Archives Scrapbooks

The image shows a page from a catalogue that lists engravings by Albrecht Dürer. The page is titled "CATALOGUE" and includes a section labeled "ABBREVIATIONS" at the top, explaining the abbreviations used in the listings. The engravings are arranged in order of date and include details such as the title, abbreviation, dimensions, date, and additional notes on the impression and margins.

The first few entries listed are:

1. The Man of Sorrows, Standing, with Arms Crossed (1509)
2. Christ on the Mount of Olives (1508)
3. Christ Bearing the Cross (1512)
4. The Betrayal of Christ by Judas (1508)
5. Christ before Caiaphas (1512)
6. Christ Led before Pilate (1512)
7. The Scourging of Christ (1512)
8. Christ Crowned with Thorns (1512)
9. Christ Shown to the People (1512)
10. Pilate Washing his Hands (1512)
11. Christ on the Cross (Small Plate) (1511)

Each entry provides specific details about the engraving, such as the state of the impression and the condition of the margins. For example, entry 1 is noted as having a "Brilliant impression, small margins," while entry 2 is described as having a "Brilliant impression, small margins" as well.

The catalogue appears to be a comprehensive list, providing both scholars and enthusiasts with essential information about these specific works by Albrecht Dürer.

The image shows a page from a catalog, specifically a section titled "CATALOGUE." It includes a list of engravings from Albrecht Dürer, arranged chronologically and categorized under the "Small Engraved Passion" series (1507-1512). The list is accompanied by abbreviations for references to different sources, including Adam Bartsch's "Le Peintre Graveur," various volumes of "Le Peintre-Graveur," and Campbell Dodgson's "Albrecht Dürer."

Here's a detailed summary of the specific parts of the image:

1. Abbreviations:

   • B: Adam Bartsch, Le Peintre Graveur, Vol. VII, Vienna, 1808.
   • D: Campbell Dodgson, Albrecht Dürer, London & Boston, 1926.
   • P: J. D. Passavant, Le Peintre-Graveur, Vol. III, Leipzig, 1862.

2. List of Engravings:
   The engravings are numbered and described as follows:

   • 1: The Man of Sorrows, Standing with Arms Crossed (B. 3, D. 52, Date: 1509).
   • 2: Christ on the Mount of Olives (B. 4, D. 50, Date: 1508).
   • 3: Christ Bearing the Cross (B. 12, D. 61, Date: 1512).
   • 4: The Betrayal of Christ by Judas (B. 5, D. 51, Date: 1508).
   • 5: Christ before Caiaphas (B. 6, D. 55, Date: 1512).
   • 6: Christ Led before Pilate (B. 7, D. 56, Date: 1512).
   • 7: The Scourging of Christ (B. 8, D. 57, Date: 1512).
   • 8: Christ Crowned with Thorns (B. 9, D. 58, Date: 1512).
   • 9: Christ Shown to the People (B. 10, D. 59, Date: 1512).
   • 10: Pilate Washing his Hands (B. 11, D. 60, Date: 1512).
   • 11: Christ on the Cross (Small Plate) (B. 13, D. 53, Date: 1511).
   • 12: The Lamentation for Christ (B. 14, D. 45, Date: 1507).
   • 13: The Entombment (B. 15, D. 62, Date: 1512).
   • 14: Christ Descending into Hell (B. 16, D. 63, Date: 1512).
   • 15: SS. Peter and John Healing a Cripple at the Gate of the Temple (B. 18, D. 68, Date: 1513).
   • 16: The Resurrection of Christ (B. 17, D. 64, Date: 1512).
   • 17: St. Christopher Facing to the Right (B. 52, D. 96, Date: 1521).
   • 18: Justice (B. 79, D. 31, Date: about 1501).
   • 19: The Turkish Family (B. 85, D. 18, Date: about 1497 or earlier).
   • 20: The Great Horse (B. 97, D. 44, Date: 1505).
   • 21: The Witch (B. 67, D. 41, Date: about 1505).
   • 22-36: Additional entries with similar references, each followed by a brief description of their state or condition (e.g., "Brilliant impression, small margins").

The catalog entries also include references to specific impressions and their condition, such as "Brilliant impression" or "Fine impression." The engravings are noted to have been produced during Dürer’s time in various European cities, reflecting his artistic and commercial travels.

The image displays a page from a catalogue, specifically listing engravings from a series known as the Small Engraved Passion by Albrecht Dürer, dated between 1507 and 1512. The catalogue includes several abbreviations and references to works by other authors such as Adam Bartsch, Campbell Dodgson, and J. D. Passavant.

Abbreviations:

• B.: Adam Bartsch, Le Peintre-Graveur, Vol. VII, Vienna, 1808.
• D.: Campbell Dodgson, Albrecht Dürer, London & Boston, 1926.
• P.: J. D. Passavant, Le Peintre-Graveur, Vol. III, Leipzig, 1862.

The list is organized in chronological order, with each entry including:

• The title of the engraving.
• The corresponding reference numbers from Bartsch (B.) and Dodgson (D.).
• The type of print (e.g., engraving).
• The date of creation.
• Additional notes on the quality of the impression and margins (e.g., brilliant impression, small margins).

List of Engravings:

1. The Man of Sorrows, Standing, with Arms Crossed. (B. 3, D. 52, Date: 1509)
2. Christ on the Mount of Olives. (B. 4, D. 50, Date: 1508)
3. Christ Bearing the Cross. (B. 12, D. 61, Date: 1512)
4. The Betrayal of Christ by Judas. (B. 5, D. 51, Date: 1508)
5. Christ before Caiaphas. (B. 6, D. 55, Date: 1512)
6. Christ Led before Pilate. (B. 7, D. 56, Date: 1512)
7. The Scourging of Christ. (B. 8, D. 57, Date: 1512)
8. Christ Crowned with Thorns. (B. 9, D. 58, Date: 1512)
9. Christ Shown to the People. (B. 10, D. 59, Date: 1512)
10. Pilate Washing his Hands. (B. 11, D. 60, Date: 1512)
11. Christ on the Cross (Small Plate). (B. 13, D. 53, Date: 1511)
12. The Lamentation for Christ. (B. 14, D. 45, Date: 1507)
13. The Entombment. (B. 15, D. 62, Date: 1512)
14. Christ Descending into Hell. (B. 16, D. 63, Date: 1512)
15. St. Peter and John Healing a Cripple at the Gate of the Temple. (B. 18, D. 68, Date: 1513)
16. The Resurrection of Christ. (B. 17, D. 64, Date: 1512)
17. St. Christopher, Facing to the Right. (B. 52, D. 96, Date: 1521)
18. Justice. (B. 79, D. 31, Date: about 1501)
19. The Turkish Family. (B. 85, D. 18, Date: about 1497 or earlier(?))
20. The Great Horse. (B. 97, D. 44, Date: 1505)
21. The Witch. (B. 67, D. 41, Date: about 1505)

Additionally, there are references to other works and their respective Bartsch and Dodgson numbers, indicating the cataloguing of Dürer's engravings and their condition. The page also includes a mention of a "Five Hundred Guilders" engraving and other numbered items, such as the "Turkish" and "St. John" engravings.

The image shows a page from a book or catalog that lists engravings by Albrecht Dürer. Here is a detailed summary:

Title

• CATALOGUE

Abbreviations

• B.: Adam Bartsch, Le Peintre-Graveur, Vol. VII, Vienna, 1808.
• D.: Campbell Dodgson, Albrecht Dürer, London & Boston, 1926.
• P.: J. D. Passavant, Le Peintre-Graveur, Vol. III, Leipzig, 1862.

Introduction

The text mentions that the exhibition includes nearly all of Dürer's engravings, etchings, and dry-points except for ten rare ones. It specifically highlights the series called the Small Engraved Passion (1507-1512), which includes engravings numbered 12, 2, 4, 1, 11, 5, 6, 7, 8, 9, 10, 3, 13, 14, and 16.

List of Engravings

The following is a list of Dürer's engravings arranged in order of date, along with references to Bartsch (B.) and Dodgson (D.):

1. The Man of Sorrows, Standing, with Arms Crossed

   • B. 3, D. 52. Engraving. Date: 1509. Brilliant impression, small margins.

2. Christ on the Mount of Olives

   • B. 4, D. 50. Engraving. Date: 1508.

3. Christ Bearing the Cross

   • B. 12, D. 61. Engraving. Date: 1512. Very fine impression, small margins.

4. The Betrayal of Christ by Judas

   • B. 5, D. 51. Engraving. Date: 1508. Brilliant impression, small margins.

5. Christ before Caiphas

   • B. 6, D. 55. Engraving. Date: 1512. Exceptional impression, small margins.

6. Christ Led before Pilate

   • B. 7, D. 56. Engraving. Date: 1512. Rich impression, small margins.

7. The Scourging of Christ

   • B. 8, D. 57. Engraving. Date: 1512.

8. Christ Crowned with Thorns

   • B. 9, D. 58. Engraving. Date: 1512. Rich impression, small margins.

9. Christ Shown to the People

   • B. 10, D. 59. Engraving. Date: 1512. Admirable impression.

10. Pilate Washing his Hands

    • B. 11, D. 60. Engraving. Date: 1512. Rich impression, small margins.

11. Christ on the Cross (Small Plate)

    • B. 13, D. 53. Engraving. Date: 1511. Very good impression, small margins.

12. The Lamentation for Christ

    • B. 14, D. 45. Engraving. Date: 1507. Brilliant impression, small margins.

13. The Entombment

    • B. 15, D. 62. Engraving. Date: 1512. Rich impression.

14. Christ Descending into Hell

    • B. 16, D. 63. Engraving. Date: 1512. Brilliant impression.

15. St. Peter and John Healing a Cripple at the Gate of the Temple

    • B. 18, D. 68. Engraving. Date: 1513. Fine impression, small margins.

16. The Resurrection of Christ

    • B. 17, D. 64. Engraving. Date: 1512. Good impression.

17. St. Christopher, Facing to the Right

    • B. 52, D. 96. Engraving. Date: 1521. Fine impression, with good margins.

18. Justice

    • B. 79, D. 31. Engraving. Date: about 1501.

19. The Turkish Family

    • B. 85, D. 18. Engraving. Date: about 1497 or earlier(?).

20. The Great Horse

    • B. 97, D. 44. Engraving. Date: 1505. Brilliant impression.

21. The Witch

    • B. 67, D. 41. Engraving. Date: about 1505.

22. Five Naked Men Carrying a Tree Trunk

    • B. 88, D. 10. Engraving. Date: 1496.

23. The Sea Monster

    • B. 84, D. 15. Engraving. Date: 1497.

24. The Rhinoceros

    • B. 92, D. 12. Engraving. Date: 1515. Fine impression.

25. The Fountain

    • B. 80, D. 14. Engraving. Date: 1496.

26. The Crucifixion

    • B. 32, D. 34. Engraving. Date: 1498. Fair impression.

27. The Annunciation

    • B. 93, D. 17. Engraving. Date: 1497.

28. St. Jerome in His Study

    • B. 56, D. 87. Engraving. Date: 1514. Light brown paper.

29. The Holy Family with the Lamb

    • B. 95, D. 16. Engraving. Date: about 1497.

30. St. Jerome in the Wilderness

    • B. 53, D. 86. Engraving. Date: 1514. Probable.

31. The Knight, Death and the Devil

    • B. 66, D. 39. Engraving. Date: 1513.

32. The Annunciation with Donor Figures

    • B. 39, D. 36. Engraving. Date: 1503.

33. St. Michael Fighting the Dragon

    • B. 47, D. 43. Engraving. Date: 1513.

34. The Knight, Death and the Devil (Large Plate)

    • B. 82, D. 40. Engraving. Date: 1513. Fine impression.

35. The Four Apostles

    • B. 67, D. 42. Engraving. Date: 1526. A weak impression.

36. Fortune

    • B. 78, D. 33. Engraving. Date: 1497.

This catalog page provides a detailed listing of Dürer's engravings with dates and impressions, along with references to Bartsch and Dodgson's works for further details.

The image displays a page from a catalogue detailing a collection of engravings by Albrecht Dürer, specifically focusing on his series called the Small Engraved Passion created between 1507 and 1512.

Catalogue Content

Abbreviations

The text at the top explains the abbreviations used in the catalogue:

• B.: Refers to Adam Bartsch's "Le Peintre Graveur," Volume VII, Vienna, 1808.
• D.: Refers to Campbell Dodgson's "Albrecht Dürer," published in London & Boston, 1926.
• P.: Refers to J. D. Passavant's "Le Peintre-Graveur," Volume III, Leipzig, 1862.

It mentions that Campbell Dodgson lists 104 engravings, etchings, and dry-points by Dürer, and this exhibition contains most of them.

The Small Engraved Passion (1507-1512)

The list enumerates various works from Dürer's Small Engraved Passion series, providing details such as titles, type of work (engraving), dates, and impressions:

1. The Man of Sorrows, Standing, with Arms Crossed

   • B. 3, D. 52. Engraving. Date: 1509.
   • Brilliant impression, small margins.

2. Christ on the Mount of Olives

   • B. 4, D. 50. Engraving. Date: 1508.

3. Christ Bearing the Cross

   • B. 12, D. 61. Engraving. Date: 1512.
   • Very fine impression, small margins.

4. The Betrayal of Christ by Judas

   • B. 5, D. 51. Engraving. Date: 1508.
   • Brilliant impression, small margins.

5. Christ before Caiaphas

   • B. 6, D. 55. Engraving. Date: 1512.
   • Exceptional impression, small margins.

6. Christ Led before Pilate

   • B. 7, D. 56. Engraving. Date: 1512.
   • Rich impression, small margins.

7. The Scourging of Christ

   • B. 8, D. 57. Engraving. Date: 1512.

8. Christ Crowned with Thorns

   • B. 9, D. 58. Engraving. Date: 1512.
   • Rich impression, small margins.

9. Christ Shown to the People

   • B. 10, D. 59. Engraving. Date: 1512.
   • Admirable impression.

10. Pilate Washing his Hands

    • B. 11, D. 60. Engraving. Date: 1512.
    • Rich impression, small margins.

11. Christ on the Cross (Small Plate)

    • B. 13, D. 53. Engraving. Date: 1511.
    • Very good impression, small margins.

12. The Lamentation for Christ

    • B. 14, D. 45. Engraving. Date: 1507.
    • Brilliant impression, small margins.

13. The Entombment

    • B. 15, D. 62. Engraving. Date: 1512.
    • Rich impression.

14. Christ Descending into Hell

    • B. 16, D. 63. Engraving. Date: 1512.
    • Brilliant impression.

15. SS. Peter and John Healing a Cripple at the Gate of the Temple

    • B. 18, D. 68. Engraving. Date: 1513.
    • Fine impression, small margins.

16. The Resurrection of Christ

    • B. 17, D. 64. Engraving. Date: 1512.
    • Good impression.

17. St. Christopher, Facing to the Right

    • B. St.

18. Justice

    • B. 79, D. 31. Engraving. Date: about 1501.

19. The Turkish Family

    • B. 85, D. 18. Engraving. Date: about 1497 or earlier(?).

20. The Great Horse

    • B. 97, D. 44. Engraving. Date: 1505.
    • Brilliant impression.

21. The Witch

    • B. 67, D. 41. Engraving. Date: about 1505.

Additional Works

The right side of the page continues with more entries, detailing other works by Dürer, each with similar notations for references, type, date, and impressions.

22. Five Lansquenets

    • B. 88, D. 1496.

23. The Promenade

    • B. 94, D. 1498.

24. The Visionary

    • B. 72, D. ex 95.

25. The Temptation of the Idler (The Dream of the Doctor)

    • B. 76, D. 1498.

... and so on, listing additional works up to number 36, which includes various themes and dates.

This page is part of a comprehensive catalogue of Albrecht Dürer’s engravings, highlighting the details of each work in the Small Engraved Passion and other notable pieces.

The image displays a page from a catalog that lists and describes a series of engravings by Albrecht Dürer. The page is titled "CATALOGUE" and includes a section on abbreviations used in the catalog, followed by a detailed list of engravings.

Abbreviations:

• B: Adam Bartsch, Le Peintre Graveur, Vol. VII, Vienna, 1808.
• D: Campbell Dodgson, Albrecht Dürer, London & Boston, 1926.
• P: J. D. Passavant, Le Peintre-Graveur, Vol. III, Leipzig, 1862.

The catalog notes that Campbell Dodgson lists 104 engravings, etchings, and dry-points by Dürer, and this exhibition contains all but ten of these, some of which are excessively rare.

List of Engravings:

The engravings are part of the series called the Small Engraved Passion (1507-1512) and are listed in order of date. Each entry includes:

• The title of the engraving.
• References to Bartsch (B) and Dodgson (D) catalogs.
• The type of print (e.g., engraving).
• The date of the engraving.
• A brief description of the impression quality and margins.

Examples from the List:

1. The Man of Sorrows, Standing, with Arms Crossed

   • B. 3, D. 52. Engraving. Date: 1509.
   • Brilliant impression, small margins.

2. Christ on the Mount of Olives

   • B. 4, D. 56. Engraving. Date: 1508
   • Very fine impression, small margins.

3. Christ Bearing the Cross

   • B. 12, D. 61. Engraving. Date: 1512.
   • Very fine impression, small margins.

4. The Betrayal of Christ by Judas

   • B. 5, D. 51. Engraving. Date: 1508.
   • Brilliant impression, small margins.

5. Christ before Caiaphas

   • B. 6, D. 55. Engraving. Date: 1512.
   • Exceptional impression, small margins.

6. Christ Led before Pilate

   • B. 7, D. 56. Engraving. Date: 1512.
   • Rich impression, small margins.

7. The Scourging of Christ

   • B. 8, D. 57. Engraving. Date: 1512.
   • Rich impression, small margins.

8. Christ Crowned with Thorns

   • B. 9, D. 58. Engraving. Date: 1512.
   • Rich impression, small margins.

9. Christ Shown to the People

   • B. 10, D. 59. Engraving. Date: 1512.
   • Admirable impression.

10. Pilate Washing his Hands

    • B. 11, D. 60. Engraving. Date: 1512.
    • Rich impression, small margins.

11. Christ on the Cross (Small Plate)

    • B. 13, D. 53. Engraving. Date: 1511.
    • Very good impression, small margins.

12. The Lamentation for Christ

    • B. 14, D. 45. Engraving. Date: 1507.
    • Brilliant impression, small margins.

13. The Entombment

    • B. 15, D. 62. Engraving. Date: 1512.
    • Rich impression.

14. Christ Descending into Hell

    • B. 16, D. 63. Engraving. Date: 1512.
    • Brilliant impression.

15. SS. Peter and John Healing a Cripple at the Gate of the Temple

    • B. 18, D. 68. Engraving. Date: 1513.
    • Fine impression, small margins.

16. The Resurrection of Christ

    • B. 17, D. 64. Engraving. Date: 1512.
    • Good impression.

17. St. Christopher, Facing to the Right

    • B. 52, D. 96. Engraving. Date: 1521.
    • Fine impression, with good margins.

18. Justice

    • B. 79, D. 31. Engraving. Date: about 1501.

19. The Turkish Family

    • B. 83, D. 18. Engraving. Date: about 1497 or earlier (?).

20. The Great Horse

    • B. 97, D. 44. Engraving. Date: 1505.
    • Brilliant impression.

21. The Witch

    • B. 67, D. 41. Engraving. Date: about 1505.

The catalog continues with additional entries numbered from 22 to 36, providing similar detailed descriptions for each engraving.

The image you've provided appears to be a photograph of an open book displaying a page titled "CATALOGUE," likely from an art exhibition or sale related to engravings. The catalogue lists individual works, their titles, the engraver or artist associated with the abbreviation "B," "D." or "P." (which are clarified in the ABBREVIATIONS section as Adam Bartsch, Campbell Dodgson, and J. D. Passavant, respectively), and the date of the engravings. The engravings listed are historically significant works, mostly religious in nature, such as "The Man of Sorrows, Standing, with Arms Crossed" and "Christ before Caiaphas."

The text also notes that the engravings are from a series called the Small Engraved Passion dating from 1507-1512 and that almost all engravings from the series are included in the exhibition. The details given for each entry typically include an identifier (like "B. 1." or "D. 10."), a title, the format (engraving), the date of the engraving, and a brief description of the print quality, such as "Very fine impression, small margins." The catalogue seems to be quite old, judging from the typography and the paper tone. The page also contains references to other artworks like "The Witch," "The Turkish Family," and "The Great Horse."

The left side of the photograph shows the verso of the previous page, which seems to be the end of a preface or introduction to the catalogue, as evidenced by the partial text suggesting a discussion of an engraver and their works.

This image shows a page from a catalogue detailing engravings by Albrecht Dürer. It includes abbreviations that reference specific works and authors: Adam Bartsch, Campbell Dodgson, and J.D. Passavant. The main portion of the page lists engravings in chronological order, providing details such as title, reference abbreviation, engraving type, date, and notes on the impression and margins.

The first entry is "The Man of Sorrows, Standing, with Arms Crossed," and is dated 1509. Each subsequent entry continues with titles like "Christ Bearing the Cross," and "Christ before Caiaphas," along with their corresponding details. The dates range from the late 15th century to early 16th century, with impressions noted as brilliant, very fine, rich, or good, often mentioning the condition of the margins.

The catalogue chronicles works primarily from Dürer's "Small Engraved Passion" series but includes additional engravings like "The Holy Family" and "The Witch."

The image depicts a page from a catalogue or reference book, likely related to art, engraving, or historical prints. The page is titled "CATALOGUE" at the top, indicating it is part of a systematic listing or inventory.

Key Features of the Page:

1. Header and Abbreviations:

   • The page begins with a section titled "ABBREVIATIONS," which lists shorthand notations used throughout the catalogue. These include:
     • B.: Adam Bartsch, Le Peintre Graveur, Vol. VII, Vienna, 1808.
     • D.: Campbell Dodgson, Albrecht Dürer, London and Boston, 1926.
     • P.: J. D. Passavant, Le Peintre-Graveur, Vol. III, Leipzig, 1862.
   • A note clarifies that Campbell Dodgson lists 104 engravings, etchings, and dry-points by Dürer, and this exhibition contains all but ten of these, some of which are "excessively rare."

2. List of Engravings:

   • The main body of the page is a numbered list of engravings, each accompanied by detailed information:
     • Title: The name of the engraving (e.g., "The Man of Sorrows, Standing, with Arms Crossed").
     • Reference Codes: Abbreviations (e.g., B., D., P.) followed by numbers, likely referencing specific entries in the cited works.
     • Date: The year the engraving was created (e.g., 1509, 1508, 1512).
     • Description: Notes on the quality of the impression (e.g., "Brilliant impression," "Fine impression," "Rich impression") and details about margins (e.g., "small margins").
   • The engravings are listed chronologically, covering works from 1507 to 1512, as indicated by the series called the Small Engraved Passion (1507–1512).

3. Content of the List:

   • The list includes 21 items, each describing a different engraving. Examples include:
     • 1. The Man of Sorrows, Standing, with Arms Crossed (1509).
     • 2. Christ on the Mount of Olives (1508).
     • 12. The Lamentation for Christ (1507).
     • 17. St. Christopher, Facing to the Right (1521).
     • 21. The Witch (circa 1505).
   • The descriptions provide insights into the condition and rarity of the engravings, such as "Very fine impression" or "Rich impression."

4. Layout and Typography:

   • The text is printed in a clear, formal typeface, typical of academic or reference publications.
   • The page is numbered at the top right corner as 22, suggesting it is part of a larger document.
   • The left margin contains fragmented text, likely from an adjacent page, discussing historical or artistic context (e.g., references to "Basel," "Bologna," and "Antwerp").

Contextual Clues:

• The mention of Albrecht Dürer and references to specific works (e.g., the Small Engraved Passion) strongly suggests that this catalogue pertains to Dürer's engravings.
• The abbreviations and detailed descriptions indicate that this is a scholarly or curatorial resource, possibly used for exhibitions, auctions, or academic research.

Summary:

The image shows a page from a catalogue detailing engravings by Albrecht Dürer, specifically from the Small Engraved Passion series (1507–1512). The page includes a list of 21 engravings, each with titles, dates, references to scholarly works (Bartsch, Dodgson, Passavant), and notes on the quality and condition of the impressions. The layout and content suggest it is part of a formal reference or exhibition catalogue.

The image shows two pages from a catalog or exhibition guide, displaying a list of items, likely artworks or prints, with descriptions and references. The left page has a section titled "ABBREVIATIONS" and lists various abbreviations used in the catalog, such as "B." for "Bartsch" and "D." for "Dodgson," with references to volumes and years. The right page continues the list of items, numbered from 22 to 36, with descriptions of the artworks, including titles, dates, and quality assessments such as "Fine impression" and "Good impression." Each item is followed by a reference to the catalog it appears in, such as "B. 88. I 1496." The text is formal and academic, typical of an art catalog or exhibition guide.