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The image displays a list of artworks, likely from a catalog or inventory, numbered from 21 to 31. Each entry includes a title, reference numbers (e.g., H.221, B.196), the state of the print (e.g., second state, fourth state), the year it was created, and sometimes additional notes such as the source of the print or the collection it belongs to. The artworks are mainly prints by Rembrandt, featuring studies, portraits, landscapes, and biblical scenes. Some entries also mention specific details like signatures, duplicates in other collections, and variations in different states of the prints. The list provides a comprehensive overview of these artworks, their characteristics, and provenance.

The image displays a page from a catalog or inventory listing various artworks, specifically works by Rembrandt. Here is a detailed summary of each entry:

1. Study from the Nude: Man Seated on the Ground with One Leg Extended

   • Inventory Number: H.221, B.196
   • Signed and dated: 1646
   • State: Second state
   • Collection: From the Gottfried Eissler collection

2. Jan Cornelius Sylvius, Preacher: Posthumous Portrait

   • Inventory Number: H.225, B.280
   • Signed and dated: 1646
   • Museum: Albertina Museum duplicate

3. St. Jerome Beside a Pollard Willow

   • Inventory Number: H.232, B.103
   • Signed and dated: 1648
   • State: Second state
   • Additional Note: Signature and date added

4. Beggars Receiving Alms at the Door of a House

   • Inventory Number: H.233, B.176
   • Signed and dated: 1648

5. Rembrandt Drawing at a Window

   • Inventory Number: H.229, B.22
   • Signed and dated: 1648
   • State: Fourth state
   • Additional Note: Landscape added

6. Christ with the Sick Around Him, Receiving Little Children (The 'Hundred Guilder Print')

   • Inventory Number: H.236, B.74
   • Signed and dated: c.1649
   • State: Second state
   • Additional Note: Open parallel lines of shading across the neck of an ass at the right
   • Collections: Albertina Museum duplicate, from the H. Ten Cate and Esterhazy collections

7. Landscape with a Milk-Man

   • Inventory Number: H.242, B.213
   • Signed and dated: c.1650
   • State: Second state
   • Additional Note: With a hilly landscape added in the background at the left
   • Collection: From the Dighton collection

8. Landscape with a Cow Drinking

   • Inventory Number: H.240, B.237
   • Signed and dated: c.1650
   • State: Second state
   • Additional Note: With the ground shaded at the right of the cow
   • Collections: From the Von Lanna and Dighton collections

9. Landscape with Three Gabled Cottages Beside a Road

   • Inventory Number: H.246, B.217
   • Signed and dated: 1650
   • State: Third state
   • Additional Note: With cross-hatching added on the gabled end of the first cottage
   • Collections: From the Le Secq des Tournelles, Moraut, and Gerstenberg collections

10. Landscape with Trees, Farm Buildings, and a Tower

    • Inventory Number: H.244, B.223
    • Signed and dated: c.1650
    • State: Third state
    • Additional Note: With the cupola of the first and second states burned out, leaving a square tower
    • Collections: From the M.J. Perry and Mrs. Philip Sawyer collections

11. Landscape with a Square Tower

    • Inventory Number: H.245, B.218
    • Signed and dated: 1650
    • State: Fourth state
    • Additional Note: With the upper part of the trees at the right, previously white, now shaded, and a slipped stroke crossing the signature
    • Collections: From the Liphart and Von Lanna collections

Each entry provides a detailed description of the artwork's state, dates, signatures, and collection provenance.

The image contains a list of artworks, likely from a catalog or inventory, detailing various drawings and prints. Here's a detailed summary of the entries:

1. Study from the Nude: Man Seated on the Ground with One Leg Extended

   • Reference: H.221, B.196
   • Signed and dated: 1646
   • State: Second state
   • Origin: From the Gottfried Eissler collection.

2. Jan Cornelius Sylvius, Preacher: Posthumous Portrait

   • Reference: H.225, B.280
   • Signed and dated: 1646
   • Note: Albertina Museum duplicate.

3. St. Jerome Beside a Pollard Willow

   • Reference: H.232, B.103
   • Signed and dated: 1648
   • State: Second state
   • Note: With the signature and date added.

4. Beggars Receiving Alms at the Door of a House

   • Reference: H.233, B.176
   • Signed and dated: 1648.

5. Rembrandt Drawing at a Window

   • Reference: H.229, B.22
   • Signed and dated: 1648
   • State: Fourth state
   • Note: The landscape added.

6. Christ, with the Sick Around Him, Receiving Little Children (The 'Hundred Guilder Print')

   • Reference: H.236, B.74 (c.1649)
   • State: Second state
   • Note: With open parallel lines of shading across the neck of an ass at the right.
   • Origin: Albertina Museum duplicate, from the H. ten Cate and Esterhazy collections.

7. Landscape with a Milk-Man

   • Reference: H.242, B.213 (c.1650)
   • State: Second state
   • Note: With a hilly landscape added in the background at the left.
   • Origin: From the Dighton collection.

8. Landscape with a Cow Drinking

   • Reference: H.240, B.237 (c.1650)
   • State: Second state
   • Note: With the ground at the right of the cow shaded.
   • Origin: From the Von Lanna and Dighton collections.

9. Landscape with Three Gabled Cottages Beside a Road

   • Reference: H.246, B.217
   • Signed and dated: 1650
   • State: Third state
   • Note: With cross-hatching added on the gabled end of the first cottage.
   • Origin: From the Le Secq des Tournelles, Moraut, and Gerstenberg collections.

10. Landscape with Trees, Farm Buildings, and a Tower

    • Reference: H.244, B.223 (c.1650)
    • State: Third state
    • Note: With the cupola of the first and second states burnished out, leaving a square tower.
    • Origin: From the M. J. Perry and Mrs. Philip Sawyer collections.

11. Landscape with a Square Tower

    • Reference: H.245, B.218
    • Signed and dated: 1650
    • State: Fourth state
    • Note: With the upper part of the trees at the right, previously white, now shaded, and slipped stroke crossing the signature.
    • Origin: From the Liphart and Von Lanna collections.

The image shows a list of numbered artworks, likely etchings or engravings, each with detailed descriptions. Here's a detailed summary of the entries:

21. Study from the Nude: Man Seated on the Ground with One Leg Extended

• Reference: H.221, B.196
• Signed: 1646
• Second state
• From the Gottfried Eissler collection

22. Jan Cornelius Sylvius, Preacher: Posthumous Portrait

• Reference: H.225, B.280
• Signed: 1646
• Albertina Museum duplicate

23. St. Jerome Beside a Pollard Willow

• Reference: H.232, B.103
• Signed: 1648
• Second state: With the signature and date added

24. Beggars Receiving Alms at the Door of a House

• Reference: H.233, B.176
• Signed: 1648

25. Rembrandt Drawing at a Window

• Reference: H.229, B.22
• Signed: 1648
• Fourth state: The landscape added

26. Christ, with the Sick Around Him, Receiving Little Children (The 'Hundred Guilder Print')

• Reference: H.236, B.74 (c.1649)
• Second state: With open parallel lines of shading across the neck of an ass at the right
• Albertina Museum duplicate
• From the H. ten Cate and Esterhazy collections

27. Landscape with a Milk-Man

• Reference: H.242, B.213 (c.1650)
• Second state: With a hilly landscape added in the background at the left
• From the Dighton collection

28. Landscape with a Cow Drinking

• Reference: H.240, B.237 (c.1650)
• Second state: With the ground at the right of the cow shaded
• From the Von Lanna and Dighton collections

29. Landscape with Three Gabled Cottages Beside a Road

• Reference: H.246, B.217
• Signed: 1650
• Third state: With cross-hatching added on the gabled end of the first cottage
• From the Le Secq des Tournelles, Moraut, and Gerstenberg collections

30. Landscape with Trees, Farm Buildings and a Tower

• Reference: H.244, B.223 (c.1650)
• Third state: With the cupola of the first and second states burned out, leaving a square tower
• From the M. J. Perry and Mrs. Philip Sawyer collections

31. Landscape with a Square Tower

• Reference: H.245, B.218
• Signed: 1650
• Fourth state: With the upper part of the trees at the right, previously white, now shaded, and slipped stroke crossing the signature
• From the Liphart and Von Lanna collections

These entries include the title of the artwork, reference numbers (likely from catalogues raisonnés), the year it was signed, state information, and the collections where they are housed.

The image displays a catalog or inventory list of artworks, specifically etchings and drawings by an artist, likely Rembrandt, given the style and titles of the works. Each entry includes details such as the title of the piece, catalog reference numbers, dates, states of the prints, and sometimes provenance or collection history.

Here is a detailed summary of the listed items:

21. Study from the Nude: Man with One Leg Extended Seated on the Ground

    • Catalog reference: H.221, B.196.
    • Signed and dated: 1646.
    • Second state.
    • Previously from the Gottfried Eisler collection.

22. Jan Cornelius Sylvius, Preacher: Posthumous Portrait

    • Catalog reference: H.225, B.280.
    • Signed and dated: 1646.
    • Albertina Museum duplicate.

23. St. Jerome Beside a Pollard Willow

    • Catalog reference: H.232, B.103.
    • Signed and dated: 1648.
    • Second state: With the signature and date added.

24. Beggars Receiving Alms at the Door of a House

    • Catalog reference: H.233.
    • Signed and dated: 1648.

25. Rembrandt Drawing at a Window

    • Catalog reference: H.229, B.22.
    • Signed and dated: 1648.
    • Fourth state: The landscape added.

26. Christ, with the Sick around Him, Receiving Little Children (The 'Hundred Guilder Print')

    • Catalog reference: H.236, B.74. (c.1649)
    • Second state: With open parallel lines of shading across the neck of an ass at the right.
    • Albertina Museum duplicate. From the H. ten Cate and Esterbazy collections.

27. Landscape with a Milkman

    • Catalog reference: H.242, B.213. (c.1650)
    • Second state: With a hilly landscape added in the background at the left.
    • From the Dighton collection.

28. Landscape with a Cow Drinking

    • Catalog reference: H.240, B.237. (c.1650)
    • Second state: With the ground at the right of the cow shaded.
    • From the Von Lanna and Dighton collections.

29. Landscape with Three Gabled Cottages Beside a Road

    • Catalog reference: H.246, B.217.
    • Signed and dated: 1650.
    • Third state: With cross-hatching added on the gabled end of the first cottage.
    • From the Le Seqq des Tournelles, Marot, and Gerstenberg collections.

30. Landscape with Trees, Farm Buildings, and a Tower

    • Catalog reference: H.244, B.223. (c.1650)
    • Third state: With the cupola of the first and second states burnished out, leaving a square tower.
    • From the M. J. Perry and Mrs. Philip Sawyer collections.

31. Landscape with a Square Tower

    • Catalog reference: H.245, B.218.
    • Signed and dated: 1650.
    • Fourth state: With upper part of the trees at the right, previously white, now shaded, and slipped stroke crossing the signature.
    • From the Liphart and Von Lanna collections.

The image shows a page from a catalog or list of artworks, specifically etchings by Rembrandt van Rijn. Each entry provides detailed information about a particular etching, including its title, catalog numbers (H. and B.), the date it was signed, the state of the print, and its provenance (previous owners or collections). Here is a detailed summary of each entry:

21. Study from the Nude: Man Seated on the Ground with One Leg Extended

• Catalog Numbers: H.224, B.196
• Signed: 1646
• State: Second state
• Provenance: From the Gottfried Eisler collection

22. Jan Cornelius Sylvius, Preacher: Posthumous Portrait

• Catalog Numbers: H.225, B.280
• Signed: 1646
• Provenance: Albertina Museum duplicate

23. St. Jerome Beside a Pollard Willow

• Catalog Numbers: H.232, B.103
• Signed: 1648
• State: Second state (with the signature and date added)

24. Beggars Receiving Alms at the Door of a House

• Catalog Numbers: H.233, B.176
• Signed: 1648

25. Rembrandt Drawing at a Window

• Catalog Numbers: H.229, B.22
• Signed: 1648
• State: Fourth state (the landscape added)

26. Christ, with the Sick Around Him, Receiving Little Children (The Hundred Guilder Print)

• Catalog Numbers: H.236, B.74
• Signed: 1649
• State: Second state (with open parallel lines of shading across the neck of an ass at the right)
• Provenance: Albertina Museum duplicate, from the H. ten Cate and Esterhazy collections

27. Landscape with a Milk-Man

• Catalog Numbers: H.242, B.213
• Signed: 1650
• State: Second state (with a hilly landscape added in the background at the left)
• Provenance: From the Digby collection

28. Landscape with a Cow Drinking

• Catalog Numbers: H.240, B.215
• Signed: 1650
• State: Second state (with the ground at the right of the cow shaded)
• Provenance: From the Von Lanna and Digby collections

29. Landscape with Three Gabled Cottages Beside a Road

• Catalog Numbers: H.246, B.217
• Signed: 1650
• State: Third state (with cross-hatching added on the gabled end of the first cottage)
• Provenance: From the Le Secq des Tournelles, Morant, and Gsell-Gustenberg collections

30. Landscape with Trees, Farm Buildings and a Tower

• Catalog Numbers: H.245, B.216
• Signed: 1650
• State: Third state (with the cupola of the first and second states burned out, leaving a square tower)
• Provenance: From the M. J. Perry and Mrs. Philip Sawyer collections

31. Landscape with a Square Tower

• Catalog Numbers: H.243, B.218
• Signed: 1650
• State: Fourth state (with upper part of the trees at the right, previously white, now shaded, and a curved stroke crossing the signature)
• Provenance: From the Liphart and Von Lanna collections

Each entry provides a comprehensive description, making it a valuable resource for art historians and collectors.

The image shows a printed document with a list of art titles, descriptions, and cataloging information. The list appears to detail a series of artworks, possibly etchings or drawings, with reference numbers, title descriptions, years, and additional details regarding the state of the artwork or collection origins. The items range from number 21 to number 31 and reference notable aspects such as signatures, dates, and variations or states of the prints.

Here's a transcription of some of the text in the image:

• "STUDY FROM THE NUDE: MAN SEATED ON THE GROUND WITH ONE LEG EXTENDED
  H.221. B.196. Signed, 1646.
  Second state.
  From the Gottfried Eisler collection."

• "REMBRANDT DRAWING AT A WINDOW
  H.229. B.22 Signed, 1648.
  Fourth state: The landscape added."

• "CHRIST, WITH THE SICK AROUND HIM, RECEIVING LITTLE CHILDREN ('THE HUNDRED GUILDER PRINT')
  H.236. B.74. (c.1649)
  Second state: With open parallel lines of shading across the neck of an ass at the right.
  Albertina Museum duplicate. From the H. ten Cate and Esterhazy collections."

This appears to be from a catalog or an inventory document of an art collection or exhibition, potentially related to works by Rembrandt given the mention of the 'Hundred Guilder Print', which is one of his famous etchings. Each entry provides the catalog identifier (H-number and B-number), the date of signature, and information about the particular state or version of the artwork as well as provenance details mentioning from which collection each piece comes. The year mentioned next to the artworks is likely the year of creation or the year when the work was signed.

The image depicts a page from a catalog or book listing various artworks. Each entry includes details such as the title of the piece, artist, date, state (version) of the artwork, and provenance or collection from which the artwork originated.

The artworks listed are all seemingly by or related to Rembrandt, with the titles as follows:

21. Study From The Nude: Man Seated On The Ground With One Leg Extended
22. Jan Cornelius Sylvius, Preacher: Posthumous Portrait
23. St. Jerome Beside A Pollard Willow
24. Beggars Receiving Alms At The Door Of A House
25. Rembrandt Drawing At A Window
26. Christ, With The Sick Around Him, Receiving Little Children (The 'Hundred Guilder Print')
27. Landscape With A Milk-Man
28. Landscape With A Cow Drinking
29. Landscape With Three Gabled Cottages Beside A Road
30. Landscape With Trees, Farm Buildings And A Tower
31. Landscape With A Square Tower

Each entry provides hierarchical details, including catalog numbers (e.g., H.221, B.196), the state of the artwork (e.g., 'Second state'), the year it was signed, and information about the collection from which it came. Some entries also mention specific details about additions or modifications in various states of the artwork (e.g., added landscape, shading). At the upper right corner, there seems to be a brownish mark or shadow, suggesting either aging of the paper or an artifact from scanning/photography.

The image shows a printed list of artworks primarily featuring titles and descriptions related to drawings and landscapes from the mid-17th century, with dates around 1646 to 1650. Each entry includes a title, catalog reference numbers (H and B numbers), the year signed, and sometimes information about the edition or state of the artwork. Some entries also include the names of collections or museums the works come from.

Entries numbered 21 to 31 are visible and include titles such as:

• STUDY FROM THE NUDE: MAN SEATED ON THE GROUND WITH ONE LEG EXTENDED
• JAN CORNELIUS SYLVIUS, PREACHER: POSTHUMOUS PORTRAIT
• ST. JEROME BESIDE A POLLARD WILLOW
• BEGGARS RECEIVING ALMS AT THE DOOR OF A HOUSE
• REMBRANDT DRAWING AT A WINDOW
• CHRIST, WITH THE SICK AROUND HIM, RECEIVING LITTLE CHILDREN (THE ‘HUNDRED GUILDER PRINT’)
• LANDSCAPE WITH A MILK-MAN
• LANDSCAPE WITH A COW DRINKING
• LANDSCAPE WITH THREE GABLED COTTAGES BESIDE A ROAD
• LANDSCAPE WITH TREES, FARM BUILDINGS AND A TOWER
• LANDSCAPE WITH A SQUARE TOWER

The descriptions sometimes mention changes to the states of the artworks, such as added landscape, cross-hatching, shading, or the inclusion of certain elements like a tower or cow. The text is printed in black serif font on a white piece of paper with some shadow or discoloration at the edges of the image.

The image shows a page from a catalog or inventory list detailing various artworks, likely etchings or engravings, with descriptions of each piece. The entries are numbered from 21 to 31 and include the following information for each artwork:

1. Title: A descriptive title of the artwork.
2. Reference Numbers: Typically includes a catalog number (e.g., H.221, H.225, etc.) and a plate number (e.g., B.196, B.280, etc.).
3. Date: The year the artwork was created or signed.
4. State Information: Notes about different states or versions of the print, such as "Second state," "Fourth state," etc., often describing changes or additions made in later editions.
5. Additional Details: Some entries include notes about the condition, such as "With the signature and date added" or "With open parallel lines of shading."
6. Source or Collection: Indicates where the artwork is held or from which collection it originates, such as "From the Gottfried Eissler collection," "Alberta Museum duplicate," or "From the Le Secq des Tournelles, Morat, and Gerstenberg collections."

Examples from the List:

• 21. STUDY FROM THE NUDE: MAN SEATED ON THE GROUND WITH ONE LEG EXTENDED

  • H.221, B.196. Signed, 1646. Second state. From the Gottfried Eissler collection.

• 22. JAN CORNELIUS SYLVIUS, PREACHER: POSTHUMOUS PORTRAIT

  • H.225, B.280. Signed, 1646. Alberta Museum duplicate.

• 23. ST. JEROME BESIDE A POLLARD WILLOW

  • H.232, B.103. Signed, 1648. Second state: With the signature and date added.

• 24. BEGGARS RECEIVING ALMS AT THE DOOR OF A HOUSE

  • H.233, B.176. Signed, 1648.

• 25. REMBRANDT DRAWING AT A WINDOW

  • H.229, B.22. Signed, 1648. Fourth state: The landscape added.

• 26. CHRIST, WITH THE SICK AROUND HIM, RECEIVING LITTLE CHILDREN (THE 'HUNDRED GUILDER PRINT')

  • H.236, B.74. (c.1649) Second state: With open parallel lines of shading across the neck of an ass at the right. Alberta Museum duplicate. From the H. ten Cate and Esterhazy collections.

• 27. LANDSCAPE WITH A MILK-MAN

  • H.242, B.213. (c.1650). Second state: With a hilly landscape added in the background at the left. From the Dighton collection.

• 28. LANDSCAPE WITH A COW DRINKING

  • H.240, B.237. (c.1650). Second state: With the ground at the right of the cow shaded. From the Von Laima and Dighton collections.

• 29. LANDSCAPE WITH THREE GABLED COTTAGES BESIDE A ROAD

  • H.246, B.217. Signed, 1650. Third state: With cross-hatching added on the gabled end of the first cottage. From the Le Secq des Tournelles, Morat, and Gerstenberg collections.

• 30. LANDSCAPE WITH TREES, FARM BUILDINGS AND A TOWER

  • H.244, B.225. (c.1650). Third state: With the cupola of the first and second states burnished out, leaving a square tower. From the M. J. Perry and Mrs. Philip Sawyer collections.

• 31. LANDSCAPE WITH A SQUARE TOWER

  • H.245, B.218. Signed, 1650. Fourth state: With upper part of the trees at the right, previously white, now shaded; and slipped stroke crossing the signature. From the Liphardt and Von Laima collections.

Observations:

• The entries are organized chronologically or thematically, with detailed descriptions of each artwork's state, condition, and provenance.
• Many entries reference specific collections, indicating the historical and cultural significance of the artworks.
• The inclusion of "states" suggests that these are printmaking works (e.g., etchings or engravings) that were revised or reissued in different versions over time.

This page appears to be part of a scholarly or museum catalog documenting a collection of Rembrandt's works or similar artists' prints.