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The image shows a page from a publication titled "The Boston Herald," specifically from the "Rotogravure Section" dated Sunday, January 1, 1933. The main feature on the page is a detailed, sepia-toned illustration of the George Washington Bridge. The bridge is depicted from an artistic perspective, emphasizing its large cables and towers. Below the illustration, there is a caption that reads: "GEORGE WASHINGTON BRIDGE. By Edward J. Steichen. (From the Exhibition of International Photography. German Museum. Harvard University. Boston Herald—Copyright of the City Art Association.)" The page also includes some text on the left side, likely related to other news or advertisements, but the focus is clearly on the illustration and information about the bridge and the artist.

The image is a page from an old newspaper, specifically from "The Boston Herald," dated June 1933, in the "Rotogravure Section."

The central focus of the page is a black-and-white photograph of the George Washington Bridge, taken by Edward J. Steichen. The photograph captures the impressive span of the bridge's cables and towers, showcasing the architectural engineering involved in its construction.

The caption below the image reads:
"GEORGE WASHINGTON BRIDGE. By Edward J. Steichen.
(From the Exhibition of International Photography. German Museum, Harvard University, Boston Herald—Courtesy of the Colby Art Association)."

The page's surrounding text appears to be partially visible but is not clearly readable due to the framing of the photograph. The overall presentation emphasizes the significance and artistic quality of the photograph in the context of the historical and cultural exhibits of the time.

The image shows a page from "The Boston Herald," dated January 1935, specifically from the "Rotogravure Section." The main feature of this page is a detailed photograph of the George Washington Bridge, taken by Edward J. Steichen. The photograph appears to be a sepia-toned or black-and-white image, showcasing the bridge's intricate suspension design. The caption at the bottom of the image reads: "GEORGE WASHINGTON BRIDGE. By Edward J. Steichen. (From the Exhibition of International Photography, German Museum, Harvard University, Boston Herald—Courtesy of the City Art Association)." The photograph is prominently displayed in the center of the page, with some text visible on the surrounding edges, likely indicating other articles or advertisements.

The image shows a vintage newspaper page from the "Rotogravure Section" of The Boston Herald, dated January 1935. The page features a sepia-toned photograph titled "George Washington Bridge" by Edward J. Steichen. The photograph captures the iconic George Washington Bridge in New York City, showcasing its architectural details, including the suspension cables and towers.

The caption at the bottom of the photograph reads:
"GEORGE WASHINGTON BRIDGE. By Edward J. Steichen
(From the Exhibition of International Photography, German Museum, Harvard University, Boston Herald—Courtesy of the City Art Association)"

The page also has some text on the left margin, but it is partially obscured by the photograph. The overall appearance of the page suggests it is from a historical newspaper, preserved for its archival value.

The image shows a page from the rotogravure section of "The Boston Herald," dated November 19, 1933. The photograph on the page is of the George Washington Bridge, which spans the Hudson River between New York City and New Jersey.

The photograph is credited to Edward J. Steichen, a renowned photographer. The caption notes that the image is part of an exhibition of international photography held at the Germanic Museum, Harvard University, and was provided courtesy of the College Art Association.

The image captures the bridge from underneath, highlighting its massive cables and the intricate design of the steel structure supporting the span. The perspective emphasizes the grandeur and architectural complexity of the bridge. The photograph is in a sepia tone, giving it a historical and artistic quality.

The image is a page from a newspaper, specifically the "Rotogravure Section" of "The Boston Herald," dated January 1, 1933. The page features a sepia-toned photograph of the George Washington Bridge, taken by Edward J. Steichen. The photograph is a striking view of the bridge from below, showcasing its structural design with prominent suspension cables and roadway. The caption at the bottom of the image provides details about the photograph, including its exhibition at the International University Exposition, Fogg Museum, Harvard University, and its publication in the Boston Herald. The image is part of the Older Art Association's collection.

This is an image of a page from what appears to be a vintage newspaper or magazine called "The Boston Herald." The page is titled "ROTOGRAVURE SECTION" and it includes a date handwritten at the top right corner, which seems to read "Jan. 1, 1938." The featured photograph is a dramatic and angular perspective of the George Washington Bridge, credited to Edward J. Steichen. The caption mentions that it is from the Exhibition of International Photography, George Museum, and lists other entities associated with it.

The photograph itself presents a striking view from within the steel framework of the bridge, looking across to the other side, with numerous cables running from the bridge deck up toward the upper parts of the bridge, converging towards a vanishing point in the distance. It's a demonstration of strong lines and industrial design, with a sense of depth and scale exacerbated by the angle of the shot.

The medium tone sepia or brown monochrome color of the page suggests it might be aged, indicating a historical nature, and the physical edges of the page show signs of wear and slight damage, especially in the bottom right corner. The page is clearly set in a book or bound collection, with binding visible on the left edge of the image.

The image is an old photograph from a newspaper titled "The Boston Herald" in its rotogravure section. It is dated January 11, 1933, and shows the George Washington Bridge. The photo was taken by Edward J. Steichen, as indicated by the caption. The image captures the bridge's massive structure, showcasing its cables and intricate metal framework extending into the distance. This photograph appears to be part of an exhibition featuring international photographs at the Geremia Museum, Harvard University. The page seems well-preserved despite being an older newspaper.

The image shows a sepia-toned photograph of the George Washington Bridge taken from below the bridge deck, looking up at the intricate network of suspension cables and the towering steel structure of the bridge. The perspective highlights the cables extending upwards and outward, converging at the top of the bridge's main tower. The photograph is part of a rotogravure section of the Boston Herald, dated January 1, 1933. The caption credits Edward J. Steichen as the photographer, and notes that the image was from the Exhibition of International Photography, Germanic Museum, Harvard University, Boston Herald, and Courtesy of the College Art Association. The photo captures the grandeur and engineering marvel of the George Washington Bridge.

The image shows a page from a book or publication titled "The Boston Herald", specifically from the "Rotogravure Section". The page features a black-and-white photograph of the George Washington Bridge. The photograph is prominently displayed in the center, showcasing the bridge's iconic suspension design with its tall towers and extensive cable system. The bridge appears to be captured from a distance, emphasizing its grandeur and structural details.

Below the photograph, there is a caption that reads:
"GEORGE WASHINGTON BRIDGE. By Edward J. Steichen".
Additionally, a smaller note at the bottom indicates that the image is from the Exhibition of International Photography, Germanic Museum, Harvard University, Boston Herald—Courtesy of the College Art Association.

The page has a clean, vintage aesthetic, with light-colored paper and green spine edges visible on the left side, suggesting it is part of a larger collection or archive. The overall presentation conveys a historical and artistic context, highlighting the bridge as a subject of photographic interest.