Archives Scrapbooks

The image is a page from a document dated February 19, 1952. The title of the document is "The New Policy of the Germanic Museum" by Charles L. Kuhn, Curator.

The text discusses the reorganization of the Germanic Museum under the University of Pennsylvania. The museum has been consolidated with other university museums to prevent duplication of efforts and to encourage collaboration in collecting, preserving, and researching Germanic art and artifacts.

Key points include:

• The Germanic Museum has acquired several thousand photographs of German, Flemish, and Scandinavian art, which have been cataloged and are available for reference.
• The museum has purchased a significant collection of books and photographs related to German art.
• Professor Kunz Francke, the founder and former curator, has been instrumental in the establishment of the museum and its collections.
• The museum has organized various exhibitions, including a notable exhibition of German drawings from the 15th to the 18th century, which received positive reviews.
• The museum's collections and exhibitions have been well attended, and the general public has shown significant interest.

Additionally, the document mentions that the museum has been involved in various academic activities, including courses and lectures, and that it has a rich history of exhibitions and scholarly engagement. The document also highlights the museum's role in preserving and promoting Germanic art and culture.

The image shows a two-page spread from a publication dated February 19, 1952. The main article, titled "The New Policy of the Germanic Museum," is authored by Charles L. Kuhn, Curator.

Left Page:

• The article discusses the reorganization and new directions of the Germanic Museum at Harvard University.
• The museum was previously under multiple directorships, leading to a lack of centralized organization.
• The Fogg Museum's director, along with curators from the Semitic and Germanic Museums, decided to consolidate Germanic art and archaeology materials.
• The Germanic Museum has taken on a more active institutional role, aiming to define its part within the community.
• The collections include books and photographs, with an effort to prevent duplication of materials already present in other Harvard libraries.
• An illustration of a woodcut by Jan van de Velde titled "Landscape at Sassen" is included, licensed by the E. Weyhe Gallery, New York.

Right Page:

• The article continues detailing the museum's new acquisitions and policies.
• The Germanic Museum now houses photographic materials from the Fogg Museum related to German art.
• Professor Kuno Francke, the founder of the Germanic Museum, initiated the collection of photographs.
• The museum's photographic efforts are aimed at supporting the professorship.
• The Germanic Museum hosted an exhibition of German graphic art gathered from various American sources in 1940-41.
• The exhibition, curated by Charles L. Kuhn, featured works from the 15th to the 20th century, including pieces by notable artists like Dürer and contemporary figures.
• The museum plans to continue organizing exhibitions and other programs to enhance the understanding and appreciation of Germanic art and culture.

The image shows an open book or pamphlet, lying on a flat surface. The left page is dated "Feb. 19, 1932" at the top. The right page has a title, "The New Policy of the Germanic Museum," and is authored by Charles L. Kuhn, Curator.

The text explains the developments and new directions of the Germanic Museum, emphasizing its collaboration with other university museums, the prevention of duplication of efforts, and the centralization of resources. It mentions the establishment of a photographic library and the acquisition of photographs and books, particularly those related to German, Flemish, and Scandinavian art. The role of Professor Kuno Francke in the museum's development is highlighted.

Below the text, there is an illustration titled "Jan Beth. 'Landscape at Sunset’" that is loaned by the E. Vose Galleries, New York. The left page contains additional text, but it is not fully visible in the image. The book appears to be preserved with a strip of tape along the spine, suggesting it is a valuable or often-consulted resource.

The image is a page from a document titled "The New Policy of the Germanic Museum," dated February 19, 1932. The document is authored by Charles L. Kuhn, who is the Curator of the Germanic Museum.

Key points from the text include:

1. Consolidation of Resources: The Germanic Museum has consolidated its resources by bringing various museums under one general directorship. This consolidation includes libraries and collections that were previously managed independently.

2. Photographic Archives: The museum has developed several thousand photographs of German, Flemish, and Scandinavian art, which are now cataloged and housed at the Fogg Museum.

3. Collaborative Efforts: The museum is encouraging cooperation among various institutions to prevent duplication of efforts and to enhance the overall quality of research and documentation.

4. Institutional Impact: The Germanic Museum has become a significant contributor to the artistic life of the community. The efforts of Professor Kuno Francke, the museum's founder and first curator, have been crucial in this development.

5. Academic Involvement: The museum has integrated into the academic calendar, offering courses in various phases of German art. This includes lectures, seminars, and exhibitions that provide students with a comprehensive understanding of German art history.

6. Exhibitions and Lectures: The document mentions the establishment of a series of lectures and exhibitions that have been well-attended. It specifically highlights a series of lectures on German graphic art and woodcuts.

7. Recent Exhibitions: The museum has recently exhibited drawings by Dürer, the renowned artist from the 16th century, and other significant works, which have been well-received by the academic community.

The page also includes an image of a landscape titled "Landscape at Sunset" by Jan Beth, which is noted to be from the E. Wreyhe Gallery in New York.

The image shows a page from an old document dated February 19, 1932. The article is titled "The New Policy of the Germanic Museum" and is written by Charles L. Kuhn, Curator. Here is a detailed summary of its content:

1. Introduction:

   • The Germanic Museum has been able to develop in various directions due to its alliance with other museums of the university. This development is attributed to a reorganization modeled after the Fogg Art Museum, which is part of the University of Harvard.

2. Library and Photographic Collection:

   • The reorganization has centralized the records of all photographic materials of Germanic art in the museum.
   • The Fogg Museum has been tasked with concentrating its efforts on Germanic books, with a significant number of duplicates being acquired.
   • The aim is to prevent duplication of effort and encourage cooperation among various institutions.

3. Professor Kuno Francke:

   • Professor Kuno Francke, the founder and first curator of the Germanic Museum, saw the establishment of the Germanic professorship as a significant achievement.
   • His efforts have been instrumental in making the museum a vital part of the artistic life of the community.

4. Photographs:

   • Thousands of photographs of German, Flemish, and Scandinavian art have been acquired and cataloged.
   • These photographs are now systematically filed and are expected to be found in one place, aiding in the museum's efforts.

5. Books and Publications:

   • The Germanic Museum has a small but interesting collection of books and photographs dealing with German art.
   • Books are being purchased and cataloged in a systematic manner.

6. Professor Friedrich von Bezold:

   • Professor Friedrich von Bezold, a German professor at the University of Cologne, was invited to the United States during the 1929-1930 academic year.
   • His lectures and activities were well-received, particularly his focus on German art and the development of the Germanic Museum.

7. Courses and Exhibitions:

   • Courses in Germanic art history are offered at various levels, ranging from introductory to advanced.
   • The museum has also organized exhibitions and events, such as the exhibition of drawings by Albrecht Dürer in the spring of 1932.

8. Exhibition Calendar:

   • The document mentions that the exhibition calendar for the academic year is full, indicating a busy schedule of events and activities.

9. Miscellaneous:

   • The document includes a black-and-white photograph of a landscape titled "Landscape at Sunset" by Jan Both, loaned by the E. Weyhe Gallery, New York.

The article provides an overview of the museum's activities, reorganization efforts, and the significant contributions made by Professor Kuno Francke and other scholars to the Germanic Museum's development.

The image shows an open page from a document or book titled "The New Policy of the Germanic Museum" by Charles L. Kuhn, Curator. The document appears to be discussing the development and policies of the Germanic Museum, which is part of the museums of the University. The text mentions that the museum has been developing in multiple directions, similar to other museums of the University, and highlights the system of special libraries and the role of the Fogg Museum.

The text explains that the Germanic Museum has become an active institution, playing a significant role in the academic life of the community. It details the collections of books and photographs being developed, including several thousand photographs of German, Flamish, and Dutch paintings, which are carefully cataloged. Duplicate cards are housed at the Fogg Museum to facilitate the University's dealings with fine arts.

The document also mentions the establishment of a post-graduate fellowship in Germanic scholarship at Harvard University, funded by the Germanic Museum. It discusses the role of Professor Friedrich von Hülsen and Professor Kuno Francke in the development of the museum.

Additionally, there is an image within the text, a landscape drawing titled "Landscape at Russee" by Jan Both, loaned by the E. Weyhe Gallery, New York. The text continues on the right page, further elaborating on the museum's activities and exhibitions.

The image shows an open book or journal with content on both the left and right pages. The page on the left is predominantly text with a heading that says "The New Policy of the Germanic Museum By Charles L. Kuhn, Curator". Below the heading is a body of text in two columns and a black-and-white illustration with the caption "Jan Both. 'Landscape at Sunset'" followed by a credit line "Loaned by the R. E. Weyhe Gallery, New York."

The top of the left page has additional text: "Feb. 9, 1932." which suggests the date of the entry or publication.

The right page is partially visible with text running down the page in two columns, suggesting that the content is a continuation of an article or separate articles. The right page is cut off, so the full content cannot be discerned from what is visible.

The book itself appears to be aged, with some wear on the edges and a slightly crumpled appearance to the pages. The edges of the pages on the left are visibly tattered, hinting at frequent use or handling over time. The book lies against a greenish binding, perhaps part of a collection or an archive.

This image shows a book or magazine opened to a page featuring an article titled "The New Policy of the Germanic Museum" by Charles L. Kuhn, Curator. At the top of the page, there is a handwritten date "Feb. 19, 1932." Below the title, the article begins discussing the development and direction of the Germanic Museum, its alliances with other university art museums, and its efforts to centralize educational endeavors.

On the left side of the page, there is an image with the caption "Jan Both, 'Landscape at Sunset' Loaned by the E. Weyhe Gallery, New York." The image depicts a serene landscape with trees, a river, and people. The layout of the page is clean, with a column of text and the image centrally positioned below the text. There is visible creasing and wear on the pages, indicating that the book or magazine is not new.

The image shows an open scrapbook or album with yellowed pages. On the visible page, there is an article titled "The New Policy of the Germanic Museum" by Charles L. Kuhn, Curator. The article discusses the development and direction of the Germanic Museum, including the acquisition of photographs and books related to German, Flemish, and Scandinavian art. Below the text, there is a small black-and-white reproduction of a drawing titled "Landscape at Sunset" by Jan Both, which is loaned by the E. Weyhe Gallery, New York. The page is dated at the top with the handwritten note "Feb. 19, 1932." The scrapbook itself appears old and fragile, with some corners of the pages slightly torn or bent.

The image shows an open book with two visible pages. The left page is titled "The New Policy of the Germanic Museum" and is authored by Charles L. Kuhn, Curator. The text discusses the development and reorganization of the Germanic Museum, highlighting its alliance with other art museums and universities. It mentions the establishment of a unified system for special libraries and the acquisition of photographic material, including works from German, Flemish, and Scandinavian artists. The page also references the role of the museum in promoting the artistic life of the community and includes a captioned illustration of a landscape painting titled "Landscape at Sunset" by Jan Both, loaned by the E. Weyhe Gallery in New York.

The right page continues the discussion, elaborating on the museum's collections, including books and photographs, and its efforts to centralize educational resources. It also touches on the museum's role in fostering cooperation among various institutions and its impact on the artistic community. The page is dated Feb. 19, 1932, indicating when the content was published or referenced. The overall appearance of the book suggests it is an archival or historical document, possibly from an academic or museum publication.