Archives Scrapbooks

The image shows a page from a scrapbook or a similar type of collection, dated January 29. The page contains several newspaper clippings and an advertisement. Here is a detailed summary of the contents:

1. Top Clipping:

   • Headline: "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals"
   • Content: The article discusses a mural at Harvard's Fogg Museum depicting a dwarf from the tenth century wearing modern 1936 breeches. The dwarf is part of a series of murals that combine ancient and modern elements, created by artist Hugo Fischer. The murals are noted for their humorous and anachronistic elements, blending historical and contemporary themes.

2. Middle Clipping:

   • Advertisement: "Coming New England Sportsmen's and Boat Show"
   • Content: This is an advertisement for an upcoming sportsmen's and boat show in Boston, scheduled for February 1-8. The event is held at the Mechanics Building in Boston.

3. Bottom Clipping:

   • Headline: "Harvard's Ancient-Modern Dwarf"
   • Content: This article also focuses on the dwarf depicted in the murals at the Fogg Museum. It includes a photograph of the mural's central figure, a dwarf from the tenth-century Nibelungen Legend, dressed in modern clothing. The article highlights the unique and whimsical nature of the murals, which were created by Hugo Fischer and feature a blend of historical and contemporary elements.

The page appears to be part of a personal collection, possibly documenting events or interests related to art and local happenings in Boston during that time period.

The image shows an open book or scrapbook with two newspaper clippings pasted on the right-hand page. The clippings are from different articles, and both seem to pertain to historical and artistic topics.

1. The first clipping at the top is titled "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals." The article discusses a tenth-century dwarf, possibly from the legend of the Nibelungen, depicted in modern 1936 attire in a mural at Harvard. The mural, created by Louis Rubeinstein, is part of the decorations at the Fogg Museum. The article also mentions that this anachronistic portrayal has drawn attention and some controversy.

2. The second clipping below it is titled "Harvard's Ancient-Modern Dwarf." It features an image of the mural with the central figure, the dwarf, dressed in contemporary 1936 clothing. The article elaborates on the details of the mural, the dwarf's appearance, and the context within the museum. It also references the artist, Louis Rubeinstein, and the significance of the mural at Harvard.

The left-hand page of the book has some text, possibly an excerpt from another source, but it is not fully visible in the image. The overall context of the pasted clippings suggests a focus on historical and artistic representations, specifically around the theme of blending ancient and modern elements.

The image displays an old newspaper page dated January 29, with several articles and advertisements. Here are the main elements:

1. Main Article: "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals"

   • This article discusses a controversy at Harvard University regarding a mural in the Germanic Museum (now the Busch-Reisinger Museum). The mural, painted by an artist named Watson, depicts various scenes from the Nibelungenlied, a famous Middle High German epic poem.
   • The central figure in question is a dwarf, depicted wearing 20th-century plus-fours (a type of breeches), which caused some debate.
   • The article explains that the dwarf's modern attire was intended to symbolize the timelessness of the epic and was not an error but a deliberate artistic choice.

2. Illustration: "Harvard's Ancient-Modern Dwarf"

   • An image is provided showing the central panel of the new Germanic Museum murals. The illustration depicts the dwarf from the Nibelungen legend in the controversial modern attire.

3. Detailed Description of the Mural:

   • The description below the illustration explains that the central figure, a dwarf, is part of a series of panels created by Denman W. Ross and painted by A. Raymond Watson.
   • The dwarf is described as wearing plus-fours, a modern touch that has sparked discussion. The article notes that the artist included this detail to represent the dwarf's timeless nature, bridging ancient and modern times.

4. Advertisement:

   • An advertisement for a "New England Sportsmen's and Boat Show" is prominently displayed on the page. The event is scheduled for February 14-18 at Mechanics Building, featuring exhibits from various camper and fares associations.

5. Other Text:

   • Additional text in the article provides context and opinions from various sources, including the museum officials and the artist, explaining the thought process behind the depiction.

Overall, the page covers an interesting intersection of art, history, and contemporary debate at Harvard University.

The image shows a page from a newspaper or magazine that contains two articles and an advertisement, all related to Harvard University's new Germanic murals.

1. Headline Articles:

   • The first article is titled "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals."

     • It describes a central figure in Harvard's new mural series, which is a tenth-century dwarf dressed in 1936-style breeches. This figure is part of a series of murals in the German Museum, created by artist Lee Lawrie.
     • The article mentions that the dwarf is from the Nibelungen legend and symbolizes the quest of the Nibelungen for treasure.
     • It also notes the artist's use of modern attire for ancient figures to create a humorous and contemporary effect.

   • The second article, titled "Harvard's Ancient-Modern Dwarf," provides more detail about the mural.

     • It includes a photograph of the central panel of the new murals, featuring the dwarf in a scene with other figures from the Nibelungen legend.
     • The article states that the artist, Dr. Lee Lawrie, has been working on the murals for several years, depicting various scenes from the legend.
     • It mentions that the dwarf's modern attire is an intentional artistic choice to bring a modern twist to ancient themes.

2. Advertisement:

   • An advertisement for the "New England Sportsmens and Boat Show" is featured, taking place on February 12-18. The ad promotes exhibits related to sportsmen and boating mechanics.

3. Additional Notes:

   • The page also includes a handwritten note in the top right corner dated January 29, which appears to be a transcription date or some other related note.

The articles and advertisement are neatly cut and pasted into what looks like a scrapbook or a clipping collection, with the edges of the paper showing signs of wear and tear.

The image depicts an open book containing newspaper clippings. The book appears to be a scrapbook or a collection of clippings related to art and culture, particularly focusing on a mural project at Harvard University.

1. Top Clipping:

   • The headline reads "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals."
   • The article discusses a mural project at Harvard's Germanic Museum, specifically the central figure of a dwarf wearing 1936 breeches, based on a legend from the 10th century.
   • The dwarf is part of the "Ring of the Nibelungen" legend, and the mural is the work of Louis Rubinstein.
   • The clipping mentions the dwarf's historical significance and the artist's inspiration.

2. Middle Clipping:

   • An advertisement for the "New England Sportsmen's and Boat Show" scheduled for February 12-18 is prominently displayed.

3. Bottom Clipping:

   • The headline reads "Harvard's Ancient-Modern Dwarf."
   • It features a detailed image of the mural panel, with a central figure of a dwarf from the legend of the Nibelungen.
   • The caption explains that the dwarf is central to the series of murals, which depict the legend of the Nibelungen and the quest of Siegfried.
   • The dwarf is described as being based on a 10th-century legend, and the mural is part of the ongoing project at Harvard's Germanic Museum.
   • The article mentions the artist's working process, including the use of a sketch and the details of the dwarf's attire.

The clippings together provide a detailed look into the creation and significance of a specific mural project at Harvard University, highlighting the central figure of a dwarf from Germanic legend and the artistic choices behind the depiction.

The image shows an open page from an old newspaper or magazine, likely from the mid-20th century, featuring articles about Harvard University's new murals depicting a "Tenth Century Dwarf."

1. Top Article:

   • The headline reads, "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals."
   • The article describes the mural's subject, a tenth-century dwarf from the legend of the Ring of the Nibelungen, wearing breeches in an unusual historical context. It mentions the dwarf's central role in the murals and how it has evoked considerable interest. The dwarf is depicted wearing modern attire, which is a departure from historical accuracy.

2. Advertisement:

   • Below the main article, there's an advertisement for "New England Sportsmens and Boat Show," scheduled for February 12th. The ad features an illustration of a boat and a hunting scene.

3. Bottom Article:

   • Another article titled "Harvard's Ancient-Modern Dwarf" provides more details on the mural's central figure. It mentions that the dwarf is from the "Twilight of the Gods" and the mural is part of the "Germanic Museum Murals" series. The caption includes a photograph of the central panel.
   • The text describes the dwarf’s depiction in the mural and notes that the artist, Dr. Leo Kahn, has been working on the piece since 1934, with the mural set to be completed in early 1936.

The images and articles together illustrate an artistic interpretation of a legendary figure in the context of modern attire, blending ancient mythology with contemporary artistic expression.

You are looking at a photograph of a page from a scrapbook or book containing newspaper articles. The articles are mounted on a beige page, and there is handwriting at the top of the page that reads "Jan. 29."

The main article's headline is "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals," with subtext that appears to summarize the contents of the article, discussing the portrayal of a dwarf figure from a tenth-century narrative within a modern setting at Harvard. Adjacent to the headline, there's an empty beige rectangle, probably indicating where an image or related content may have been removed or is blocked out.

Below this, there is a sub-image with a caption "Harvard’s Ancient-Modern Dwarf" and a smaller headline that reads "Main Panel of New Germanic Museum Murals." The caption indicates that the central figure is a dwarf from the "Tenth Century Nibelungen Legend, Has Caused Comment Because of His 1936 Military Breeches and Boots, Officials Doubt Any Symbolism."

Below the image, the article continues with the headline emulating the main article above it but notes "Continued from Page One" suggesting that the information below is a continuation of the content from an earlier page.

There is additional text on the page, including a mention of a "New England Sportsmen's and Boat Show," which appears unrelated to the main articles, suggesting this scrapbook page has several clippings that might not all be linked thematically.

This image shows a page from a scrapbook or album, containing old newspaper clippings related to Harvard University's new Germanic murals. The page features two pieces of newspaper:

1. The top clipping has the headline "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals." The text describes a mural featuring a dwarf dressed in 1936 military attire based on the "Nibelungen" legend. It also includes a small advertisement for an upcoming event, the "New England Sportsmen and Boat Show" at the Mechanics Building in February.

2. The bottom clipping has the headline "Harvard's Ancient-Modern Dwarf" and includes a photograph showing the mural mentioned above. The caption reads, "Main Panel of New Germanic Museum Murals - The Central Figure, a Dwarf from the Tenth-Century Nibelungen Legend, Has Caused Comment Because of His 1936 Military Breeches and Boots. Officials Defend Art Symposium." Below the photograph, there is a continuation of the article from the previous clipping discussing reactions to the mural, noting that the inclusion of modern attire on the ancient figure was the artist's conscious choice for thematic reasons.

The newspaper clippings are affixed neatly to the scrapbook page, with the top clipping slightly overlapping the bottom clipping.

The image shows a scrapbook page with two newspaper clippings related to Harvard's Germanic Museum murals. The top clipping has the headline "Tenth Century Dwarf in 1936 Breeches Enlivens Harvard's New Germanic Murals" and discusses the figure of a tenth-century dwarf wearing 1936 military breeches and riding boots in the murals at Harvard’s Germanic Museum. It mentions the dwarf as a central figure, the interest the murals have aroused, and explains some symbolism related to the attire of the dwarf, with comments from Dr. Charles L. Kuhn, curator of the museum. There is also an advertisement for the New England Sportsmen's and Boat Show.

The bottom clipping, titled "Harvard’s Ancient-Modern Dwarf," features a photograph of the main panel of the new Germanic Museum murals, depicting the dwarf from the tenth-century Nibelungen Legend. The caption notes the controversy caused by the dwarf's 1936 military breeches and boots. The text continues from the first clipping, providing more details about the symbolism, the artist’s method, and the artist’s background, mentioning that the artist spent years abroad after graduating from Harvard in 1930.

Both clippings are carefully pasted on the page, which also has handwritten text at the top reading "Transcript, Jan. 29." The newspaper clippings appear yellowed, indicating age.

The image shows an open book with two pages visible, featuring articles from a publication dated January 29. The pages are filled with text and illustrations, suggesting a historical or artistic context.

Top Page:

• Headline: "Tenth Century Dwarf in 1936 Breaches Enlivens Harvard's New Germanic Murals"

• Content: The article discusses a mural project at Harvard University, focusing on Germanic mythology and art. It describes a central figure, a dwarf, depicted in a modern military uniform, which is noted as a significant departure from traditional representations. The text mentions the dwarf's attire, including a helmet and boots, and references historical and mythological themes such as the "Ring of the Nibelungen." The article also notes that the murals are part of an ongoing project at the Germanic Museum, with further details promised on page four.

• Visual Element: A small advertisement for the "New England Sportsmen's and Boat Show" is placed at the bottom of the page, dated February 1-8, with a logo featuring a moose and the text "COMING."

Bottom Page:

• Headline: "Harvard's Ancient-Modern Dwarf"

• Content: This page continues the discussion of the dwarf mural, providing additional context. It includes a captioned illustration labeled "Main Panel of New Germanic Museum Murals," showing a detailed depiction of the dwarf. The caption explains that the dwarf is part of a series of murals titled "The Twilight of the Gods," and it highlights the artist's modern interpretation of ancient themes. The dwarf is described as wearing military breeches and boots, symbolizing a blend of ancient and contemporary elements.

• Visual Element: The illustration at the top of the page shows the dwarf in a dynamic pose, with a detailed depiction of his attire and surroundings. The caption identifies the dwarf as "Odalis Dubh Tenth-Century Nibelungen Legend," emphasizing its mythological significance. Below the illustration, the text elaborates on the artist's process and the historical context of the mural project.

Overall Context:

The pages appear to be from a historical or artistic publication, likely a newspaper or magazine, discussing a unique mural project at Harvard University. The articles focus on the creative fusion of ancient Germanic mythology with modern military themes, highlighting the innovative approach of the artist. The inclusion of an advertisement for a sports show suggests the publication may have a broader audience or diverse content. The handwritten note at the top of the page ("Transcend Jan. 29") indicates that this is a scanned or preserved copy, possibly from an archive or collection.