense, typed text with a formal, academic tone, typical of museum catalogs or scholarly publications. The pages are slightly worn, with visible creases and some discoloration, indicating age and use. The book itself appears to be bound in a sturdy, dark green or brown cover, and the pages are slightly yellowed, suggesting the material is aged. The overall impression is that of a historical or academic document, likely from the early to mid-20th century.