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The image displays a page from a document or book detailing information about traveling exhibitions organized by the Germanic Museum of Harvard University, with support from the Carl Schurz Memorial Foundation. The exhibitions focus on various phases of German art and are available for loan to accredited educational institutions in New England for a period of two weeks, with a fee of ten dollars plus one-way transportation.

The exhibitions consist of framed facsimile reproductions, many of which are so skillfully made that they are difficult to distinguish from the originals. Each exhibition is accompanied by explanatory labels that clarify the contents and enhance their educational value.

Three specific exhibitions are described:

1. Exhibition A: German Painting of the Middle Ages and Renaissance

   • This exhibition covers the history of German painting from the fourteenth century to the middle of the sixteenth century through thirty-one framed colored reproductions. It includes works from illuminated manuscripts and paintings by notable artists such as the Master of St. Veronica, Stephen Lochner, Konrad Witz, Martin Schongauer, Hans Pleydenwurff, Hans Holbein the Elder, the Master of the St. Bartholomew Alter, Albrecht Dürer, Lucas Cranach, Mathias Grünewald, Hans Baldung Grien, Albrecht Altdorfer, Barthel Bruyn, Bernhard Strigel, Christoph Amberger, and Hans Holbein the Younger.

2. Exhibition B: German Graphic Art of the Middle Ages and Renaissance

   • This exhibition comprises sixty framed reproductions of woodcuts, engravings, and etchings from the fifteenth and sixteenth centuries. Featured artists include Master E. S., Master L. C. Z., Master of the Hausbuch, Martin Schongauer, Albrecht Dürer, Barthel Beham, Urs Graf, Heinrich Aldegrever, Lucas Cranach, Albrecht Altdorfer, Hans Burgkmair, and Hans Holbein the Elder.

3. Exhibition C: Modern German Painting

   • This exhibition illustrates the history of German painting from the early Cologne School to more recent times.

The text is neatly organized and printed in a clear, legible font.

The image displays information about an extension work program involving traveling exhibitions organized by the Germanic Museum of Harvard University, supported by the Carl Schurz Memorial Foundation. The exhibitions are designed to showcase various phases of German art and are available for borrowing by accredited educational institutions in New England for a two-week period. The rental fee is ten dollars plus one-way transportation costs.

The exhibitions consist of framed facsimile reproductions, many of which are so well-made that they are difficult to distinguish from the originals. Each exhibition comes with explanatory labels to enhance educational value.

Three specific exhibitions are detailed:

Exhibition A: German Painting of the Middle Ages and Renaissance

• This exhibition covers the history of German painting from the 14th century to the middle of the 16th century.
• It includes thirty-one framed colored reproductions.
• Featured artists and works include illuminated manuscripts and pieces from the early Cologne School, the Master of St. Veronica, Stephen Lochner, Konrad Witz, Martin Schongauer, Hans Pleydenwurff, Hans Holbein the Elder, the Master of the St. Bartholomew Altar, Albrecht Dürer, Lucas Cranach, Matthias Grünewald, Hans Baldung Grien, Albrecht Altdorfer, Barthel Bruyn, Bernhard Strigel, Christoph Amberger, and Hans Holbein the Younger.

Exhibition B: German Graphic Art of the Middle Ages and Renaissance

• This exhibition focuses on graphic art from the same period.
• It consists of sixty framed reproductions of woodcuts, engravings, and etchings from the 15th and 16th centuries.
• Featured artists include Master E. S., Master L. C. Z., the Master of the Hausbuch, Martin Schongauer, Albrecht Dürer, Barthel Beham, Urs Graf, Heinrich Aldegrever, Lucas Cranach, Albrecht Altdorfer, Hans Burgkmair, and Hans Holbein the Elder.

Exhibition C: Modern German Painting

• This exhibition illustrates the history of German painting from the early modern period (the text cuts off here, so no further details are available).

The image displays a document titled "Extension Work," detailing information about traveling exhibitions organized by the Germanic Museum of Harvard University, supported by the Carl Schurz Memorial Foundation. The document outlines three exhibitions that can be borrowed by educational institutions in New England for a period of two weeks for a fee of ten dollars plus transportation costs.

Exhibition A: German Painting of the Middle Ages and Renaissance

This exhibition showcases the history of German painting from the fourteenth century to the middle of the sixteenth century through thirty-one framed colored reproductions. It includes:

• Illuminated manuscripts
• Works from the early Cologne School
• Paintings by various artists including the Master of St. Veronica, Stephen Lochner, Konrad Witz, Martin Schongauer, Hans Pleydenwurff, Hans Holbein the Elder, The Master of the St. Bartholomew Altar, Albrecht Dürer, Lucas Cranach, Mathias Grünewald, Hans Baldung Grien, Albrecht Altdorfer, Barthel Bruyn, Bernhard Strigel, Christoph Amberger, and Hans Holbein the Younger.

Exhibition B: German Graphic Art of the Middle Ages and Renaissance

This exhibition features sixty framed reproductions of woodcuts, engravings, and etchings from the fifteenth and sixteenth centuries. The artists represented include:

• Master E. S.
• Master L. C. Z.
• Master of the Hausbuch
• Martin Schongauer
• Albrecht Dürer
• Barthel Beham
• Urs Graf
• Heinrich Aldegrever
• Lucas Cranach
• Albrecht Altdorfer
• Hans Burgkmair
• Hans Holbein the Elder

Exhibition C: Modern German Painting

The document begins to describe this exhibition but does not provide complete details, mentioning it illustrates the history of German painting from the early period.

The exhibitions are accompanied by explanatory labels to enhance their educational value.

The image contains a text describing extension work related to traveling exhibitions by the Germanic Museum of Harvard University, aided by the Carl Schurz Memorial Foundation. The text details three exhibitions that educational institutions in New England can borrow for two weeks at a cost of ten dollars plus transportation.

Exhibition A: German Painting of the Middle Ages and Renaissance

• This exhibition covers the history of German painting from the fourteenth century to the middle of the sixteenth century.
• It includes thirty-one framed colored reproductions, such as illuminated manuscripts and works by notable artists from the early Cologne School, including the Master of St. Veronica, Stephen Lochner, Konrad Witz, Martin Schongauer, Hans Pleydenwurff, Hans Holbein the Elder, The Master of the St. Bartholomew Alter, Albrecht Dürer, Lucas Cranach, Matthias Grünewald, Hans Baldung Grien, Albrecht Altdorfer, Barthel Bruyn, Bernhard Strigel, Christoph Amberger, and Hans Holbein the Younger.

Exhibition B: German Graphic Art of the Middle Ages and Renaissance

• This exhibition features sixty framed reproductions of woodcuts, engravings, and etchings from the fifteenth and sixteenth centuries.
• It includes works by artists such as Master E. S., Master L. C. Z., Master of the Hausbuch, Martin Schongauer, Albrecht Dürer, Barthel Beham, Urs Graf, Heinrich Aldegrever, Lucas Cranach, Albrecht Altdorfer, Hans Burgkmair, and Hans Holbein the Elder.

Exhibition C: Modern German Painting

• This exhibition illustrates the history of German painting from the early modern period onward, although the specific details of this exhibition are not provided in the text.

The image contains a page from a document detailing extension work, specifically traveling exhibitions organized by the Germanic Museum of Harvard University with the assistance of the Carl Schurz Memorial Foundation. The document outlines three exhibitions:

1. Exhibition A: German Painting of the Middle Ages and Renaissance

   • This exhibition covers the history of German painting from the fourteenth century to the middle of the sixteenth century.
   • It features thirty-one framed colored reproductions, including illuminated manuscripts and works by notable artists like the Master of St. Veronica, Stephen Lochner, Konrad Witz, Martin Schongauer, Hans Pleydenwurff, Hans Holbein the Elder, Albrecht Dürer, Lucas Cranach, Matthias Grünewald, Hans Baldung Grien, Albrecht Altdorfer, Barthel Bruyn, Bernhard Strigel, Christoph Amberger, and Hans Holbein the Younger.

2. Exhibition B: German Graphic Art of the Middle Ages and Renaissance

   • This exhibition comprises sixty framed reproductions of woodcuts, engravings, and etchings from the fifteenth and sixteenth centuries.
   • The artists represented include Master E. S., Master L. C. Z., Master of the Hausbuch, Martin Schongauer, Albrecht Dürer, Barthel Beham, Urs Graf, Heinrich Aldegrever, Lucas Cranach, Albrecht Altdorfer, Hans Burgkmair, and Hans Holbein the Elder.

3. Exhibition C: Modern German Painting

   • The document mentions this exhibition but is cut off, indicating that it covers the history of German painting from the early period up to a certain point in modern times.

The document also describes that the exhibitions can be borrowed by accredited educational institutions in New England for a two-week period, with a fee of ten dollars plus transportation costs. Each exhibition includes explanatory labels to enhance educational value.

The document details the extension work of the Germanic Museum of Harvard University, which has assembled three traveling exhibitions with the aid of the Carl Schurz Memorial Foundation. These exhibitions, focusing on various phases of German art, can be borrowed by accredited educational institutions in New England for two weeks at a fee of ten dollars plus one-way transportation. The first exhibition, 'German Painting of the Middle Ages and Renaissance,' includes framed facsimile reproductions of illuminated manuscripts and paintings from the fourteenth to the sixteenth century by artists such as the Master of St. Veronica, Albrecht Dürer, and Hans Holbein the Elder. The second exhibition, 'German Graphic Art of the Middle Ages and Renaissance,' features woodcuts, engravings, and etchings by artists like Martin Schongauer, Albrecht Dürer, and Hans Holbein the Elder. The third exhibition, 'Modern German Painting,' covers the history of German painting from the early nineteenth century to the present, with specific details not provided in the given text.

The image shows an open booklet or pamphlet with printed text about "Extension Work" focusing on traveling exhibitions of German art, organized by the Germanic Museum of Harvard University with support from the Carl Schurz Memorial Foundation.

The left page details:

• General information about traveling exhibitions available for borrowing by accredited educational institutions in New England for two weeks at a fee of ten dollars plus one-way transportation.
• The exhibitions consist of framed facsimile reproductions with explanatory labels.
• Exhibition A titled "German Painting of the Middle Ages and Renaissance" showcases the history of German painting from the 14th to the mid-16th century with 31 framed colored reproductions including illuminated manuscripts and early Cologne School paintings.

The right page continues:

• Names several artists involved in Exhibition A, such as the Master of St. Veronica, Stephen Lochner, Konrad Witz, Hans Holbein the Elder, Albrecht Dürer, and others.
• Exhibition B titled "German Graphic Art of the Middle Ages and Renaissance" features 60 framed reproductions of woodcuts, engravings, and etchings from the 15th and 16th centuries, listing artists like Master E.S., Martin Schongauer, Albrecht Dürer, and Hans Holbein the Elder.
• Exhibition C titled "Modern German Painting" briefly mentioned, indicating it illustrates the history of German painting from the early (the text cuts off here).

The image features a page with typed text, organized under several headings, most likely from a book or a catalogue. The headings are "EXTENSION WORK," "TRAVELING EXHIBITIONS," "EXHIBITION A" (German Painting of the Middle Ages and Renaissance), "EXHIBITION B" (German Graphic Art of the Middle Ages and Renaissance), and "EXHIBITION C" (Modern German Painting).

The content under "TRAVELING EXHIBITIONS" explains that the Germanic Museum of Harvard University, supported by the Carl Schurz Memorial Foundation, has assembled material for three exhibitions of German art. These exhibitions can be borrowed by any accredited educational institution in New England for a period of two weeks for a fee, and they consist of framed facsimile reproductions with explanatory labels.

"EXHIBITION A" details an exhibition illustrating the history of German painting from the fourteenth century to the middle of the sixteenth century, including colored reproductions and illuminated manuscripts.

"EXHIBITION B" lists artists whose works are represented in the exhibition of German graphic arts, including engravings, etchings, and woodcuts from the fifteenth and sixteenth centuries.

"EXHIBITION C" briefly mentions an exhibition illustrating the history of modern German painting.

Overall, the tone is informative and academic, and the page seems to be intended for an audience interested in art, art history, or education, providing informational details about the exhibitions and their contents.

The image depicts a page from a catalog or informational booklet detailing extension work involving traveling exhibitions organized by the Germanic Museum of Harvard University with assistance from the Carl Schurz Memorial Foundation. The content outlines three distinct exhibitions that can be borrowed by accredited educational institutions in New England for a fee.

1. Exhibition A - German Painting of the Middle Ages and Renaissance: This exhibition covers the history of German painting from the 14th to the mid-16th century, featuring thirty-one framed colored reproductions of illuminated manuscripts and works from notable artists such as Albrecht Dürer, Hans Holbein the Elder, Lucas Cranach, and others.

2. Exhibition B - German Graphic Art of the Middle Ages and Renaissance: This collection includes sixty framed reproductions of woodcuts, engravings, and etchings from the 15th and 16th centuries. Artists featured include Albrecht Dürer, Martin Schongauer, and Hans Holbein the Elder.

3. Exhibition C - Modern German Painting: This exhibit focuses on the history of German painting from the early modern period.

The exhibitions are designed to be educational and come with explanatory labels to clarify their contents and enhance their educational value.

The image shows a page from a book or catalog titled "EXTENSION WORK", specifically focusing on TRAVELING EXHIBITIONS. The page is formatted in a clean, professional layout with a serif typeface and is divided into sections describing three distinct exhibitions:

Exhibition A: German Painting of the Middle Ages and Renaissance

• Description: This exhibition illustrates the history of German painting from the fourteenth century to the middle of the sixteenth century. It features thirty-one framed colored reproductions, including illuminated manuscripts and works by notable artists such as the early Cologne School, Master of St. Veronica, Stephen Lochner, Konrad Witz, Martin Schongauer, Hans Pleydenwurff, Hans Holbein the Elder, Master of the St. Bartholomew Altar, Albrecht Dürer, Lucas Cranach, Matthias Grünewald, Hans Baldung Grien, Albrecht Altdorfer, Barthel Bruyn, Bernhard Strigel, Christoph Amberger, and Hans Holbein the Younger.

Exhibition B: German Graphic Art of the Middle Ages and Renaissance

• Description: This exhibition showcases sixty framed reproductions of woodcuts, engravings, and etchings from the fifteenth and sixteenth centuries. The artists represented include Master E. S., Master L. C. Z., Master of the Hausbuch, Martin Schongauer, Albrecht Dürer, Barthel Beham, Urs Graf, Heinrich Aldegrever, Lucas Cranach, Albrecht Altdorfer, Hans Burgkmair, and Hans Holbein the Elder.

Exhibition C: Modern German Painting

• Description: This exhibition illustrates the history of German painting from the early (the text is cut off, but it likely continues to describe the timeline and content of this exhibition).

General Information

• The Germanic Museum of Harvard University, in collaboration with the Carl Schurzt Memorial Foundation, has assembled material for these three exhibitions.
• The exhibitions consist of framed facsimile reproductions, many of which are so skillfully made that they are difficult to distinguish from the originals.
• Explanatory labels accompany the exhibitions to clarify their contents and enhance their educational value.
• These exhibitions can be borrowed by any accredited educational institution in New England for a period of two weeks for a fee of ten dollars plus one-way transportation.

The page is part of a formal document, likely a catalog or guide for educational institutions interested in hosting these traveling exhibitions. The text is well-organized, with clear headings and detailed descriptions of each exhibition's content and purpose.