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The image shows a newspaper article titled "Scaffolding Comes Down and Discloses 'a Thoroughly German Building.'" The article discusses the construction and design of a new Germanic Museum at Harvard University. The building, designed by Professor Charles K. Cummings, is described as having a distinctly German architectural style, particularly reflecting the northern Germanic style.

Key points from the article include:

1. Design and Architecture: The building is noted for its simplicity and solidity, with a design that is "thoroughly German." It features a steep gable and a clock tower, reminiscent of northern German architecture.

2. Materials and Construction: The structure is built using materials that were carefully selected to match the architectural vision. The article mentions the use of red brick and other traditional materials.

3. Historical Context: The museum is compared to other notable buildings, such as the Marienkirche in Lübeck, Germany. The design aims to evoke a sense of historical continuity and cultural heritage.

4. Public Reaction: The article mentions the public's interest and curiosity about the building, with many people stopping to observe the construction process.

5. Cultural Significance: The museum is intended to house a collection of German art and artifacts, serving as a center for German studies and cultural exchange.

The article also includes a smaller section titled "Palatial Structure," which discusses the construction of a new building for the Boston Herald, highlighting its modern design and the use of reinforced concrete.

Overall, the article emphasizes the cultural and architectural significance of the new Germanic Museum and its role in promoting German art and culture at Harvard University.

The image displays a newspaper clipping from the Boston Herald dated September 17, 1916. The article is titled "Scaffolding Comes Down and Discloses 'a Thoroughly German Building.'"

The article discusses the unveiling of the new German Museum at Harvard University, which had been under construction for several months. The museum, designed by the German architect Hermann J. Schmitthenner, is described as a significant architectural achievement, combining Gothic and Renaissance styles with a distinctly German aesthetic.

The article mentions that the museum's exterior was initially perceived as odd and out of place among the classical Harvard buildings, but it has since been appreciated for its unique design. It also notes the museum's location on Kirkland Street and its proximity to the Harvard Yard and Memorial Hall.

The text highlights the museum's various sections and their historical and artistic significance, including a collection of German art and artifacts. The article further discusses the museum's interior design, which includes an elaborate entrance hall, a library, and several galleries dedicated to different periods of German art.

The overall tone of the article is one of admiration and respect for the German architectural style and the cultural significance of the museum. The writer also acknowledges the contributions of various individuals involved in the museum's creation, such as President Lowell and the German architect.

The image shows a newspaper article from the Boston Herald dated September 17, 1916. The article discusses the construction and plans for the new German Museum in Cambridge, Massachusetts, which is described as a "thoroughly German building."

Key points from the article include:

1. Scaffolding and Design: The article mentions that scaffolding is coming down from the German Museum, indicating that construction is nearing completion. The building is noted for its German architectural style, emphasizing its German heritage.

2. Historical Context and Controversy: The piece delves into the history of the German Museum, highlighting its establishment and the debates surrounding its architectural design. It notes that the museum's foundation was laid in 1908 and that there have been discussions about the appropriateness of the design, particularly regarding its style and the extent to which it should reflect German aesthetics.

3. Architectural Features: The article describes the museum's distinctive features, including the use of a "German" style, with elements like the prominent "Wotan" (Odin) statue at the head of the main staircase, which is considered a notable piece of German mythology.

4. Local and National Significance: The museum is described as a significant cultural and historical landmark, with plans to house various German artifacts and to serve as a center for German cultural activities.

5. Public and Community Involvement: The article mentions the community's interest and involvement, including the support from various German associations and local citizens.

6. Miscellaneous Details: There are references to specific individuals, such as Mr. Hugo H. Halperin, who is mentioned in relation to the museum's development, and the dedication of the German-American House, which is part of the museum complex.

The overall tone of the article is celebratory, highlighting the cultural and historical importance of the German Museum and its architectural beauty.

Scaffolding Comes Down and Discloses "a Thoroughly German Building"

THE new Germanic Museum of Harvard University, as the Fogg Art Museum, which it adjoins, begins to stand forth as a remarkable addition to the academic world, is an eloquent testimony to the taste and enthusiasm of its founder, the late Professor Kelsey, who for many years has been an ardent advocate of the cause of German art and archaeology in this country.

The building, which is of red brick with stone trimmings, is in the style of the German Renaissance, and is the work of the Boston architect, Mr. Guy Lowell. It is one of the most important buildings recently erected in Cambridge, and its completion is an event of great significance for the University and the city.

The museum is situated on the north side of the Fogg Art Museum, and is entered from the latter. The entrance hall is lofty and spacious, and is lighted from above. On the right is the lecture room, and on the left, the library and the offices of the director and the curator. The main hall is on the second floor, and is lighted from above. It is a spacious and lofty room, with a gallery running round it. The walls are of brick, with stone trimmings, and the floor is of terrazzo. The ceiling is of wood, and is decorated with the coats of arms of the German states. The main hall is surrounded by a gallery, from which the various rooms are entered.

The museum contains a valuable collection of objects illustrating the art, archaeology, and history of the German people from the earliest times to the present day. The collection includes a large number of objects of great historical interest, as well as many works of art of high merit. Among the most important objects are a series of portraits of German emperors and kings, a collection of arms and armor, and a series of models illustrating the development of German architecture.

The museum is open to the public on week-days, and is free to all visitors. It is intended that the museum shall be a center of German culture in this country, and that it shall be a means of promoting a better understanding of the German people and their history.

The building, which has been erected at a cost of about $250,000, is a gift from the German government, and is a tribute to the friendship and good will which have always existed between the two countries. It is to be hoped that it will be the means of promoting a still closer friendship and a better understanding of the German people and their history.

Mr. Hugo Munsterberg, Professor of Psychology in Harvard University, who is a native of Germany, delivered an address at the opening of the museum, in which he said: "This museum is an evidence of the sympathy and good will which exist between the two countries. It is a testimony to the fact that the German people are not only a great people, but also a people of culture. It is a testimony to the fact that the German people are not only a people of culture, but also a people of progress. It is a testimony to the fact that the German people are not only a people of progress, but also a people of peace."

The opening of the museum was attended by a large number of distinguished guests, including representatives of the German government, and of the universities and learned societies of Germany and this country. Among those present were the German ambassador, the minister of Germany at Washington, and the German consul at Boston.

The museum is to be formally opened on the 15th of October, and will be open to the public on that day and on the following days. It is intended that the museum shall be a center of German culture in this country, and that it shall be a means of promoting a better understanding of the German people and their history.

The building, which has been erected at a cost of about $250,000, is a gift from the German government, and is a tribute to the friendship and good will which have always existed between the two countries. It is to be hoped that it will be the means of promoting a still closer friendship and a better understanding of the German people and their history.

Mr. Hugo Munsterberg, Professor of Psychology in Harvard University, who is a native of Germany, delivered an address at the opening of the museum, in which he said: "This museum is an evidence of the sympathy and good will which exist between the two countries. It is a testimony to the fact that the German people are not only a great people, but also a people of culture. It is a testimony to the fact that the German people are not only a people of culture, but also a people of progress. It is a testimony to the fact that the German people are not only a people of progress, but also a people of peace."

The opening of the museum was attended by a large number of distinguished guests, including representatives of the German government, and of the universities and learned societies of Germany and this country. Among those present were the German ambassador, the minister of Germany at Washington, and the German consul at Boston.

Boston Herald, Sept. 19, 1916

The image is a newspaper article from the Boston Herald, dated September 17, 1916. The headline reads "Scaffolding Comes Down and Discloses 'A Thoroughly German Building.'"

Here's a detailed summary of the article:

The article discusses the new Germanic Museum at Harvard University, which has recently had its scaffolding removed, revealing the completed building. The author describes the building as a remarkable edifice that brings to mind the architecture and cultural essence of Germany.

Key points from the article include:

1. Architectural Style and Impression:

   • The building is praised for its authentic German character, featuring elements like half-timber work and a steep roof.
   • The article notes the mood and atmosphere the building evokes, reminiscent of the German towns and countryside.

2. Interior and Exterior Details:

   • The interior is highlighted for its use of various German woods and decorative elements like Delft tiles and stained glass.
   • The exterior is made of medieval stone and includes a courtyard that adds to the building’s aesthetic.
   • The museum houses collections of art and historical artifacts from different parts of Germany.

3. Historical and Cultural Significance:

   • The museum’s design and artifacts aim to showcase the rich history and culture of Germany.
   • The author appreciates the craftsmanship and the sense of bringing a piece of Germany to America.

4. Public and Academic Reception:

   • The building is seen as a valuable addition to Harvard’s campus, intended to serve educational and cultural purposes.
   • The Germanic Museum is described as a place that will be of interest to both the academic community and the general public.

5. Architectural Comparison:

   • The article mentions that while the Germanic Museum stands out due to its authentic design, it does not conflict with the neighboring structures, blending well into the surrounding area.

6. Future Plans and Dedication:

   • The museum is set to be dedicated formally in November.
   • The article also mentions that the museum's construction was a significant undertaking, involving the efforts of many individuals and organizations.

Overall, the article provides an enthusiastic and detailed description of the Germanic Museum, emphasizing its architectural beauty, cultural significance, and the meticulous effort that went into its construction.

The image is a newspaper clipping from the Boston Herald, dated September 17, 1916. The article discusses the new Germanic Museum at Harvard University, which was designed by the German architect, Professor Franz Schwechten, and built by the firm of Messrs. John and George McDonald.

Key points from the article include:

1. Background and Design:

   • The museum was built as a memorial to the German heritage and culture.
   • The design incorporates a blend of traditional and modern German architectural styles.
   • It is noted for its "thoroughly German building" and reflects a combination of historical and contemporary German architectural elements.

2. Construction and Funding:

   • The article highlights the German craftsmanship involved in the construction.
   • The funds were raised through donations from German students and alumni at Harvard.
   • The construction utilized German materials and labor, showcasing the meticulous attention to detail and quality.

3. Architectural Style:

   • The article describes the museum as a "thoroughly German" building, with architectural elements such as a Gothic-inspired tower and detailed stonework.
   • The building features a combination of elements from various German architectural periods, including Renaissance and Baroque styles.

4. Materials and Craftsmanship:

   • The use of sandstone and intricate stone carvings is highlighted.
   • The exterior and interior are adorned with elaborate carvings and decorations, reflecting high-quality German craftsmanship.

5. Purpose and Significance:

   • The museum is intended to serve as a cultural and educational institution, preserving German heritage and history.
   • It is described as a "thoroughly German building" that will serve as a lasting monument to German culture and craftsmanship.

6. Reactions and Opinions:

   • The article mentions the opinions of various people, including the president of Harvard, who commended the museum's construction and design.
   • It also notes the reactions of German and American architects, who praised the building's aesthetic and structural qualities.

The article concludes with a note on the overall significance of the museum in the cultural landscape of Harvard University and its role in preserving German heritage in the United States.

This image displays a page from a book or a scrapbook that contains a newspaper article. The article is old and yellowed with age. The headline reads, "Scaffolding Comes Down and Discloses 'a Thoroughly German Building.'" There is a subheadline or introductory note, but it's partly obscured due to the alignment of the paper.

The article seems to discuss the Germanic Museum of Harvard University, referencing an exhibit of German materials and discussing the architectural details and significance of the building. There are several columns of text, implying that the article is lengthy and detailed.

On the right edge and the bottom, you can see that the paper is torn and frayed, indicating wear and possibly some missing sections. There is a handwritten note in blue ink at the bottom right corner that reads "Boston Herald Sept. 17, 1916," which presumably indicates the source and date of the publication.

The physical condition of the page suggests it has been handled frequently or has not been stored in optimal conditions. The page appears to be pinned or taped at the top left corner, as indicated by either a discoloration or a physical pin (the image does not clearly show which). It's also clear that the page has been folded vertically down the center at some point, evident from the crease mark.

This image shows a scrapbook page containing a newspaper article and several clippings. The primary article is titled "Scaffolding Comes Down and Discloses 'a Thoroughly German Building.'" It discusses the new Germanic Museum at Harvard University and describes its architecture, interior, and the significance of its design elements.

The left-hand side of the page has the main article running the full length. Several columns of text detail various aspects of the building, including the craftsmanship, materials used, and cultural representations. The article touches on the contributions of German art and how the building reflects German character.

On the right-hand side of the page, there are several smaller clippings providing additional information or opinions related to the main article. These small clippings are pasted in various orientations around the main article, filling in the gaps on the page. At the bottom right corner, there is a handwritten note that reads "Boston Herald, Sept. 17, 1916," indicating the source and date of the newspaper publication.

The overall appearance of the page is aged, with yellowing and fading typical of old paper. The edges of the page are slightly tattered, and the clippings are in various sizes and formats, contributing to an eclectic and historical feel.

The image shows a scrapbook or album page containing several newspaper clippings pasted onto it. The primary clipping is a long article titled "Scaffolding Comes Down and Discloses 'a Thoroughly German Building.'" The text discusses the new Germanic Museum of Harvard University, its architecture, and the significance of the building.

There are four smaller clippings pasted around the main article. These smaller clippings continue talking about the museum, including details about the artists involved, the architectural features, and the patriotic purpose behind the museum, as well as the location and description of the building and surrounding area.

The articles emphasize the cultural and artistic value of the Germanic Museum, its German architectural style, the craftspeople involved, and the significance of the museum as a contribution to Harvard and the broader community.

At the bottom right of the page, there is a handwritten note that reads:
"Boston Herald
Sept. 17, 1916."

The page itself looks aged, with some discoloration and torn edges, indicating its historic nature.

The image depicts an open book or newspaper page, likely from an historical publication dated September 11, 1916, as indicated by the handwritten note at the bottom right corner. The page features a detailed article titled "Scaffolding Comes Down and Discloses 'a Thoroughly German Building.'" The article appears to be a review or commentary on a newly constructed building, likely the Germanic Museum at Harvard University, which has recently had its scaffolding removed, revealing the completed structure.

Key Observations:

1. Title and Context:

   • The headline emphasizes the unveiling of a building described as "thoroughly German," suggesting a strong architectural and cultural influence from Germany.
   • The article discusses the building's design, construction, and significance, likely focusing on its architectural and historical value.

2. Content Overview:

   • The article is dense with text, divided into multiple paragraphs, and includes both descriptive and analytical content.
   • It mentions the building's location, materials, and construction process, as well as its historical and cultural context.
   • The text references notable figures, such as Frank H. Swift, who is credited with the design, and Warren Warren, the sculptor who contributed to the artwork.
   • The article also discusses the building's placement within the Harvard campus and its role as a cultural and educational institution.

3. Visual Elements:

   • The page is filled with text, with no visible images or illustrations within the frame. However, the article references a "new Germanic building" and describes its features, such as the Divinity Avenue entrance, sculptures, and architectural details.
   • The text is formatted in a traditional newspaper or magazine style, with justified alignment and clear typography.

4. Handwritten Note:

   • In the bottom right corner, there is a handwritten note that reads "Boston Herald Sept. 11, 1916", indicating the source and date of the article. This suggests the page is from a historical newspaper archive.

5. Themes and Tone:

   • The tone is informative and analytical, discussing the building's architectural merits, its cultural significance, and its role in the broader context of German-American relations and cultural preservation.
   • The article highlights the building's design as a reflection of German architectural principles and its importance as a cultural landmark.

Conclusion:

The image shows a historical article from the Boston Herald dated September 11, 1916, discussing the unveiling of the Germanic Museum at Harvard University. The article provides a detailed account of the building's architecture, construction, and cultural significance, emphasizing its German influence and role as a cultural and educational institution. The handwritten note at the bottom confirms the source and date of the publication.