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ARCH.2013.5.1, Rendition: 793807
The image shows a page from a catalog or brochure that appears to be related to an exhibition of contemporary glass design. The page is divided into two columns.
Left Column (Foreword):
Right Column (Item Listings):
Lent by:
Additional Items:
Bottom Note:
Overall, the image provides a detailed look at the items featured in a glass design exhibition, highlighting the diversity and craftsmanship of glass art from various regions.
The image displays a page from a catalog or a book, specifically a section titled "FOREWORD" and a list of glass items.
Foreword:
The foreword discusses the significance of glass in modern decoration, emphasizing its versatility and how it harmonizes with contemporary design elements like walls, drapes, furniture, and other decor. It highlights the use of simplicity in glass design and the inspiration drawn from various cultural and artistic influences, such as Oriental, Egyptian, and classical motifs. The text also notes that glass design in this context aims to express the spirit of the age through distinctive characteristics of shape and decoration.
Acknowledgments:
The Addmission Gallery acknowledges its obligations to the German Museum, Harvard University, Cambridge, Massachusetts, and individuals Charles T. Dole and Roy E. Spencer of Andover, along with several organizations for their contributions in making the exhibition possible. These organizations include:
List of Glass Items:
The page lists several glass items along with their descriptions and prices:
Lent by: Arden Studios, Inc., New York City
Additional items include:
At the bottom, there's a note indicating a grant of $1250 from the Clark Bequest to Harvard University for cataloguing Derman Art in America, dated April 8, 1933.
The image shows an open booklet with a foreword on the left page and a list of glass items with their designers, countries of origin, and prices on the right page. The foreword discusses the importance and versatility of glass in modern decoration, emphasizing its role in harmonizing with various decorative schemes. It also highlights the influence of different design movements like Oriental, Egyptian, and classical motifs, as well as everyday life on glass design. The text acknowledges the Addison Gallery's obligation to several institutions and individuals for making the exhibition possible.
The right page lists various glass items, such as bowls, trays, lamps, and vases, designed by different artists including Maurice Heaton, and originating from countries like America, France, and Czechoslovakia. Each item is priced, for example, a "Black glass bowl designed by Maurice Heaton (American)" is priced at $10.00, and a "Glass dressing table lamp with drops (American)" is priced at $17.50. The items' prices range from $2.50 to $45.00. The list also includes the name "Arden Studios, Inc., New York City" as the lender of some items.
The image shows a page from an exhibition catalog. The page contains a foreword and a list of glass items with their descriptions and prices.
The foreword discusses the importance of glass in modern decoration, emphasizing its harmony with contemporary decorative schemes such as walls, draperies, and furniture. It highlights the distinction glass has achieved due to its shapes, which often draw inspiration from nature, classical motifs, and everyday life rather than simply imitating conventional forms. The text praises the innovative approaches of designers in painting and sculpting glass, leading to some of the most interesting examples of glass decoration. It concludes by acknowledging the spirit of the age reflected in contemporary glass design.
The Addison Gallery expresses gratitude for the cooperation of several institutions and individuals, including:
The page lists various glass items available for the exhibition, each with a description, designer or origin, and price. Here are the details:
At the bottom, there is a note stating that the catalog contains a grant of $150 having been made from the Clark bequest to Harvard University. The page is dated August 8, 1933.
The image shows a page from a catalog or brochure related to an exhibition of glass decoration and design. Here's a detailed summary:
The text on the left side discusses the significance of glass in modern decoration, emphasizing its versatility and ability to harmonize with various decorative elements. It notes that glass shapes and services are increasingly being used to achieve a unified aesthetic in interior design. The text highlights the simplicity and elegance of glass designs, which are inspired by a range of sources including Oriental, Egyptian, and classical motifs, as well as elements from everyday life.
The Addison Gallery acknowledges the following organizations and individuals for their cooperation in making the exhibition possible:
On the right side, there is a list of glass items designed by various artists, along with their prices:
Additional items listed include:
The items are lent by Arden Studios, Inc., New York City.
At the bottom, there is a note indicating a grant of $1250 from the Clark Fund to Harvard University for the catalog of the exhibition.
The image provides a historical glimpse into the glass art and design trends from the mid-20th century.
The image shows an old book or catalog page with a section titled "FOREWORD" and a list of glass items along with their prices and designers.
Foreword:
The foreword discusses the importance of glass in modern decoration, emphasizing its new uses and the harmonious relationship between its shapes and the overall decorative scheme. It highlights that glass design often employs simplicity and proportion, influenced by various artistic movements like Oriental, Egyptian, and classical motifs, as well as everyday life elements. The text underscores the beauty and quality of glass as a medium and the significance of its contemporary design. The Addison Gallery acknowledges its obligations to the German Museum, Harvard University, Cambridge, Massachusetts; Mrs. Charles T. Dole, and Mrs. Roy E. Spencer of Andover, as well as various organizations and companies that contributed to making the exhibition possible.
List of Glass Items:
The following items are listed with prices per dozen or per individual piece:
Additionally, there is a note at the bottom mentioning a grant of $1250 made from the Clark bequest to Harvard University, dated April 1933.
The image shows an open booklet or pamphlet resting on top of a larger book. The left page features a "FOREWORD" that discusses the importance, design principles, and artistic approach of glass in modern decoration. It mentions how glass design emphasizes simplicity, proportion, and draws inspiration from various cultures. Additionally, it acknowledges the cooperation of several organizations and individuals in making an exhibition possible, listing their names and addresses in Boston and New York City.
The right page appears to be a list or catalog of glass items, each described with a number, name, designer or origin (such as American, Dutch, French, Swedish, Czechoslovakian, Italian), and corresponding price. Some items are attributed to Maurice Heaton. Items include bowls, trays, lamps, vases, and decorative glass pieces. The prices vary, with some listed individually and others by the dozen. At the bottom of the list, it is noted that some items are lent by Arden Studios, Inc., New York City.
There is faint handwriting visible near the bottom center of the image, with a date "Apr. 8, 1933."
The image shows an open book or catalog with two pages visible. On the left page, there is a foreword discussing the importance of glass in modern decoration and its harmonization with new décor trends. It mentions the move away from direct imitation of nature and classical motifs towards a focus on simplicity of line and proportion. The text acknowledges various individuals and institutions for their cooperation in making possible an exhibition, likely related to glass art or design, naming various locations and companies.
On the right page, there is a list of 21 items, presumably glass artworks or items, alongside their prices in USD. The list appears to be part of a catalog or price list and includes various products like bowls, vases, bottles, candlesticks, and lamps. The items are described with brief details, including the type of item, some design attributes, and the origin (e.g., American, French, Czechoslovakian, Italian). Notably, several entries mention that the items were designed by Maurice Heaton, suggesting he is a featured artist.
The date written at the bottom right appears to say "Oct. 8, 1933," indicating the catalog or list might be from the early 20th century. The image has an overall vintage or historical appearance due to the typewriter-like font and the aging of the paper.
The image shows an open book with two visible pages. The left page contains a "FORWARD" section discussing the significance of glass in modern decoration, emphasizing the simplicity of design, line, and proportion. It credits several museums and individuals, such as the Germanic Museum, Harvard University, and others, for their cooperation in creating the exhibition.
The right page outlines a list of glass items with their designs and prices. The list is numbered from 1 to 21 and includes various glass products like bowls, flower holders, ash trays, lamps, and vases designed by different artists and from various regions. Specific names mentioned include Maurice Heaton, with items listed along with their corresponding prices in dollars. Additionally, there is a mention of items lent by Arden Studios, Inc., New York City, including green glass, peacock blue glass, and Czechoslovakian glass items, among others.
At the bottom of the image, there seems to be a handwritten date: "August 8, 1933."
The image shows an open book or catalog featuring two pages. The left page is titled "FOREWORD" and contains a written introduction discussing the significance of glass in modern decoration. The text emphasizes how glass harmonizes with the new order in design, its shapes and services aligning with walls, draperies, and furniture. It highlights the trend toward simplicity and the influence of nature, Eastern, Egyptian, and classical motifs in glass design. The foreword also acknowledges contributions from various institutions and individuals, including the Addison Gallery of American Art, Harvard University, and several organizations and companies.
The right page lists items for sale or display, likely part of an exhibition or catalog. The list includes various glass objects, each with a description and price. The items are numbered and include:
The page also notes that the items are lent by Arden Studios, Inc., New York City. Below this list, additional glass items are listed, including:
At the bottom of the image, there is a handwritten note that reads:
"To Catalogue German Art in America. A grant of $1200 having been made from the Clark bequest to Harvard University."
The note is dated April 8, 1933.
The overall presentation suggests this is a catalog or exhibition guide, likely from an art or design exhibition, showcasing glassworks and their prices.