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ARCH.2013.5.1, Rendition: 793784
The image is a clipping from the "Picture Section" of The Boston Herald, dated February 5, 1933. It features a photograph titled "Reveille" by André Kertész. The photograph depicts a narrow alleyway with a strong contrast of light and shadow. A person is seen walking in the alley, casting a long shadow on the wall. The image is part of an exhibition at the International Photographic Salon at Harvard University, as indicated by the text at the bottom of the clipping. The photograph is framed within a border, and the page appears to be from a bound volume or scrapbook.
The image shows a page from a book or an album that features a photograph from "The Boston Herald" dated February 5, 1933. The photograph is titled "REVEILLE" and is credited to André Kertész. The picture is described as being from the "Exhibition of International Photography, Fogg Museum, Harvard University, Boston."
The photograph itself depicts an overhead, possibly surrealistic view of a long, dark object (which could be an oar or similar item) casting a shadow on the ground. The shadow and the object create an intriguing, abstract composition. There are also smaller, indistinct figures or objects in the background, which add to the depth and context of the scene. The overall tone of the photograph is sepia, which gives it a vintage look.
The image is a page from a newspaper, specifically "The Boston Herald," dated February 5, 1933. The section of the newspaper is labeled "VUE SECTION."
The main feature on this page is a photograph titled "REVEILLE," taken by André Kertész. The photograph depicts a close-up view of a bugle hanging on the side of a large, rough wooden structure, likely part of a military setup. The bugle is attached to the structure with a strap. There is also a shadow of the bugler, indicating someone is playing the bugle.
At the bottom of the photograph, there is a caption that provides context: "From the Exhibition of International Photography, Brooklyn Museum. Harvard University, Courtesy of The College Art Association."
The overall composition of the photograph and its presentation in the newspaper suggest an emphasis on artistic photography and possibly a feature on notable exhibitions or photographers of the time.
This image is a page from a newspaper, specifically from the "Picture Section" of The Boston Herald, dated February 5, 1933.
The photograph featured on the page is titled "REVEILLE" by André Kertész. The image shows a striking black-and-white photograph of a pair of legs in high-wheeled shoes descending a narrow staircase, with a portion of the person's body visible. The stairs appear to be part of an older, possibly industrial or urban setting, and the photograph captures a dynamic and intriguing moment with a strong sense of perspective and composition.
Below the photograph, there is a caption that reads:
"REVEILLE, by André Kertész.
(From the Exhibition of International Photography, Germanic Museum, Harvard University. Boston Herald - Courtesy of The Colby Art Association)"
The date and newspaper title are printed at the top of the page, indicating it is a historical document from 1933. The page itself is yellowed, consistent with the aging of newsprint over time.
The image shows a newspaper clipping from the "Picture Section" of The Boston Herald dated February 5, 1933. The clipping features a black-and-white photograph titled "REVEILLE" by Andre Kertesz.
The photograph appears to be an artistic, surrealistic image showing a pair of legs walking down a narrow, dark alley or corridor. The legs are bent at the knees, and the perspective is highly angled, creating a striking visual effect. The photo seems to be taken from an unusual angle, almost from above or below, emphasizing the lines and shadows.
At the bottom of the image, there is a caption that reads: "(From the Exhibition of International Photography, German Museum, Harvard University, Boston Herald - Courtesy of The Camera Art Association)." This suggests that the photograph was part of a photography exhibition held at Harvard University.
The image shows a page from a newspaper dated February 5, 1933, from "The Boston Herald."
The main feature of the page is a black-and-white photograph titled "Reveille," by Andre Kertesz. The photograph captures a unique perspective of a person sitting on the ground, facing slightly downward, with their legs extended outwards and knees bent. They are leaning against a slanted structure, possibly a wall or a ladder, which is positioned diagonally across the frame. The photograph seems to be taken from an elevated angle, emphasizing the person’s posture and the angle of the structure.
The caption at the bottom of the photo includes a note indicating it was taken from the exhibition of International Photography at the Germantown Museum, Harvard University, Boston Herald. The photograph has a vintage look, reflecting the style of photography from the early 20th century.
The image shows a page from a publication, specifically from "The Boston Herald" judging by the text at the top right corner, dated February 5, 1933. The page includes a photograph titled "REVEILLE by Andre Kertesz." The caption below the photograph indicates that it is from an exhibition of photographs of Europe and Mexico, Harvard University, Boston Herald-Traveler.
The photograph itself is taken from an elevated angle and captures a shadowy street scene with deep contrasts. There are shadows of a person and an object, possibly a flagpole, with the long shadows stretching down what appears to be a narrow alley or street. The shadow of the person is very distinct, and you can see their figure along with a horn they seem to be playing, as the title "REVEILLE" (a bugle call to wake military personnel) would suggest. The long shadows suggest this photo was taken either early in the morning or late in the afternoon when the sun is low in the sky.
The book or magazine is open, showing the crease where the binding is, and the page looks slightly yellowed with age. There are some paper folds or minor tearing on the edge of the page, and the pages following it appear to have a gentle curve, implying the publication has been well-handled or is somewhat old. The left side of the open publication has a greenish cover or binding edge visible.
This image is a sepia-toned photograph printed on a page from a book or magazine. It is titled "REVEILLE, by Andre Kertesz" and comes from the Exhibition of International Photography held at the Germanic Museum of Harvard University. The photograph is credited courtesy of The Copley Art Association and appeared in the pictorial section of The Boston Herald, dated February 5, 1933.
The photograph captures an overhead view of a narrow street or courtyard shaded by trees. The ground is bathed in sunlight and lined with the shadows of trees. Along the left side, a row of soldiers or people are lying down on the ground with their backs against a wall, possibly resting or sleeping. One figure is seen walking away in the background, creating a sense of depth in the image.
The image depicts a page from an old book or scrapbook with a newspaper clipping from "The Boston Herald" dated February 5, 1933. The clipping is titled "REVEILLE" by André Kertesz and shows a sepia-toned photograph taken from an elevated perspective. The photograph captures several individuals sitting and reading or resting along a sidewalk lined with trees casting long shadows. One person is walking on the pavement, their silhouette accentuated by the shadows. The photo is attributed to an exhibition of international photography at the Germanic Museum, Harvard University, courtesy of the College Art Association. The page and clipping have a vintage appearance, with some signs of age like slight discoloration and minor tears.
The image shows a page from a scrapbook or album, featuring a photograph and accompanying text. Here is a detailed description:
The image captures a poignant moment in an urban setting, reflecting social conditions of the early 1930s. The inclusion of the photograph in a scrapbook or album, along with detailed attribution and context, underscores its historical and artistic value. The composition and subject matter evoke themes of human experience, urban life, and the social issues of the time.