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ARCH.2013.5.1, Rendition: 793665
The image is a page from a publication featuring an article titled "The Germanic Museum of Harvard University" by Kuno Francke. The article discusses the establishment of a professorship in the history of German art and culture at Harvard University's Germanic Museum. The text mentions that a decision on appointing a distinguished scholar from Germany for this position is expected soon.
The main purpose of the museum is described as presenting full-size reproductions of outstanding works of German sculpture and painting, providing a historical survey of German culture. The article addresses doubts about the usefulness of such a museum, emphasizing that reproductions can never replace originals but can still be valuable.
A note at the bottom of the page indicates that Dr. Francke was appointed to the post of Curator of the Germanic Museum and Honorary Curator of the collection of reproductions after the article was written. The page number is 233.
The image at the top shows an exterior view of the Germanic Museum, depicting a large, elegant building with a clock tower and surrounded by trees.
The image is a scanned document containing an article titled "The Germanic Museum of Harvard University" by Kuno Francke. The article discusses the establishment of a professorship of the history of German art and culture at Harvard University, funded by American citizens interested in German affairs.
The article begins by stating that the professorship has been endowed but no appointment has yet been made. It anticipates that a decision will soon be reached regarding the appointment of a distinguished scholar from Germany. The purpose of the Germanic Museum is outlined as presenting a historical survey of German culture through reproductions of outstanding works of German sculpture and painting.
The text also addresses concerns about the usefulness of such a museum, particularly the argument that reproductions cannot replace original works. The article notes that these doubts have been expressed from various quarters, but it does not elaborate on them further in the visible portion of the text.
At the bottom of the page, there is a footnote indicating that Dr. Francke has been appointed to the post and has held the title of Professor Emeritus and Honorary Curator of the Germanic Museum of Harvard University with dignity for over twenty years. The footnote also references a Boston Transcript article, dated October 28, 1922, which describes Dr. Francke's appointment as more than gratifying.
The article is accompanied by an image labeled "Exterior View of the Germanic Museum."
The image is a scanned page from a publication featuring an article about the German Museum of Harvard University. The title of the article is "The Germanic Museum of Harvard University," written by Kuno Francke.
The article discusses the establishment of a professorship in the history of German art and culture at the museum, which was made possible due to the generosity of American citizens interested in German affairs. The author anticipates that a distinguished scholar from Germany will be appointed to this position within a few months.
The main purpose of the museum is to present a historical survey of German culture through full-size reproductions of notable works of German sculpture and painting, emphasizing the outward aspects of German culture. The text also addresses some doubts raised about the usefulness of such a museum, specifically the concern that reproductions cannot replace originals, which the author acknowledges is a valid point.
At the bottom of the page, there is a footnote explaining that Dr. Francke, since the article was written, has been appointed to the post. His title is mentioned as Professor Emeritus and Honorary Curator of the Germanic Museum of Harvard University. The footnote also references an article in the Boston Transcript, dated October 29, 1926, which notes that Dr. Francke has been given recognition and honor for this establishment.
The page also includes a black-and-white photograph of the exterior of the Germanic Museum. The page number [233] is indicated at the bottom right corner of the page.
The image is a black-and-white photograph from a document or magazine article discussing the establishment of the Germanic Museum of Harvard University.
The article, titled "The Germanic Museum of Harvard University" by Kuno Francke, describes the creation of a professorship in the history of German art and culture at Harvard University, funded by American citizens interested in German affairs. Although no appointment has been made yet, the article anticipates that a distinguished scholar will soon be selected to head this professorship.
The main purpose of the museum, according to the article, is to showcase full-size reproductions of significant German sculptures and paintings, along with a comprehensive historical overview of German culture. The establishment of the museum has been met with mixed reactions, with some doubting its practicality due to concerns about not being able to display originals.
Additionally, there is a note indicating that Dr. Francke has been appointed to the post since the article was written, retaining his title as Professor Emeritus and Honorary Curator of the Germanic Museum of Harvard University. The text mentions that the museum's establishment is considered more gratifying than merely honorary.
The image depicts a page from a publication featuring an article titled "The Germanic Museum of Harvard University" by Kuno Francke. The page includes an exterior view of the Germanic Museum, described as a two-story building with a distinctive architectural style, including a tower and surrounded by trees.
The article discusses the establishment of the museum, its purpose, and the considerations that led to its creation. It mentions the potential endowment of a professorship in the history of German art and culture at Harvard University, although no appointment has been made at the time of writing. The museum aims to present full-size reproductions of outstanding works of German sculpture and painting, offering a historical survey of German culture. The article also addresses criticisms regarding the use of reproductions instead of originals, acknowledging that reproductions cannot replace originals but serving as a useful substitute.
A footnote indicates that Dr. Francke was appointed to the professorship after the article was written, and it includes tributes paid to him in the Boston Transcript. The page number at the bottom right corner is 233.
The image contains an article titled "The Germanic Museum of Harvard University" by Kuno Francke. The article is accompanied by a photograph labeled "Exterior View of the Germanic Museum."
The article discusses the establishment of the Germanic Museum at Harvard University, made possible through the generosity of several American citizens interested in German affairs. The museum is associated with a newly endowed professorship of the history of German art and culture at Harvard.
Kuno Francke, who authored the article, highlights that no appointment to this chair has been made yet, but a decision is expected soon. He underscores the importance of selecting a distinguished scholar for the role.
The main purpose of the museum is to present full-size reproductions of significant German sculptures and paintings, along with providing a historical survey of German culture. Some doubts have been raised regarding the usefulness of the museum, particularly the concern that reproductions may not effectively substitute for original works.
Despite these concerns, Dr. Francke asserts that the establishment of the Germanic Museum is timely and necessary, emphasizing its potential to greatly contribute to the understanding of German culture.
At the bottom of the page, there is a footnote acknowledging Dr. Francke's qualifications:
This is an image of a printed page from a publication, featuring a photograph and accompanying text. The photograph at the top shows an exterior view of the Germanic Museum at Harvard University, a stately building with architectural features such as a dome, decorative windows, and a semi-circular entrance.
Below the photograph is the title of the article: "THE GERMANIC MUSEUM OF HARVARD UNIVERSITY" followed by the author's name "By KUNO FRANCKE". The text goes on to discuss the establishment of the museum, its purpose, and some considerations regarding its operation and value. The author mentions that the museum has been recently endowed and refers to the importance of a professorship of the history of German art and culture. There is some reflection on whether a museum of reproductions can fulfill the same role as one with originals.
At the bottom of the page, there seems to be a footnote marked by an asterisk that provides additional information about Dr. Kuno Francke's qualifications and the significance of the museum's establishment.
The page itself shows signs of wear with a hole and rust mark at the top, suggesting it was once filed or bound in a collection.
The image is a page from a publication featuring the exterior view of the Germanic Museum at Harvard University, taken by Kuno Francke. The page includes a black-and-white photograph of the museum showing a building with a central tower and clock, multiple windows, and surrounding foliage. The photograph is captioned "EXTERIOR VIEW OF THE GERMANIC MUSEUM."
Below the photograph, the title "THE GERMANIC MUSEUM OF HARVARD UNIVERSITY" is prominently displayed, followed by "By Kuno Francke." The text transitions into an article discussing the museum, mentioning the generosity of American citizens interested in German affairs and the establishment of a professorship dedicated to the history of German art and culture. There is a notation below indicating that Prof. Kuno Francke was appointed to the post after the article was written, reflecting his professional recognition and honor.
The article elaborates on considerations leading to the museum’s foundation, emphasizing the importance of presenting full-size reproductions of German sculptures and paintings. It discusses the debate around reproductions versus original artworks, implying the reproductions cannot fully substitute for originals. The page is formatted with a clear heading, image, and well-structured text.
The image is a black and white photograph of a page featuring an exterior view of the Germanic Museum. The photo shows a large, stately building with a clock tower, multiple windows on the roof, and trees surrounding it. Below the photo, the page contains a title and text.
The title reads: "THE GERMANIC MUSEUM OF HARVARD UNIVERSITY" by Kuno Francke.
The text discusses the establishment of a professorship at the Germanic Museum of Harvard University, its purpose in presenting full-size reproductions of German sculpture and paintings, and mentions some skepticism about the usefulness of such reproductions compared to original works. There is also a footnote indicating that Dr. Francke has since been appointed to the position mentioned in the text. The page number at the bottom right is [233].
The page appears to be from an academic publication or journal.
The image shows a page from a publication titled "The Germanic Museum of Harvard University" by Kuno Francke. The page features a black-and-white photograph at the top, depicting the exterior view of the Germanic Museum. The building is a large, historic structure with a prominent tower, multiple chimneys, and a classic architectural style, surrounded by trees and a fence. The photograph is labeled "EXTERIOR VIEW OF THE GERMANIC MUSEUM."
Below the photograph, the main text begins with the phrase:
"Through the generosity of a number of American citizens interested in German affairs there has recently been endowed at the Germanic Museum of Harvard University a professorship of the history of German art and culture."
The text discusses the establishment of the Germanic Museum at Harvard University, highlighting its purpose, which includes presenting full-size reproductions of outstanding German works of sculpture and painting, as well as offering a historical survey of German culture. The author, Kuno Francke, emphasizes the importance of the museum and addresses concerns about the use of reproductions instead of originals.
At the bottom of the page, there is a footnote indicating that Kuno Francke has been appointed to the professorship since the article was written, and his title has been updated to include additional roles such as "Professor of the History of German Culture, Emeritus, and Honorary Curator of the Germanic Museum of Harvard University." The footnote also references a Boston Transcript article from October 26, which describes the establishment of the museum as "more than gratifying" and acknowledges the honor bestowed upon Dr. Francke.
The page number at the bottom right corner is [233], suggesting this is part of a larger publication or book. The overall tone and content indicate an academic or historical context, focusing on the cultural and educational significance of the Germanic Museum at Harvard University.